For time beyond memory, the Nine Families watched from the shadows, believing themselves shepherds and manipulating whole societies as they saw fit. Nothing happened that they didn't observe or control. Outsiders knew naught of the Families, much less threatened them. Until now. Van Jensen (Green Lantern Corps, The Flash) and Pete Woods (Action Comics, Deadpool) join forces for a high-octane sci-fi thriller. Delve into a conspiracy millennia in the making.
In the wake of tragedy, Grahame makes a desperate gamble for leadership of the Mars Family. But to do so, he must battle with his stepsister Temple for the Spear of Mars. Elsewhere, Bela's document leak has brought her fame and attention, but she begins to question the motives of her new ally, Hum. Also: The Lizard Men attack! A blend of The X-Files and Marvel's A.I.M., a fun and thrilling adventure melding conspiracy theories, alternate history, trippy sci-fi, political thrills, and intense action!
For time beyond memory, the Nine Families watched from the shadows, believing themselves shepherds and manipulating whole societies as they saw fit. Nothing happened that they didn't observe or control. Outsiders knew naught of the Families, much less threatened them. Until now. Van Jensen (Green Lantern Corps, The Flash) and Pete Woods (Action Comics, Deadpool) join forces for a high-octane sci-fi thriller. Delve into a conspiracy millennia in the making.
For time beyond memory, the Nine Families watched from the shadows, believing themselves shepherds and manipulating whole societies as they saw fit. Nothing happened that they didnt observe or control. Outsiders knew naught of the Families, much less threatened them. Until now. A blend of The X-Files and Marvels A.I.M.! Featuring art by Pete Woods (Deadpool, Catwoman, Superman, Action Comics).
The Nine Families have ruled civilization from the shadows for time beyond memory. But now, for the first time, they are being hunted. Family leaders begrudgingly forge an alliance to discover the hunterÈs identity, but in so doing only place themselves in greater danger.
The Nine Prophecies foretell a great cataclysm and the end of the age of the Nine Families that secretly rule the world. The first has come true, and now the mysterious and deadly Hum aims to fulfill the others. Agent Grahame is desperate to prove that Hum is just a mana man who can be killed. Elsewhere, radio host Bela is drawn into the fight for the fate of the world as she learns some of the FamiliesÈ long-hidden secrets.
A blend of The X-Files and Marvels A.I.M. Hidden away in northern China is the Preserve, a walled-off compound where the Nine Families have secreted away the worlds deadliest cryptozoological creatures. Grahame and Jason venture inside to search for a clue to the origin of the Mothmen, but learning the truth is only the first step. Then, theyll have to escape alive. Elsewhere, Bela shines a bright light on the Cryptocracy, sparking her followers to war. A fun and thrilling adventure melding conspiracy theories, alternate history, trippy sci-fi, political thrills, and intense action!
The Mars Family base is under attack, besieged by Hum and his army of deadly cryptids. To save his people in this epic battle, Grahame must step forward as a leader, putting everything he cares about on the line to salvage the broken remains of the Cryptocracy. A blend of The X-Files and Marvel's A.I.M. Cryptocracy sets up a grand stage that will play out for years, and creates enough questions that it leaves the reader enthralled after the last panel.Capeless Crusader
The groundbreaking first edition of Secret and Suppressed influenced many in the conspiratorial 90s (including Chris Carter and his X-Files). Now comes the second edition, presenting a new set of revelations, rants, visions and nightmares that illuminate the paranoid and nightmarish post-9/11 world.
When nations decide to disown their troubled pasts, how does this strategic disavowal harden into social fact? In Negative Exposures, Margaret Hillenbrand investigates the erasure of key aspects of such momentous events as the Nanjing Massacre, the Cultural Revolution, and the Tiananmen Square protests from the Chinese historical consciousness, not due to amnesia or censorship but through the operations of public secrecy. Knowing what not to know, she argues, has many stakeholders, willing and otherwise, who keep quiet to protect themselves or their families out of shame, pragmatism, or the palliative effects of silence. Hillenbrand shows how secrecy works as a powerful structuring force in Chinese society, one hiding in plain sight, and identifies aesthetic artifacts that serve as modes of reckoning against this phenomenon. She analyses the proliferation of photo-forms—remediations of well-known photographs of troubling historical events rendered in such media as paint, celluloid, fabric, digital imagery, and tattoos—as imaginative spaces in which the shadows of secrecy are provocatively outlined.
