A figure wearing a white mask swoops down a deserted hospital corridor towards a quarantined patient. Covered in black sores and writhing in agony the patient can't be saved by modern medicine. But then, the masked figure is not a modern doctor... Bodies are being discovered all over London, all marked with the same black sores - it seems a contagious disease is spreading across the city. But when witnesses all report seeing the same mysterious masked figure it seems there's something more sinister going on. This is a case for CRYPT: a team of elite teenage agents who use their extra sensory perception and arsenal of high-tech gadgets to investigate crimes that the police can't solve.
The face of evil. And the face of greed… The video showed a nearly naked man bloodied and beaten. Even as archaeologist and TV presenter Annja Creed watched, the clock on his suicide vest ticked down, and precious seconds were lost. But this was no stranger. Garin was her friend. Their fates had been bound by the secrets of Joan of Arc's sword. And Annja had less than twenty-four hours to save his life…. The price for Garin's life was the lost mask of Torquemada, rumored to have been cast by the Grand Inquisitor himself, five hundred years ago during the Spanish Inquisition. Abandoned crypts, lost palaces and a cruel and ancient brotherhood: all clues to the mask's complicated and deadly mystery that Annja, and her mentor, Roux—using all of their considerable resources and cunning—must solve before Garin runs out of time. Annja Creed is facing her greatest trial. And not even the holy sword of Joan of Arc can spare her from the final judgment.
Cryptic drawings, maps, strange symbols. This is what twelve-year-old Mike Hilliard discovers as he investigates the long-dead, ruthless millionaire Titus Morley. As these strange symbols and drawings hover in his dreams, Mike rambles through the listless Cleveland Heights summer with Billy Hayworth, a photography intern at the Western Reserve Historical Society, where Mike’s uncle, Robert “Otto” Hilliard is an historian. After his death in an 1872 refinery explosion, Titus Morley’s treasure trove of rare grimoires and ancient masks disappeared. Could the drawings and maps provide clues? Mike and Billy are determined to find out. But after rambling through a nearby cemetery at midnight, Mike’s confidence is shaken, Billy is not the same, and a soul-stirring horror has been awakened. A fortune in missing books and masks. A long-dead millionaire who wanted out of his body and wanted to command the dead. Bodies missing from morgues and graves. What can these things possibly mean to a boy spending the summer with his uncle?
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A Rick Sage Mystery: Harley-riding PI, Rick Sage, follows his heart into darkness once again when he meets up with ten-year-old Pedro, a Mexican-American kid lost on the streets of Tijuana. Pedro hires Rick, with the two dollars and thirty-five cents he has left in his pocket, to find the gang of antiquities thieves who murdered his parents. Shadowed by a jaguar spirit Rick begins to believe is real, his promise to help the boy takes them on a trail leading from Tijuana to the Copper Canyon, then on to Mexico's Mayan ruins at Palenque, and down a jungle border river into Guatemala. Along the way, Rick and Pedro join up with a beautiful but mysterious redheaded nun, and a magical, fleet-footed Tarahumara shaman. Haunted by his own tragic childhood, Rick is determined to fulfill his promise to Pedro to find the murderers and recover the Jade Death Mask of the Jaguar Cult, as they are drawn deeper and deeper into a dark plot lit only by the beacons of a jaguar's eyes.
A circle broken and laid at your feet, accident, perhaps? A part suspects the circle broken intentionally to represent a broken trust. No sooner than the word normal escapes lips, a new threat takes its place. An evil fog covers the world, slowly taking shape and grasping for small amounts of power it can find. New bonds mend and new hostilities break with no end in sight. A broken path appears on the edge of our heroes minds but they will not travel down unfamiliar territory. Broken. The word keeps repeating, broken. A broken shield tarnished by lies and tempered in secret remains in the hands of the future crown. A power long believed lost returns to take what it claimed by right thru the warmth of gold. Words stop writing and the pages grow fewer with each turn.
The Drowned Muse is a study of the extraordinary destiny, in the history of European culture, of an object which could seem, at first glance, quite ordinary in the history of European culture. It tells the story of a mask, the cast of a young girl's face entitled "L'Inconnue de la Seine" (the Unknown Woman of the Seine), and its subsequent metamorphoses as a cultural figure. Legend has it that the "Inconnue" drowned herself in Paris at the end of the nineteenth century. The forensic scientist tending to her unidentified corpse at the Paris Morgue was supposedly so struck by her allure that he captured in plaster the contours of her face. This unknown girl, also called "The Mona Lisa of Suicide," has since become the object of an obsessive interest that started in the late 1890s, reached its peak in the 1930s, and continues to reverberate today. Aby Warburg defines art history as "a ghost story for grown-ups." This study is simlarly "a ghost story for grown-ups," narrating the aura of a cultural object that crosses temporal, geographical, and linguistic frontiers. It views the "Inconnue" as a symptomatic expression of a modern world haunted by the earlier modernity of the nineteenth century. It also investigates how the mask's metamorphoses reflect major shifts in the cultural history of the last two centuries, approaching the "Iconnue" as an entry point to understand a phenomenon characteristic of 20th- and 21st-century modernity: the translatability of media. Doing so, this study mobilizes discourses surrounding the "Inconnue," casting them as points of negotiation through which we may consider the modern age.
"Mask of Death" by Paul Ernst. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
