Crossover Cinema

Crossover Cinema

Author: Sukhmani Khorana

Publisher: Routledge

Published: 2013-10-23

Total Pages: 185

ISBN-13: 113622176X

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Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world. This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption.


Crossover Cinema

Crossover Cinema

Author: Sukhmani Khorana

Publisher: Routledge

Published: 2013-10-23

Total Pages: 191

ISBN-13: 1136221751

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Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world. This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption.


Bobby Cinema TV and Movie Crossover

Bobby Cinema TV and Movie Crossover

Author: Bobby Cinema

Publisher: CreateSpace

Published: 2014-02-28

Total Pages: 32

ISBN-13: 9781496110848

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I am introducing my new movie or tv characters crossing over existing television characters on tv or movies. I writing a plot summary or a synopsis about potential crossovers that could lead us off to a spin off or a movie franchise from my characters that I created to interact with my favorite shows to my potentials that I created for a few years. I been rejected by Hollywood for a long time because they don't take unsolicited material to writers. Unsolicited means no new guys, it's kind of tough to find an agent or a producer to cut you some slack since they don't take unsolicited material. I wrote my first book on twenty movie and tv show ideas and spin offs that you can't pitch to a television network or a movie studio. Because they don't take unsolicited material and so does an agency that will take it too. I watch a lot of tv, I read about fan fiction on the internet where TV shows crossover to other shows or movies. They all stink, but at least they can hear them out or see what happens. As for me, I found another way to get people to read about what happens if an existing tv series interact any of my characters that I created. So, I'm showing the world what would happen any of my characters on my movies that I create would meet an existing tv characters on a crossover. I would love to see people to get their opinion when they read this book and ask if they want my movie characters that I create come to life or want to see if it happens. If they don't I understand. But I want to get people's opinion if they want to see my movie characters come to life. Instead of tv or movie executives and agents reject me and tell me we don't take unsolicited material. My niece ever thinks about going into the business with me, I can tell her it's a long shot. Mostly the only way she go into the business if she knew the right people that can get her in. I wish I knew the right people that could got me in. I kind of wasted years on meeting the wrong people that didn't put my foot in the door. I writing this book for my niece Lakeh Chavala, if she ever wants to go into the business with me someday, that I will be her right person to get her foot in the door. That's the reason why I'm writing this book, because I want to show people how tough Hollywood is and maybe if we want to get our foot in the door, maybe this book could help them out. If they have an idea, instead of pitching it to a Movie or TV exec, we could write a book of our plot summaries or synopsis and get people's opinion to see if this book should be out in the big screen or tv. Their opinion and not the network. Same thing with publishing companies, they don't take unsolicited material too, but if you read on an independent publishing company called Trafford. They'll publish anything for you. I hope when you read this book, give me your opinion and tell me what you think this book should be out on the big screen or on tv.


Bobby Cinema Arrowverse Crossover Series

Bobby Cinema Arrowverse Crossover Series

Author: Bobby Cinema

Publisher:

Published: 2018-11-16

Total Pages: 26

ISBN-13: 9781731457462

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Bobby Cinema is going to right another plot summaries and movie ideas for my new book. You remember that I Bobby Cinema's 20 movie and tv plot summary ideas. Also included Bobby Cinema tv and movie crossovers and Bobby Cinema 103 most hottest female celebrities in the world. So, I will come up new tv series into movies on a synopsis that I will pitch to my readers and hear their opinion what they think of my ideas. I want to inspire people to do what I do. Mostly book authors and screenwriters can pitch ideas or scripts to movie studios, tv networks and literary agencies and tell us we don't take unsolicited material. It means no new guys, there are plenty of ways to put your foot in the door. It will be tough for Hollywood producers and executives to give us a chance. I waited to long for me, but I never gave up. I found a way to put my foot in the door. Now it will be up to you to get your foot in the door like I did. I will write a few new Movie and tv spin off ideas from an old tv series as an old sequel series like Veronica Mars and Sex and the City. It will be up to you and I like to hear your opinion what you think and you tell me is these sequel series belongs in the silver screen or tv. But here it goes, see you at the other end.


Remapping World Cinema

Remapping World Cinema

Author: Stephanie Dennison

Publisher: Wallflower Press

Published: 2006

Total Pages: 220

ISBN-13: 9781904764625

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"Covering a broad scope, this collection examines the cinemas of Europe, East Asia, India, Africa and Latin America, and will be of interest to scholars and students of film studies, cultural studies and postcolonial studies, as well as to film enthusiasts keen to explore a wider range of world cinema."--Jacket.


Japanese Horror Cinema and Deleuze

Japanese Horror Cinema and Deleuze

Author: Rachel Elizabeth Barraclough

Publisher: Bloomsbury Publishing USA

Published: 2022-01-13

Total Pages: 264

ISBN-13: 1501368311

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Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.


Zainichi Cinema

Zainichi Cinema

Author: Oliver Dew

Publisher: Springer

Published: 2016-11-04

Total Pages: 240

ISBN-13: 3319408771

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This book examines how filmmakers, curators, and critics created a category of transnational, Korean-in-Japan (Zainichi) Cinema, focussing on the period from the 1960s onwards. An enormously diverse swathe of films have been claimed for this cinema of the Korean diaspora, ranging across major studio yakuza films and melodramas, news reels created by ethnic associations, first-person video essays, and unlikely hits that crossed over from the indie distribution circuit to have a wide impact across the media landscape. Today, Zainichi-themed works have never had a higher profile, with new works by Matsue Tetsuaki, Sai Yoichi, and Yang Yonghi frequently shown at international festivals. Zainichi Cinema argues that central to this transnational cinema is the tension between films with an authorized claim to “represent”, and ambiguous and borderline works that require an active spectator to claim them as images of the Korean diaspora.


Surveillance and Film

Surveillance and Film

Author: J. Macgregor Wise

Publisher: Bloomsbury Publishing USA

Published: 2016-09-08

Total Pages: 209

ISBN-13: 1628924829

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Winner of the Surveillance Studies Network Book Award: 2017 Surveillance is a common feature of everyday life. But how are we to make sense of or understand what surveillance is, how we should feel about it, and what, if anything, can we do? Surveillance and Film is an engaging and accessible book that maps out important themes in how popular culture imagines surveillance by examining key feature films that prominently address the subject. Drawing on dozens of examples from around the world, J. Macgregor Wise analyzes films that focus on those who watch (like Rear Window, Peeping Tom, Disturbia, Gigante, and The Lives of Others), films that focus on those who are watched (like The Conversation, Caché, and Ed TV), films that feature surveillance societies (like 1984, THX 1138, V for Vendetta, The Handmaid's Tale, The Truman Show, and Minority Report), surveillance procedural films (from The Naked City, to Hong Kong's Eye in the Sky, The Infernal Affairs Trilogy, and the Overheard Trilogy of films), and films that interrogate the aesthetics of the surveillance image itself (like Sliver, Dhobi Ghat (Mumbai Diaries), Der Riese, and Look). Wise uses these films to describe key models of understanding surveillance (like Big Brother, Panopticism, or the Control Society) as well as to raise issues of voyeurism, trust, ethics, technology, visibility, identity, privacy, and control that are essential elements of today's culture of surveillance. The text features questions for further discussion as well as lists of additional films that engage these topics.


Transnational Audiences

Transnational Audiences

Author: Adrian Athique

Publisher: John Wiley & Sons

Published: 2017-09-05

Total Pages: 221

ISBN-13: 1509506551

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In an interactive and densely connected world, transnational communication has become a central feature of everyday life. Taking account of a variety of media formats and different regions of the world, Adrian Athique provides a much-needed critical exploration of conceptual approaches to media reception on a global scale. Engaging both the historical foundations and contemporary concerns of audience research, Athique prompts us to reconsider our contemporary media experience within a transnational frame. In the process, he provides valuable insights on culture and belonging, power and imagination. Beautifully written and strongly argued, Transnational Audiences: Media Reception on a Global Scale will be essential reading for students and teachers of global media, culture and communications.