"Shelton also recounts the bittersweet triumph of seeing work published by men who later met with agonizing deaths, and the despair of seeing the creative strides of inmates broken by politically motivated transfers to private prisons. And his memoir bristles with hard-edged experiences, ranging from inside knowledge of prison breaks to a workshop conducted while a riot raged outside a barricaded door."--BOOK JACKET.
A major American novel, and arguably the finest work of literature ever to emerge from a US prison, On the Yard is a book of penetrating psychological realism in which Malcolm Braly paints an unforgettable picture of the complex and frightening world of the penitentiary. At its center are the violently intertwined stories of Chilly Willy, in trouble with the law from his earliest years and now the head of the prison’s flourishing black market in drugs and sex, and of Paul, wracked with guilt for the murder of his wife and desperate for some kind of redemption. At once brutal and tender, clear-eyed and rueful, On the Yard presents the penitentiary not as an exotic location, an exception to everyday reality, but as an ordinary place, one every reader will recognize, American to the core.
When members of a prominent coal-mining family go missing, Scotland Yard's Murder Squad teammates Inspector Walter Day and Sergeant Nevil Hammersmith investigate dark secrets and realize that the family's village is slowly sinking into underground mines.
As Jack the Ripper’s reign of terror in London comes to an end, a new era of depravity sets the stage for the first gripping mystery featuring the detectives of Scotland Yard’s Murder Squad. “If Charles Dickens isn’t somewhere clapping his hands for this one, Wilkie Collins surely is.”—The New York Times Book Review Victorian London—a violent cesspool of squalid sin. The twelve detectives of Scotland Yard’s Murder Squad are expected to solve the thousands of crimes committed in the city each month. Formed after the Metropolitan Police’s spectacular failure in capturing Jack the Ripper, they suffer the brunt of public contempt. But no one can anticipate the brutal murder of one of their own... A Scotland Yard Inspector has been found stuffed in a black steamer trunk at Euston Square Station, his eyes and mouth sewn shut. When Walter Day, the squad’s new hire, is assigned to the case, he finds a strange ally in Dr. Bernard Kingsley, the Yard’s first forensic pathologist. Their grim conclusion: this was not just a random, bizarre murder but in all probability, the first of twelve. The squad itself it being targeted and the devious killer shows no signs of stopping. But Inspector Day has one more surprise, something even more shocking than the crimes: the murderer’s motive.
"A powerful coming-of-age story of self-discovery and overcoming fear.”—Kirkus Reviews, starred review Ato hasn’t visited his grandmother’s house since he was seven. He’s heard the rumors that she’s a witch, and his mother has told him he must never sit on the old couch on her porch. Now here he is, on that exact couch, with a strange-looking drink his grandmother has given him, wondering if the rumors are true. What’s more, there’s a freshly dug hole in her yard that Ato suspects may be a grave meant for him. Meanwhile at school, Ato and his friends have entered a competition to win entry to Nnoma, the island bird sanctuary that Ato’s father helped created. But something is poisoning the community garden where their project is housed, and Ato sets out to track down the culprit. In doing so, he brings his estranged mother and grandmother back together, and begins healing the wounds left on the family by his father’s death years before. And that hole in the yard? It is a grave, but not for the purpose Ato feared, and its use brings a tender, celebratory ending to this deeply felt and universal story of healing and love from one of Ghana’s most admired children’s book authors.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS In a memoir of family bonding and cutting-edge physics for readers of Brian Greene’s The Hidden Reality and Jim Holt’s Why Does the World Exist?, Amanda Gefter tells the story of how she conned her way into a career as a science journalist—and wound up hanging out, talking shop, and butting heads with the world’s most brilliant minds. At a Chinese restaurant outside of Philadelphia, a father asks his fifteen-year-old daughter a deceptively simple question: “How would you define nothing?” With that, the girl who once tried to fail geometry as a conscientious objector starts reading up on general relativity and quantum mechanics, as she and her dad embark on a life-altering quest for the answers to the universe’s greatest mysteries. Before Amanda Gefter became an accomplished science writer, she was a twenty-one-year-old magazine assistant willing to sneak her and her father, Warren, into a conference devoted to their physics hero, John Wheeler. Posing as journalists, Amanda and Warren met Wheeler, who offered them cryptic clues to the nature of reality: The universe is a self-excited circuit, he said. And, The boundary of a boundary is zero. Baffled, Amanda and Warren vowed to decode the phrases—and with them, the enigmas of existence. When we solve all that, they agreed, we’ll write a book. Trespassing on Einstein’s Lawn is that book, a memoir of the impassioned hunt that takes Amanda and her father from New York to London to Los Alamos. Along the way, they bump up against quirky science and even quirkier personalities, including Leonard Susskind, the former Bronx plumber who invented string theory; Ed Witten, the soft-spoken genius who coined the enigmatic M-theory; even Stephen Hawking. What they discover is extraordinary: the beginnings of a monumental paradigm shift in cosmology, from a single universe we all share to a splintered reality in which each observer has her own. Reality, the Gefters learn, is radically observer-dependent, far beyond anything of which Einstein or the founders of quantum mechanics ever dreamed—with shattering consequences for our understanding of the universe’s origin. And somehow it all ties back to that conversation, to that Chinese restaurant, and to the true meaning of nothing. Throughout their journey, Amanda struggles to make sense of her own life—as her journalism career transforms from illusion to reality, as she searches for her voice as a writer, as she steps from a universe shared with her father to at last carve out one of her own. It’s a paradigm shift you might call growing up. By turns hilarious, moving, irreverent, and profound, Trespassing on Einstein’s Lawn weaves together story and science in remarkable ways. By the end, you will never look at the universe the same way again. Praise for Trespassing on Einstein’s Lawn “Nothing quite prepared me for this book. Wow. Reading it, I alternated between depression—how could the rest of us science writers ever match this?—and exhilaration.”—Scientific American “To Do: Read Trespassing on Einstein’s Lawn. Reality doesn’t have to bite.”—New York “A zany superposition of genres . . . It’s at once a coming-of-age chronicle and a father-daughter road trip to the far reaches of this universe and 10,500 others.”—The Philadelphia Inquirer
In this breathtaking sequel to "Dead I Well May Be," the mercenary Michael Forsythe is forced to infiltrate an Irish terrorist cell on behalf of the FBI, confronting murder, mayhem, and the prospect of his own death.
A deeply stirring account of one woman's experience teaching drama to women in prison. I began to understand that female prisoners are not "damaged goods" and to recognize that most of these women had toughed it out in a society that favors others-- by gender, class, or race. They are Desdemonas suffering because of jealous men, Lady Macbeths craving the power of their spouses, Portias disguised as men in order to get ahead, and Shylocks who, being betrayed, take the law into their own hands. So writes Jean Trounstine in Shakespeare Behind Bars. In this gripping account, Trounstine, who spent ten years teaching at Framingham Women's Prison in Massachusetts, focuses on six inmates who, each in her own way, discover in the power of great drama a way to transcend the painful constraints of incarceration. We meet: * Dolly, a fiftyish grandmother who brings her knitting to classes and starts a battered-women's group in prison *Bertie, a Jamaican beauty estranged from her homeland, torn with guilt, and shunned for her crime * Kit, a tough, wisecracking con who stirs up trouble whenever she can-- until she's threatened with losing her kids * Rose, an outsider in the prison community who lives with HIV and eventually gains acceptance through drama * Rhonda, a college-educated leader whose life falls apart when her father dies and who struggles in prison to reestablish her roots * Mamie, a nurse in the free world, now the prison gardener who makes cards with poetry and dried flowers and battles her own illness behind bars Shakespeare Behind Bars is a uniquely powerful work that gives voice to forgotten women, sheds a compassionate light on a dark world, and proves the redemptive power of art and education.
“An atmospheric, smart, often terrifying read” from the author of the Isles of Scilly Mysteries—now optioned for television (Louise Penny, #1 New York Times–bestselling author). Alice Quentin is a psychologist with some painful family secrets, but she has a good job, a good-looking boyfriend, and excellent coping skills, even when that job includes evaluating a convicted killer who’s about to be released from prison. One of the highlights of her day is going for a nice, long run around her beloved London—it’s impossible to fret or feel guilty about your mother or brother when you’re concentrating on your breathing—until she stumbles upon a dead body at a former graveyard for prostitutes, Crossbones Yard. The dead woman’s wounds are alarmingly similar to the signature style of Ray and Marie Benson, who tortured and killed thirteen women before they were caught and sent to jail. Five of their victims were never found. That was six years ago, and the last thing Alice wants to do is to enter the sordid world of the Bensons or anyone like them. But when the police ask for her help in building a psychological profile of the new murderer, she finds that the killer—and the danger to her and the people she cares about—may already be closer than she ever imagined. With gripping suspense and a terrific new heroine, Kate Rhodes’s Crossbones Yard introduces a powerful new voice in crime fiction. “A first novel by the British poet Kate Rhodes is a fast-moving, entertaining mix of sex, suspense and serial killings.” —The Washington Post
