In this book, conceived as a sort of Prolegomena to his two Teubner editions, Conte gives account of his choices in editing his Virgilian text. Engaging in a passionate debate with his predecessors and critics, he guides the reader in a fascinating journey in the history of transmission and interpretation of Georgics and Aeneid and shows how lively textual criticism can be.
Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.
These books are intended to make Virgil's Latin accessible even to those with a fairly rudimentary knowledge of the language. There is a departure here from the format of the electronic books, with short sections generally being presented on single, or double, pages and endnotes entirely avoided. A limited number of additional footnotes is included, but only what is felt necessary for a basic understanding of the story and the grammar. Some more detailed footnotes have been taken from Conington's edition of the Aeneid.
Love and tragedy dominate book four of Virgil's most powerful work, building on the violent emotions invoked by the storms, battles, warring gods, and monster-plagued wanderings of the epic's opening. Destined to be the founder of Roman culture, Aeneas, nudged by the gods, decides to leave his beloved Dido, causing her suicide in pursuit of his historical destiny. A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas' most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fate and fortune, the justice of the gods, imperial ambition and its victims, and ethnic differences. This course book offers a portion of the original Latin text, study questions, a commentary, and interpretative essays. Designed to stretch and stimulate readers, Ingo Gildenhard's incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Virgil's poetry and discussion of the most recent scholarly thought.
Provides senior students with a guide to reading and studying Virgil's Aeneid - Provides a reconstruction of its literary and historical context and a description of the epic's main outlines - Detailed analysis of each of the poem's twelve books - Discussion of use of form and style.
A lifelong opera lover, Bernard Williams's articles and essays, talks for the BBC, contributions to the Grove Dictionary of Opera, and program notes for the Royal Opera House, Covent Garden, and the English National Opera, generated a devoted following. This volume brings together these widely scattered and largely unobtainable pieces, including two that have not been previously published. It covers an engaging range of topics from Mozart to Wagner, including essays on specific operas by those composers as well as Verdi, Puccini, Strauss, Debussy, Janacek, and Tippett. --From publisher's description.
A complete treatment of Aeneid XI, with a thorough introduction to key characters, context, and metre, and a detailed line-by-line commentary which will aid readers' understanding of Virgil's language and syntax. Indispensable for students and instructors reading this important book, which includes the funeral of Pallas and the death of Camilla.
This book is aimed primarily at English-speaking Classical Civilization students taking courses in Virgil, epic and myth at schools, colleges and universities, but will also be of interest to students reading Virgil Aeneid 2 in Latin and to the general reader. The book provides something new for those studying Virgil in translation, offering a detailed and in-depth literary analysis of a single book of the Aeneid, one of the most famous and appealing parts of the whole poem. The book provides a brief introduction to Virgil and the Aeneid in general, and Book 2 in particular. It also offers literary analysis, in order to enhance critical appreciation and plain enjoyment, making the book really come alive. At the end of each chapter exercises, topics for investigation, and references to other scholars and Classical authors are included to extend the engagement with Virgil. At the end of the book, Appendix A contains translations of other versions of the fall of Troy, and Appendix B summarizes the rest of Aeneas’ narrative in Book 3 of the Aeneid (with translation of, and comment, on key passages).
Goldschmidt looks at the relationship between Rome's two great epic poems, Ennius' Annales and Virgil's Aeneid. Focusing on the intersections between intertextuality and the appropriations of cultural memory, Goldschmidt considers how Virgil's poem appropriates and re-writes the myths and memories which Ennius had enshrined in Roman epic.
