A Portrait of the Artist as a Young Man is semi-autobiographical, following Joyce's fictional alter-ego through his artistic awakening. The young artist Steven Dedelus begins to rebel against the Irish Catholic dogma of his childhood and discover the great philosophers and artists. He follows his artistic calling to the continent.
Divided into categories of critical cruxes; structure, image, symbol, and myth; and the impact of theory, this book is a collection of essays on James Joyce's "A Portrait of the Artist as a Young Man" and on James Joyce's place in modern letters.
This casebook offers a comprehensive introduction to this landmark in modern fiction. It includes an introductory overview of the work's composition and early reception; classic essays by Hugh Kenner, Patrick Parrinder, Wayne Booth, Fritz Senn, Michael Levenson, and Hélène Cixous; and a newly revised and expanded version of Maud Ellmann's "Polytropic Man."
A Companion to James Joyce offers a unique composite overview and analysis of Joyce's writing, his global image, and his growing impact on twentieth- and twenty-first-century literatures. Brings together 25 newly-commissioned essays by some of the top scholars in the field Explores Joyce's distinctive cultural place in Irish, British and European modernism and the growing impact of his work elsewhere in the world A comprehensive and timely Companion to current debates and possible areas of future development in Joyce studies Offers new critical readings of several of Joyce's works, including Dubliners, A Portrait of the Artist as a Young Man, and Ulysses
This is a collection of Joyce's non-fictional writing, including newspaper articles, reviews, lectures and essays. It covers 40 years of Joyce's life and maps important changes in his political and literary opinions.
" Presents important and scholarly criticism on major works from The Odyssey through modern literature" The critical essays reflect a variety of schools of criticism" Contains notes on the contributing critics, a chronology of the author's life, and an index" Introductory essay by Harold Bloom
Imagine an author who has become a legend in his own lifetime - all because of the novel he wrote in the first flush of youth. Novelist Eugene Pota is a cultural icon of the twentieth century, struggling to write what will be the last novel of his career. But what to write about when, like so many noted authors before him, all of Pota's output since that first, landmark novel has been scrutinized and dissected - and found wanting? PORTRAIT OF THE ARTIST, AS AN OLD MAN follows Pota's efforts to settle on a subject for his final work. In his search, Heller - through Pota - pays homage to his favourite authors and discusses the problems that have plagued so many writers whose later works failed to live up to the successes of their first: F. Scott Fitzgerald, Henry James, Jack London, Joseph Conrad, to name but a few. It is a rare and enthralling look into the artist's search for creativity, a search that comes at a point in life when impotence - both sexual and spiritual - has become a frustrating fact. Joseph Heller must have known that this would be his final novel; it stands as a fitting testament to the life and works of a leading light in modern literature.
Albert Wachtel is a professor of creative studies and literature at the Claremont Colleges' Pitzer College and the Claremont Graduate University. He also edited and contributed to Critical Insights: A Portrait of the Artist as a Young Man. His academic honors include three years as National Defense Education Act Fellow, the Creative Arts Institute fellowship, two National Endowment for the Humanities grants, and an appointment as a Danforth Associate. Wachtel is the author of The Cracked Lookingglass: James Joyce and the Nightmare of History (1992) and lie coedited Modernism: Challenges and Perspectives (1986). He has been published in five genres. His essays and stones have appeared in major journals, magazines, and newspapers, including tire Gettysburg Review, the Grain, the James Joyce Quarterly, the Journal of Aesthetics and Art Criticism, Midstream, Moment Magazine, the Southern Review and Spectrum, the Los Angeles Times, the San Francisco Chronicle, and the Wall Street Journal. Among the essays in this volume: "Showers of Atoms: Joyce's Theories of Literature in Context" by Tara Prescott "Finnegans Wake: Joyce's Find Gift" by Edmund L. Epstein "How to Deconstruct Joyce: Epiphany and the Woman in the Sea in J4 Portrait of the Artist as a Young Alan" by Peter Wagner Book jacket.
One of the most important books ever written on Uylsses, Dublin's Joyce established Hugh Kenner as a significant modernist critic. This pathbreaking analysis presents Uylsses as a "bit of anti-matter that Joyce sent out to eat the world." The author assumes that Joyce wasn't a man with a box of mysteries, but a writer with a subject: his native European metropolis of Dublin. Dublin's Joyce provides the reader with a perspective of Joyce as a superemely important literary figure without considering him to be the revealer of a secret doctrine.