Modernism, Ruben Darío, and the Poetics of Despair presents a detailed study of a neglected facet of Ruben Darío, and in general, of Hispanic Modernism: metaphysical and existential dimensions as preludes to Modernity. Alberto Acereda and J. Rigoberto Guevara approach the life and death issues in Darío works with special emphasis on his poetry. The authors demonstrate how the Nicaraguan poet takes the first steps towards poetic modernity. The tragic component of Darío works are examined in the light of Nineteenth Century philosophy, especially the work of Arthur Schopenhauer. Various thematic proposals are also formulated for the study of the works of Ruben Darío.
During the past century, an enormous effervescence of events changed the sociopolitical configuration of the world. The interpretation of these facts helped further deepen the crisis in which modern thought already found itself--and it generated the uncertain and unstable environment in which we live today, the so-called postmodernity, late modernity, or hypermodernity. In this context, one of the most profound impacts is most certainly the one on religion. During the twentieth century, religion proved not to be banished from the human horizon as the masters of suspicion intended. Known as the godless century, the twentieth century saw also a resuscitation of the search for the sense of life and spirituality. With the crisis of modern reason, humankind turned toward consumerism and provisional and "light" practices. The last century represents not only the height of the postmodernization process but also the rescue of the transcendent and absolute, even if it is an absolute without face and identity. It is in this scenario that religious experiences, apparently exiled by modern rationality, begin to occur and multiply again. Mystical experiences will be, then, the basis for highlighting recurrent characteristics with universal import. But they will show a different configuration than before. One will be able to find them not in so-called sacred spaces but in very secular ones; not so much within institutions but at the borders, or even outside them; not configured by a specific tradition but in an interface that makes more than one tradition meet and dialogue.
The evidence behind the hit movie! God’s NotDead is apologetics for the twenty-first century, presented in clear and easy-to-follow terms. Learn to defend your faith in a world that’s determined to tear it down. The goal of God’s Not Dead is straightforward: to help readers develop a faith that is real and credible—and strong enough to help others find faith in God. Author Rice Broocks outlines a roadmap that guides seekers to acknowledge the most basic truths of Christianity: There is overwhelming and exciting evidence for God’s existence The God who exists is indeed the God of the Bible God has revealed his nature through his Son, Jesus Christ As shown during the movie, this is the original book on which the main character bases much of his debate points with his atheistic professor. It contains persuasive arguments crafted with tools borrowed from logic, science, philosophy, and scripture that will solidify your faith and provide starting points for discussions with skeptics. With clear, easy-to-follow explanations of key concepts and controversies, God’s NotDead is modern apologetics presented in layman’s terms. You will be empowered not only to talk about your own faith with confidence, but to lead others to a relationship with Jesus.
Para evitar la cautividad cultural, los fundamentos de la educaci—n cristiana deben ser repensados por cada generaci—n. De no hacerlo, dice el autor, los educadores cristianos Çcorren el riesgo de perpetuar ideas y pr‡cticas anticuadas, ajenas al evangelioÈ. ÇAl explorar con criterio los diversos fundamentos que han predominado y predominan en el pensamiento evangŽlicoÈ, continœa el autor, Çlos educadores pueden enfrentar mejor las necesidades de hoy y los retos del futuroÈ. En Cuestiones fundamentales de la educaci—n cristiana, el autor mismo se entrega a este proceso de evaluaci—n cr'tica, con importantes resultados. El autor llama a los educadores evangŽlicos a Çreafirmar las verdades b'blicasÈ, que constituyen la Çautoridad esencial para nuestra teor'a y pr‡cticaÈ, y a Çincorporar las verdades de otras disciplinasÈ, proceso que tiene que estar Çsujeto a la continua autoridad de la Palabra de DiosÈ.
Esta estimulante defensa de la fe, hecha por uno de los m&á s capaces defensores del cristianismo, es una reedici&ó n del cl&á sico History and Christianity, expandido para incluir el ensayo « Una defensa jur&í dica del cristianismo» del Dr. Montgomery.El Dr. John Montgomery, acadé mico, te&ó logo y apologista de la fe, desarroll&ó este libro a partir de un seminario que present&ó en la Universidad de British Columbia. Este accesible y convincente libro se divide en cuatro secciones:• La primera secci&ó n aborda cuatro errores b&á sicos que normalmente cometen aquellos que atacan la historicidad del Nuevo Testamento. • La segunda secci&ó n defiende la precisi&ó n de los documentos del Nuevo Testamento, usando pruebas que com&ú nmente se aplican a cualquier documento antiguo.• La tercera secci&ó n, titulada « Dios acorrala» , es una potente defensa de la naturaleza verdaderamente divina y verdaderamente humana de Cristo.• La cuarta secci&ó n muestra claramente que, si Jes&ú s no fuera el Hijo de Dios, las &ú nicas alternativas que quedan son o mentiroso o lun&á tico.• La &ú ltima secci&ó n contiene el ensayo « Una defensa jur&í dica del cristianismo» .El libro incluye la transcripci&ó n de un panel de discusi&ó n en el que el Dr. Montgomery, a partir de los cuatro puntos anteriores, argumenta convincentemente para demostrarle al lector la aplicaci&ó n de aquellos. Este es un excelente material para discusi&ó n en clases o estudio individual, especialmente apropiado para ayudar a j&ó venes cristianos a combatir conceptos humanistas de la Biblia y el cristianismo.
Deconstructing Paradise investigates Christian symbols that appear in Latin American Literature in an inverted way. The texts under investigation invert the Christian center to generate a social, political, cultural, or even artistic commentary. In doing so, each text underscores a search for meaning that rejects the centering presence of the more traditional Christian focus that has long validated humankind’s existence both in society and in literature. As Deconstructing Paradise examines, finding a unified center around which to construct meaning is no longer possible, although the search for meaning persists in the inverted Christian center. The first three chapters analyze the trifecta of novels that offer a full allegory of inverted Christian symbolism including: Miguel Ángel Asturias’ El Señor Presidente; Juan Rulfo’s Pedro Páramo and José Donoso’s El lugar sin límites. Chapters Four and Five focus on inverted Christ and inverted Judas figures in multiple novels and short fiction. As many Latin American literary critics affirm, it is increasingly difficult to categorize fiction after the Boom, although even the usefulness of these categories is ultimately questionable. Literary critics now look for patterns and Deconstructing Paradise offers one such pattern by identifying a trend in an impressive scope of the well-known authors of twentieth-century Latin American literature, while also tracing this pattern back to nineteenth-century precursors. Deconstructing Paradise offers a unique and comprehensive look at a significant trend that will undoubtedly foment new ideas and paths of study in contemporary Latin American literature.
"Father Ignacio Ellacuria, SJ, president of the University of Central America, leading Latin American philosopher, and liberation theologian, was assassinated with five Jesuit companions and two women on November 16, 1989. Love That Produces Hope brings together leading authorities on key aspects of Ellacuria's thought. The book introduces readers to the groundbreaking life and thought of Ignacio Ellacuria. His biography and writings embody late twentieth-century transformations and tensions that reshaped the life of the Catholic church among the crucified peoples of Central America. Love That Produces Hope evaluates the significance of Ellacuria's work, particularly his impact on theology, philosophy, and education. Ellacuria found hope in his faith that God's grace sustains the tenacious struggle of millions of men, women, and children to nurture those they love in the face of poverty and an uncertain future."--Publisher's website.
Through a series of rich photographs, Art of Captivity / Arte del Cautiverio tells a compelling story about the war on drugs in Central America. Entirely bilingual in both English and Spanish, the book focuses on the country of Guatemala, now the principle point of transit for the cocaine that is produced in the Andes and bound for the United States and Canada. Alongside a spike in the use of crack cocaine, Guatemala City has witnessed the proliferation of Pentecostal drug rehabilitation centers. The centers are sites of abuse and torment, but also lifesaving institutions in a country that does not provide any other viable social service to those struggling with drug dependency. Art of Captivity / Arte del Cautiverio explores these centers as architectural forms, while also showcasing the cultural production that takes place inside them, including drawings and letters created by those held captive. This stunning work of visual ethnography humanizes those held inside these centers, breaks down stereotypes about drug use, and sets the conditions for a hemispheric conversation about prohibitionist practices – by revealing intimate portraits of a population held hostage by a war on drugs.