This unique book explores criminalized identities and the idea of 'viscous culture' to provide new understandings of crime, punishment and justice. It shows that viscous culture encourages some of us to become outlaws, monsters or shapeshifters who challenge systems of domination and forces of control. Crime, Prisons and Viscous Culture interweaves analyses of popular culture with extensive empirical research to explore both the glamorous and grotesque nature of crime, control and containment. Through encounters with numerous popular and mythological archetypes the book explores the boundaries of the criminological discipline. Criminology itself is presented as fragmented, distorted and fascinating, and the important transdisciplinary potential of criminology is highlighted. In doing so, this book will be of great interest to scholars of criminology, cultural studies, popular culture and sociological theory.
Worldwide, there has been a growth in service user involvement in education and research in recent years. This handbook is the first book which identifies what is happening in different regions of the world to provide different countries and client groups with the opportunity to learn from each other. The book is divided into five sections: Section One examines service user involvement in context exploring theoretical issues which underpin service user involvement. In Section Two we focus on the state of service user involvement in human services education and research across the globe including examples of innovative practice, but also identifying examples of where it is not happening and why. Section Three offers more detailed examination of such involvement in a wide range of professional education learning settings. Section Four focuses on the involvement of service users in research involving a wide range of service user groups and situations. Lastly, Section Five explores future challenges for education and research to ensure involvement remains meaningful. The book includes forty-eight chapters, including seventeen case-studies, from all regions of the world, this is the first book to both highlight the subject’s methodological and theoretical issues and give practical examples in education and research for those wishing to engage in this field. It will be of interest to all service users, scholars and students of social work, nursing, occupational therapy, and other human service subjects.
This volume examines responses to the epidemic of HIV/AIDS in Anglophone popular musicians and music video during the AIDS crisis (1981–1996). Through close reading of song lyrics, musical texts, and music videos, this book demonstrates how music played an integral part in the artistic-activist response to the AIDS epidemic, demonstrating music as a way to raise money for HIV/AIDS services, to articulate affective responses to the epidemic, to disseminate public health messages, to talk back to power, and to bear witness to the losses of AIDS. Drawing methodologies from musicology, queer theory, critical race studies, public health, and critical theory, the book will be of interest to a wide readership, including artists, activists, musicians, historians, and other scholars across the humanities as well as to people who lived through the AIDS crisis.
Superhero meaning making is a site of struggle. Superheroes (are thought to) trouble borders and normative ways of seeing and being in the world. Superhero narratives (are thought to) represent, and thereby inspire, alternative visions of the real world. The superhero genre is (thought to be) a repository for radical or progressive ideas. In the superhero world and beyond, much is made of the genre's utopian and dystopian landscapes, queer identity-play, and transforming bodies, but might it not be the case that the genre's overblown normative framing, or representation, serves to muzzle, rather than express, its protagonists' radical promise? Why, when set against otherwise unbounded, and often extreme, transformation-human to machine, human to animal, human to god-are certain categories seemingly untouchable? Why does this speculative genre routinely fail to fully speculate about other worlds and ways of being in those worlds? For all their nonconformity, superhero stories do not live up to the idea of a radical genre, in look, feel, or tone. The mainstream American superhero genre, and its surrounding discourses, tells and facilitates an astonishingly seamless tale of opposing ideologies. But how? Recovering the Radical Promise of Superheroes: Un/Making Worlds serves a speculative response, detailing not so much a hunt for genre meaning as a trip through a genre's meaningscape. Looking anew at superhero meaning-making practices allows a distinct way of thinking about and describing the creative, formal, and ideological conditions of the genre and its protagonists, one removed from corralling binaries, one foregrounding the idea of a synergy-often unseen, uneasy, and even hostile-between official and unofficial agents of superhero meaning and one reframing familiar questions: What kinds of meaning do superhero texts engender? How is this meaning made? By whom and under what conditions? What processes and practices inform, regulate, and extend superhero meaning? And finally, superhero narratives present a new question: How might we reimagine its agents, surfaces, and spaces? Centering the experiences and practices of excluded and marginalized superhero fans, Recovering the Radical Promise of Superheroes reveals that genre meaning is not lodged in one place or another, neither in its official creators or fans, nor in "black and white" conservatism or in a "rainbow" of progressive possibilities. Nor is it even located somewhere in the in-between; it is instead better conceived of as an antagonistic, in-process nexus of meaning undergirded by systems of power. Ellen Kirkpatrick, based in northern Ireland, is an activist-writer with a PhD in Cultural Studies. In her work, she writes about activism, pop culture, fan cultures, and the transformative power of storytelling. She has published work in a range of academic journals and media outlets and her writings and work can be found at The Break and on Twitter @elk_dash.
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
Are public sector institutions being exposed to ever-greater oversight, audit and inspection in the name of efficiency, accountability and risk management? "Controlling Modern Government" explores the long-term development of controls over government across five major state traditions in developed democracies - US, Japan, variants of continental-European models, a Scandinavian case and variants of the Westminster model. A central aspect of the study is an eight country comparison of variety in the use of controls based in oversight, competition, mutuality and contrived randomness in the selected domains of the high bureaucracy at the core of the state, the higher education sector and the prison sector. Countries covered include Australia, France, Germany, Japan, the Netherlands, Norway, the UK and the USA. Providing a comparison of trends in the last quarter century in control over public sector activities in OECD countries, this book will be invaluable reading for academics and graduate students focussing on political science and public administration, as well as policymakers in OECD countries.
How did anxieties about crime and deviance emerge in the modern world, first in Europe and then in America? How did they come to occupy centre-stage in the ongoing drama played out in public discourse? And how have theories of crime and deviance related to the actual practices of social control and punishment, and to the main currents of social conflict? In this illuminating new book, Dario Melossi addresses these crucial questions, and at the same time offers an engaging survey of the theories of social control, crime and deviance. From the early work of Beccaria and Lombroso, via the pioneering sociology of 1920s Chicago, to 60s radicalism and the subsequent emergence of a “culture of fear”, the book covers the full range of theoretical thinking in this area, including more recent assessments of mass imprisonment in post-9/11 America. In a sharp and lucid style, Melossi argues that two orientations have always been battling each other in society, one in which the control of crime is paramount, and the other in which controlling crime becomes secondary to the exercise of wider social control. Conceived and written by a scholar who has been active for many years both in Europe and the United States, the text will be an invaluable aid to advanced students and scholars of sociology and criminology on both sides of the Atlantic.
Sensory Penalties aims to reinvigorate a conversation about the role of sensory experience in empirical investigation. It explores the visceral, personal reflections buried within forgotten criminological field notes, to ask what privileging these sensorial experiences does for how we understand and research spaces of punishment and social control.
¿Engaging and revealing.... With authority and clarity, Cecil provides a sensitive analysis of the popular spectacle of prisons in US culture today.¿ ¿Mathieu Deflem, University of South Carolina ¿Should be required reading for anyone who wishes to understand why society thinks the way it does about prisons, prisoners, guards, and punishment.¿ ¿Ray Surette, University of Central Florida Through the centuries, prisons were closed institutions, full of secrets and shrouded in mystery. But modern media culture has opened the gates. Dawn Cecil explores decades of popular culture¿from Golden Age Hollywood films to YouTube videos, from newspapers to beer labels, hip-hop music, and children¿s books¿to reveal how prison imagery shapes our understanding of who commits crimes, why, and how the criminal justice system should respond. Dawn K. Cecil is associate professor of criminology at the University of South Florida, St. Petersburg.
