When the mysterious connections between the disappearance of a small plane and the murder of a Native-rights activist are revealed, Inuit police inspector Matteesie Kitologitak of the RCMP must use his keen abilities to unravel the truth. Twists and turns throughout the case pose increasing danger as Matteesie uncovers a link between the murders and drug trafficking. Murder in a Cold Climate is the first of two Scott Young novels to feature the indomitable Inspector Matteesie, who returns for another investigation in The Shaman’s Knife.
Barry Forshaw, the UK's principal crime fiction expert, presents a celebration and analysis of the Scandinavian crime genre, from Sjöwall and Wahlöö's Martin Beck series through Henning Mankell's Wallander to Stieg Larsson's demolition of the Swedish Social Democratic ideal in the publishing phenomenon The Girl with the Dragon Tattoo .
It was midday on December 21st in the city of Tromsø when the boy was last seen: a tall, blond boy swathed in anorak and scarf against the Arctic noon. After that he wasn’t seen again, not until three months later, when Professor Mackenzie’s dog started sniffing around in the snow and uncovered a human ear, attached to a naked corpse. Nobody knew who he was, or where he had come from. And after three months it was almost impossible to track down the identity of the corpse. But Inspector Fagermo refused to give up, and as he probed deeper into the Arctic city he began to discover a dangerous conspiracy of blackmail, espionage, and cold-blooded murder.
In 2017, the heat waves, extreme wild fires, and flooding around the world confirmed beyond doubt that climate disruption is now a full-blown emergency. We have entered Churchill’s “period of consequences”, yet governments have simply watched the disasters magnify, while rushing ahead with new pipelines and annual trillions in fossil fuel subsidies. Governments simply cannot say they did not know. The events we are seeing today have been consistently forecast ever since the First Assessment by the Intergovernmental Panel on Climate Change, which was signed by all governments back in 1990, which The Lancet has described as the best research project ever designed. Unprecedented Crime first lays out the culpability of governmental, political and religious bodies, corporations, and the media through their failure to report or act on the climate emergency. No emergency response has even been contemplated by wealthy high-emitting national governments. Extreme weather reporting never even hints at the need to address climate change. It then reports how independently of governments, scores of proven zero-carbon game changers have been coming online all over the world. These exciting technologies, described in the book, are now able to power both household electricity and energy-dense heavy industry. We already have the technical solutions to the CO2 problem. With these solutions we can act in time to reduce greenhouse gas emissions to near-zero within 20 years. These willful crimes against life itself by negligent governments, oblivious media and an insouciant civil society are crimes that everyday citizens can nonetheless readily grasp – and then take to the streets and to the courts to protest on behalf of their children and grand-children. This thoroughly researched and highly-documented book will show them how.
Step by step, journalist Brennan walks readers through 13 notorious cases, drawing details from the confidential files of Alaska police detectives who investigate murder, mayhem, crimes of passion and greed, and an amazing amount of criminal stupidity.
Returning to duty after recovering from being stabbed by a murder suspect, Detective Sergeant Logan McRae becomes involved in the ritualistic murder of a three-year-old boy, whose body is found months after being reported missing.
Climate change has been a perplexing problem for years. In Dark Winter, author John L. Casey, a former White House national space policy advisor, NASA headquarters consultant, and space shuttle engineer tells the truth about ominous changes taking place in the climate and the Sun. Casey’s research into the Sun’s activity, which began almost a decade ago, resulted in discovery of a solar cycle that is now reversing from its global warming phase to that of dangerous global cooling for the next thirty years or more. This new cold climate will dramatically impact the world’s citizens. In Dark Winter, he provides evidence of the following: The end of global warming The beginning of a “solar hibernation,” a historic reduction in the energy output of the Sun A long-term drop in Earth’s temperatures The start of the next climate change to decades of dangerously cold weather The high probability of record earthquakes and volcanic eruptions A sobering look at Earth’s future, Dark Winter predicts worldwide, crop-destroying cold; food shortages and riots in the United States and abroad; significant global loss of life; and social, political, and economic upheaval.
PULITZER PRIZE FINALIST • The gripping true story of a murder on an Indian reservation, and the unforgettable Arikara woman who becomes obsessed with solving it—an urgent work of literary journalism. “I don’t know a more complicated, original protagonist in literature than Lissa Yellow Bird, or a more dogged reporter in American journalism than Sierra Crane Murdoch.”—William Finnegan, Pulitzer Prize–winning author of Barbarian Days In development as a Paramount+ original series WINNER OF THE OREGON BOOK AWARD • NOMINATED FOR THE EDGAR® AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Publishers Weekly When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and few people were actively looking for him. Yellow Bird traces Lissa’s steps as she obsessively hunts for clues to Clarke’s disappearance. She navigates two worlds—that of her own tribe, changed by its newfound wealth, and that of the non-Native oilmen, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit of Clarke is also a pursuit of redemption, as Lissa atones for her own crimes and reckons with generations of trauma. Yellow Bird is an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and—when it serves her cause—manipulative. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing.
In True Crime in Titletown, Mike Knetzger a Green Bay. Wisconsin police officer, and Tracy Ertl, a police dispatcher offer profiles of three historic unsolved crimes including a 1931 bank robbery, an extortion case and a restaurant murder. Knetzger and Ertl interviewd people involved in the crimes to fashion dramatic accounts of each crime.
Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.
