Crime and Culture in America
Crime and Culture in America

Author: Parviz Saney

Publisher: Praeger

Published: 1986-11-07

Total Pages: 240

ISBN-13:

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Saney cogently argues that in the absence of adequate support within social and legal norms, a heavy burden is placed upon the criminal justice system, a burden that it cannot carry. Criminal law and the courts fail to provide for either swiftness or certainty of punishment; police have failed to overcome the basic American distrust of authority to gain the comparable support enjoyed by police in other countries; and the penal system operates under contradictory goals, isolated from public view or support. The final chapter presents a succinct set of proposals for changing the justice system to one that would be humane and more just. Choice This thought-provoking study of the crime problem in America provides an in-depth look at the sociological forces that are dominant in today's society and examines the possible influence of certain contemporary values and perceptions on criminal activity, the quality of justice in the American courts, and the attitude of the general public. The author discusses the various factors that can affect or encourage criminal behavior and relates these directly to the way people feel and respond to the incidence of crime and its punishment, and to a growing lack of confidence in the criminal justice system. Crime in America is first presented in a factual context, followed by a discussion of its cultural influences, and finally with a consideration of its criminal law aspects.

Crime and the American Dream
Crime and the American Dream

Author: Steven F. Messner

Publisher: Cengage Learning

Published: 2012-06-14

Total Pages: 0

ISBN-13: 9781111346966

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Authored by Steven Messner and Richard Rosenfeld, both highly respected scholars and researchers, CRIME AND THE AMERICAN DREAM, 5th Edition is the seminal work in a major segment of criminological theory. The foundation of the book is institutional anomie theory (an offshoot of Mertonian anomie theory), which the authors posit helps to explain why America's over-emphasis on the pursuit of materialistic gain contributes to the country's high rate of violent crime. Featuring a very clear and accessible writing style, this is a theory book that students will actually understand. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

The Culture of Crime
The Culture of Crime

Author: Craig L. LaMay

Publisher: Transaction Publishers

Published: 1995-01-01

Total Pages: 216

ISBN-13: 9781412836456

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There is no journalistic work more deserving of the designation “story” than news of crime. From antiquity, the culture of crime has been about the human condition, and whether information comes from Homer, Hollywood, or the city desk, it is a bottom about the human capacity for cruelty and suffering, about desperation and fear, about sex, race, and public morals. Facts are important to the telling of a crime story, but ultimately less so than the often apocryphal narratives we derive from them. The Culture of Crime is hence about the most common and least studies staple of news. Its prominence dates at least to the 1830s, when the urban penny press employed violence, sex, and scandal to build dizzying high levels of circulation and begin the modern age of mass media. In its coverage of crime, in particular, the popular press represented a new kind of journalism, if not a new definition of news, that made available for public consumption whole areas of social and private life that the mercantile, elite, and political press earlier ignored. This legacy has continued unabated for 150 years. The book explores new wrinkles in the study of crime and as a mass cultural activity—from exploring the private lives of public officials to dangers posed by constraints to a free press. The volume is prepared with the rigor of a scholarly brief but also the excitement of actual crime stories as such. Throughout, the reader is reminded that crime stories are both news and drama, and to ignore either is to diminish the other. The work delves deeply into current problems without either sentimental or trivial pursuits. It will be a volume of great interest to people in communications research, the social sciences, criminologists, and not least, the broad public which must endure the punishment of crime and the thrill of the crime story alike.

Comic Book Crime
Comic Book Crime

Author: Nickie D. Phillips

Publisher: NYU Press

Published: 2013-07-15

Total Pages: 298

ISBN-13: 0814764525

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Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ calculations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.

The Crime Without a Name
The Crime Without a Name

Author: Barrett Holmes Pitner

Publisher: Catapult

Published: 2023-01-31

Total Pages: 337

ISBN-13: 1640095594

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In this incisive blend of personal narrative and philosophical inquiry, journalist and activist Barrett Holmes Pitner seeks a new way to talk about racism in America An NPR Best Book of the Year Can new language reshape our understanding of the past and expand the possibilities of the future? The Crime Without a Name follows Pitner’s journey to identify and remedy the linguistic void in how we discuss race and culture in the United States. Ethnocide, first coined in 1944 by Jewish exile Raphael Lemkin (who also coined the term "genocide"), describes the systemic erasure of a people’s ancestral culture. For Black Americans, who have endured this atrocity for generations, this erasure dates back to the transatlantic slave trade and reached new resonance in a post-Trump world.

Crime and Culture in America
Crime and Culture in America

Author: Parviz Saney

Publisher: Praeger

Published: 1986-11-07

Total Pages: 0

ISBN-13: 0313243409

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Saney cogently argues that in the absence of adequate support within social and legal norms, a heavy burden is placed upon the criminal justice system, a burden that it cannot carry. Criminal law and the courts fail to provide for either swiftness or certainty of punishment; police have failed to overcome the basic American distrust of authority to gain the comparable support enjoyed by police in other countries; and the penal system operates under contradictory goals, isolated from public view or support. The final chapter presents a succinct set of proposals for changing the justice system to one that would be humane and more just. Choice This thought-provoking study of the crime problem in America provides an in-depth look at the sociological forces that are dominant in today's society and examines the possible influence of certain contemporary values and perceptions on criminal activity, the quality of justice in the American courts, and the attitude of the general public. The author discusses the various factors that can affect or encourage criminal behavior and relates these directly to the way people feel and respond to the incidence of crime and its punishment, and to a growing lack of confidence in the criminal justice system. Crime in America is first presented in a factual context, followed by a discussion of its cultural influences, and finally with a consideration of its criminal law aspects.

Popular Culture, Crime and Social Control
Popular Culture, Crime and Social Control

Author: Mathieu Deflem

Publisher: Emerald Group Publishing

Published: 2010-04-21

Total Pages: 301

ISBN-13: 1849507325

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Contains contributions on the theme of popular culture, crime, and social control. This title includes chapters that tease out various criminologically relevant issues, pertaining to crime/deviance and/or the control thereof, on the basis of an analysis of various aspects and manifestations of popular culture, including music, and movies.

Encyclopedia of Contemporary American Culture
Encyclopedia of Contemporary American Culture

Author: Robert Gregg

Publisher: Routledge

Published: 2005-11-10

Total Pages: 881

ISBN-13: 1134719299

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As a meeting point for world cultures, the USA is characterized by its breadth and diversity. Acknowledging that diversity is the fundamental feature of American culture, this volume is organized around a keen awareness of race, gender, class and space and with over 1,200 alphabetically-arranged entries - spanning 'the American century' from the end of World War II to the present day - the Encyclopedia provides a one-stop source for insightful and stimulating coverage of all aspects of that culture. Entries range from short definitions to longer overview essays and with full cross-referencing, extensive indexing, and a thematic contents list, this volume provides an essential cultural context for both teachers and students of American studies, as well as providing fascinating insights into American culture for the general reader. The suggestions for further reading, which follows most entries, are also invaluable guides to more specialized sources.

The Roots of Violent Crime in America
The Roots of Violent Crime in America

Author: Barry Latzer

Publisher: LSU Press

Published: 2021-03-17

Total Pages: 451

ISBN-13: 080717484X

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The Roots of Violent Crime in America is criminologist Barry Latzer’s comprehensive analysis of crimes of violence—including murder, assault, and rape—in the United States from the 1880s through the 1930s. Combining the theoretical perspectives and methodological rigor of criminology with a synthesis of historical scholarship as well as original research and analysis, Latzer challenges conventional thinking about violent crime of this era. While scholars have traditionally cast American cities in the late nineteenth and early twentieth centuries as dreadful places, Latzer suggests that despite overcrowding and poverty, U.S. cities enjoyed low rates of violent crime, especially when compared to rural areas. The rural South and the thinly populated West both suffered much higher levels of brutal crime than the metropolises of the East and Midwest. Latzer deemphasizes racism and bigotry as causes of violence during this period, noting that while many social groups confronted significant levels of discrimination and abuse, only some engaged in high levels of violent crime. Cultural predispositions and subcultures of violence, he posits, led some groups to participate more frequently in violent activity than others. He also argues that the prohibition on alcohol in the 1920s did not drive up rates of violent crime. Though the bootlegger wars contributed considerably to the murder rate in some of America’s largest municipalities, Prohibition also eliminated saloons, which served as hubs of vice, corruption, and lawlessness. The Roots of Violent Crime in America stands as a sweeping reevaluation of the causes of crimes of violence in the United States between the Gilded Age and World War II, compelling readers to rethink enduring assumptions on this contentious topic.