Creativity and the Poetic Mind
Creativity and the Poetic Mind

Author: Jean Tobin

Publisher: Peter Lang

Published: 2004

Total Pages: 354

ISBN-13: 9780820469447

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Creativity and the Poetic Mind mingles the voices of well-known writers such as Nikki Giovanni, Donald Hall, John Koethe, Marge Piercy, and Robert Pinsky with newer voices, and includes engaging excerpts from interviews with thirty-eight American poets. Within a sustained argument about creative states of mind, this book innovatively presents and explores the technique of «going to the place» as more reliable in writing poetry than waiting for «inspiration». It explains why poets frequently believe that talking about their own poetry may damage their creativity and why, for centuries, inspiration has seemed to come from somewhere beyond the poet. In addition, it discusses the practicality of poets' thinking that «being creative» and «writing poetry» are two separate skills: inspiration is unreliable, but experienced poets create daily.

The English Poetic Mind
The English Poetic Mind

Author: Charles Williams

Publisher: Wipf and Stock Publishers

Published: 2008-03-01

Total Pages: 228

ISBN-13: 1725220156

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After an opening chapter that examines the nature of poetry itself and analyzes its effect upon the reader, the author, in The English Poetic Mind, moves on to his main purpose, which is to try to reveal the source of the drive to creation in three of the greatest English poets: William Shakespeare, John Milton, and William Wordsworth. In each he identifies a particular kind of crisis that is the origin of the poetic impulse. In the light of these discoveries he addresses the achievements of several lesser poets and concludes with a chapter that, in a more general way, tentatively offers a vision of the paths poetry might take in the future.

Artificial Intelligence and Literary Creativity
Artificial Intelligence and Literary Creativity

Author: Selmer Bringsjord

Publisher: Psychology Press

Published: 1999-09-01

Total Pages: 241

ISBN-13: 1135692459

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Is human creativity a wall that AI can never scale? Many people are happy to admit that experts in many domains can be matched by either knowledge-based or sub-symbolic systems, but even some AI researchers harbor the hope that when it comes to feats of sheer brilliance, mind over machine is an unalterable fact. In this book, the authors push AI toward a time when machines can autonomously write not just humdrum stories of the sort seen for years in AI, but first-rate fiction thought to be the province of human genius. It reports on five years of effort devoted to building a story generator--the BRUTUS.1 system. This book was written for three general reasons. The first theoretical reason for investing time, money, and talent in the quest for a truly creative machine is to work toward an answer to the question of whether we ourselves are machines. The second theoretical reason is to silence those who believe that logic is forever closed off from the emotional world of creativity. The practical rationale for this endeavor, and the third reason, is that machines able to work alongside humans in arenas calling for creativity will have incalculable worth.

The Spider's Thread
The Spider's Thread

Author: Keith J. Holyoak

Publisher: MIT Press

Published: 2019-02-26

Total Pages: 290

ISBN-13: 0262039222

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An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity. In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.

The Resonance Code
The Resonance Code

Author: Joseph Friedman

Publisher:

Published: 2019-04-08

Total Pages: 310

ISBN-13: 9781090898043

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BLACK-AND-WHITE EDITION Human civilization is at a crossroads. Challenges of immense volatility and uncertainty press us to evolve our ourselves at a greater pace than we have ever done. We need to heal and revitalize the inner terrain of the psyche so our consciousness can respond creatively to the complexity that surrounds and challenges us. The Resonance Code is born of a marriage between ancient and modern, East and West. Its ancient and Eastern sources are Taoist Philosophy and the I Ching, one of Earth's most ancient complexity theories. Its modern and Western sources are contemporary theories of human development and practices of leadership coaching. According to the Taoist framework, the human psyche functions as an organic "resonator," directly exchanging and amplifying resonance - known as qi - with its social and natural environment. Qi carries information essential for our growth and thriving as individuals and as a species. However, on our modern, materialistic path of development, our cognitive minds struggle to process this subtle exchange between ourselves and our environment. This disconnection leads to much of the grief, loneliness, and pervasive distress we experience today. The Resonance Code presents a knowledge system developed through a leadership training curriculum at Resonance Path Institute. This system aims at awakening the psyche to resonance. It enables the rational mind to evolve beyond current limitations so we can dance with complexity and embrace uncertainty as the fertile ground of creativity. The Resonance Code is calling forth a new generation of resonance leaders. These are people who may or may not hold conventional leadership titles, but who love the Earth, feel compassion for all its inhabitants, and are committed to participate in humanity's evolutionary journey.

Reason and Beauty in the Poetic Mind
Reason and Beauty in the Poetic Mind

Author: Charles Williams

Publisher: Bakhsh Press

Published: 2007-03

Total Pages: 196

ISBN-13: 1406748536

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REASON AND BEAUTY IN THE POETIC MIND REASON AND BEAUTY IN THE POETIC MIND BY CHARLES WILLIAMS OXFORD AT THE CLARENDON 1933 PREFACE THE four corners of this book lie at the following points i the use of the word Reason by Words worth in the Prelude ii the abandonment of the in tellect by Keats in the Nightingale and the Urn iii the emphasis laid on Reason by Milton in Paradise Lost iv the schism in Reason studied by Shake speare in the tragedies. Add to these the four middle points of i the definition of Beauty by Marlowe in Tamburlaine ii the imagination jof it by Keats in the same two odes iii the identification of it with Reason in Paradise Lost iv the humanization of it in the women of Troilus and Othello and the later plays and the ground plan will be sufficiently marked. The studies are meant as literary, and not as either philosophical or aesthetic criticism. They do not attempt to consider what the poets ought to do, only what they have done, and that from the special point of v

Nine Gates
Nine Gates

Author: Jane Hirshfield

Publisher: Harper Collins

Published: 1998-08-26

Total Pages: 244

ISBN-13: 0060929480

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A Gate Enables passage between what is inside and what is outside, and the connection poetry forges between inner and outer lives is the fundamental theme of these nine essays. Nine Gates begins with a close examination of the roots of poetic craft in "the mind of concentration" and concludes by exploring the writer's role in creating a sense of community that is open, inclusive and able to bind the individual and the whole in a way that allows each full self-expression. in between, Nine Gates illumines the nature of originality, translation, the various strategies by which meaning unfolds itself in language, poetry's roots in oral memory and the importance of the shadow to good art. A person who enters completely into the experience of a poem is initiated into a deeper intimacy with life. Delving into the nature of poetry, Jane Hirshfield also writes on the nature of the human mind, perception and experience. Nine Gates is about the underpinnings of poetic craft, but it is also about a way of being alive in the world -- alertly, musically, intelligently, passionately, permeably. In part a primer for the general reader, Nine Gates is also a manual for the working writer, with each "gate" exploring particular strategies of language and thought that allow a poem to convey meaning and emotion with clarity and force. Above all, Nine Gates is an insightful guide to the way the mind of poetry awakens our fundamental consciousness of what can be known when a person is most fully alive.

Bury the Seed
Bury the Seed

Author: Brooke McNamara

Publisher: Performance Integral

Published: 2020-02-08

Total Pages: 130

ISBN-13: 9780988768970

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Bury the Seed is a book for anyone seeking connection. Brooke McNamara's second publication, Bury the Seed, is a four-part collection of poetry that invites us to revel in the wonder, mystery, and elegance of our ordinary, brief, and beautiful lives. A compilation of treasures for sharing or reading alone, these poems serve as both invitation and map, calling us to "bury the seed" of our everyday experiences so that we may open to more robust and delighted ways of being in the world. Bury the Seed is divided into four parts: Bury, Tend, Harvest, Release. Each speaking to a richness born when we hold our experiences up to the light and allow them to take new shapes, to be made anew. Her poems are a study in the familiar, offering a lens so we may step back for another look. Brooke weaves words into relatable, contemplative lodestars that unfurl showing us where the treasure lay, always right under our noses, nestled in our longing, frustration, and surrender. These poems acknowledge the sacredness and possibility that linger in our everyday experience, persisting in words: shape, mother, gesture, clenched, drown, nothing. Brooke shows us how a shift in angle stitches cobalt, soap, and roses into the fabric of memory. Bury the Seed is an answer to our longing for the exquisite. Her words remind us that it is in living where our brave sorrows and simple delights are transformed into the magic each of us seeks.

Reason and Beauty in the Poetic Mind
Reason and Beauty in the Poetic Mind

Author: Charles Williams

Publisher: Wipf and Stock Publishers

Published: 2008-03-01

Total Pages: 200

ISBN-13: 1725220148

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Reason and Beauty in the Poetic Mind focuses upon the two intertwined themes of Reason and Beauty as they are expressed poetically in English literature. It begins with a chapter on the unique characteristics of poetic creation, "The Ostentation of Verse," and then unfolds in an alternating pattern, analyzing the distinctive appearances of these two concepts in writers as various as William Wordsworth (Reason), Christopher Marlowe (Beauty), Alexander Pope (Reason), John Keats (Beauty), and John Milton (Reason). In the climactic penultimate chapter, there is a meditation on William Shakespeare's depiction of what the author calls "the actual schism in Reason." There follows a brief coda that moves beyond the confines of poetry to a contemplation of the wider religious dimensions that the literary investigation has opened up.