The term "Wild West" brings to mind certain images: cowboys, settlers, gunfights, and outlaws. But the American West wasn't always as wild as popular images and stories often suggest. Its famous heroes were sometimes its villains or vice versa. In this informative volume, young readers will learn facts that bust the myths of the Old West, bringing a more realistic and diverse angle to tales of cowboys and Indians repeated in books, television shows, and movies throughout the years.
Never mind the Real Housewives of Orange County—Marla Jo Fisher is the woman everyone can relate to, complete with bad parenting, rotten dogs, ill health, and fashion faux pas. For nearly two decades, in the Orange County Register and many syndicated papers, readers have delighted in Marla Jo’s subversive humor, cranky intellect, and huge heart on her journey through broke, single, after-40 motherhood, when she adopted Cheetah Boy and Curly Girl, to her oddball adventures around the globe, to the sublime ridiculousness of life next door. Even while facing a devastating diagnosis, Fisher teaches us that humor is the balm that eases and the very thing that binds us together.
A collection of Courtney's columns from the Texas Monthly, curing the curious, exorcizing bedevilment, and orienting the disoriented, advising "on such things as: Is it wrong to wear your football team's jersey to church? When out at a dancehall, do you need to stick with the one that brung ya? Is it real Tex-Mex if it's served with a side of black beans? Can one have too many Texas-themed tattoos?"--Amazon.com.
An Oprah Magazine Best Romance Novel of 2020 In this brand-new series from award-winning author Rebekah Weatherspoon, a charming cowboy and his sleeping beauty find their modern-day happily ever after . . . With a headline spot on a hit morning show and truly mouth-watering culinary skills, chef Evie Buchanan is perched on the edge of stardom. But at an industry party, a fall lands Evie in the hospital—with no memory of who she is. Scrambling to help, Evie’s assistant contacts the only “family” Evie has left, close friends who run the luxury dude ranch in California where Evie grew up. Evie has no recollection of them—until former rodeo champion Zach Pleasant walks into her hospital room, and she realizes his handsome face has been haunting her dreams . . . Zach hasn’t seen Evie in years—not since their families conducted a campaign to make sure their childhood friendship never turned into anything more. When the young cowboy refused to admit the feelings between them were real, Evie left California, making it clear she never wanted to see Zach again. Now he refuses to make the same mistake twice. Starting fresh is a risk when they have a history she can’t recall, but Zach can’t bear to let go of her now. Can he awaken the sleeping beauty inside her who might still love him?
The Old West has had a powerful impact on the concept of gentlemanly masculinity among Americans. To behave like a gentleman may mean little or much. To spend large sums of money like a gentleman may be of no great praise, but to conduct ones self like a gentleman implies a high standard even for those without financial means. For almost two centuries, the frontiersman has been a standard of rugged individualism and stoic bravery for the American male. Provider, protector, counselor, and knight errant to the weak or helpless, men on the frontier stood apart. Newspapers, Dime Novels, and Wild West Shows helped to form the popular view of Old West masculinity in the later 19th century. Novels and short stories served this purpose in the first half of the 20th century, but it was films and TV that cemented the image of the Old west that most post WWII Baby Boomers have today. The study of film and other media representations has been a particularly energetic field for masculinity research. However, western films are not so much about the West as they are about the Westerner. He stands alone, heroic, powerful, and seeking justice and order. The Westerner is the "last gentleman" and Westerns are "probably the last art form in which the concept of honor retains its strength." Directors and screenwriters, ultimately having overcome the simplistic shoot-em-up, used the genre to explore the pressing subjects of their day like racism, nationalism, capitalism, family, and honor, issues more deeply meshed with the concept of manliness than simply wearing a gun belt and Stetson hat. Fear not, Old West purists! For those traditionalists among you, these pages are filled with authentic designs, facts, weapons, and tales from the mid 1800s to the turn of the century and slightly beyond. Here are some of the roots of the most popular holsters, fashions, weapons, cartridges, and myths preferred by collectors and reenactors. So-called Cowboy Action enthusiasts, NRA members, and armchair generals will find sections of this work devoted to their hobbies, and while stodgy academics might cringe, Old West historians will have their obsessions somewhat mollified. Nonetheless, the current author grew up in the days of Shoot'em-up Saturdays at the movies, prime time TV Westerns, and those wondrous sights and sounds of Cowboy gunfights with cap guns on a hillside and Indian encounters on the pavement during a childhood when neither activity was considered politically incorrect. Few other authors in this genre have a resume that includes formal training in science, weapons, and horsemanship; nor have they actually been a horse wrangler, ridden in a troop of cavalry, and reenacted a mounted charge with dozens of others, Hollywood cameras running, revolvers or swords in hand. Nonetheless, there comes a time when we are all "too old and too fat to jump rail fences with horses" (True Grit) and must retire to our easy chairs to write. What follows is a serious (if a bit nostalgic) effort at history by a critically noted author and widely published historian with the proper credentials and practical experience to attempt to carry it off. Cling to your Bibles and to your guns, partner! Dudes need not apply.
Tornado Slim is just your regular cowboy...until the day he meets the coyote. The coyote gives Slim his special hat and asks him to deliver a letter to the sheriff of Fire Gulch City. Slim has never been to Fire Gulch City, but he figures he can handle it. As Slim travels from town to town, disaster seems to follow. Pretty soon Slim learns that his new hat is NOT your average cowboy hat. Will Slim ever make it to Fire Gulch City? And what did the wily coyote put down in that letter, anyway? Watercolor illustrations add lively humor to this original tall tale.
Although Swift Montana Smith's book entitled READ MY SHORTS is mostly about Cowboy Action Shooting and his personal experiences within the sport, there are also stories about the Wild West included within. The book is split into two parts with the first part being short stories that can be read in less than an hour; having said that, the eighteen stories listed in Part One will take several hours to read. The addition of the longer, short story in Part Two of the book about a Wild West character called Edgar Windfal is a pleasant narrative and very interesting. While some of the stories appear to be actual experiences, many of them are fictional in nature and have a comedic tone and are meant to be amusing. A few of the stories are serious and emotional; including the last one entitled Edgar Windfal - The Lucky Stone. Overall, the book is easy to read and very enjoyable.
Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.
$6.95 paper · 1-58685-191-8 4˘ x 6 ◊ in, 96 pp, Line Illustrations Throughout, Rights: W, Western Humor A western humor classic is back! Hats & the Cowboys Who Wear Them, by celebrated western humorist Texas Bix Bender, reveals in hilarious detail the personality profiles of the cowfolk underneath their hats. In fact, Bender cautions, choosing a cowboy hat should be done with much care because it tells just exactly who you are. The manwho wears a Cattleman's style, for instance, "likes to sing in the shower, in his truck and under women's balconies. He hopes to get a recordin' contract. After all, George Strait wears a Cattleman, and look what it did for him." Bender covers forty other traditional cowboy hat designs, imparting similar jewels of western-tinged wisdom for each. He also takes care to rope in all the trimmings, addressing hatbands, feathers, and the dangers of "hat hair" in this laugh-out-loud little book. Revised with all-new illustrations, Hats & the Cowboys Who Wear Them is one more uproarious volume from a sure-selling humorist. Texas Bix Bender is the author of Gibbs Smith, Publisher's "Don't Squat . . ." series of books. Now a million-selling author, he has worked as a writer for television. He lives just outside Nashville, Tennessee.
