A collection of fierce, empowering poems by living, self-identified women writers intended for girls age 12-21. Full of advice, critique, reflection, commiseration, humor, sorrow and rage, this anthology includes poems by some of the most exciting female poets writing and performing today. Courage; Daring Poems for Gutsy Girls will live in lockers, backpacks and under beds for years, its pages reblogged, tattooed, dog-eared and coffee stained.
Stunt Water is Wakefield's first 20 years of spoken word and lyrics collected from his original three now out-of-print books. It is a vulnerable cross section of his writing that moves from disarmingly human to sudden bursts of beast, able to seamlessly blend back into grounded stories of humor, heartache and identity using crisp, innovative and unforgettable metaphors. If you can only buy one Buddy Wakefield book, this collection is the most comprehensive of his most compelling works to date. His craft mimics the intrigue of propellers when they make themselves invisible. Buddy’s honest story is a one-man relay race to the light; that of a boy at gentleman practice who sometimes wants to blend in so badly he forgets his purpose has already arrived and there is no need to fight a war that’s long been over. The reader must be prepared for the recurring nightmares from which Buddy wakes up only to realize that whatever supposedly awful thing was stalking him was actually just trying to help.
Favorite Daughter is a poetry collection trying to uproot America from inside the body, and find where China is buried underneath. Divided into four parts, Daughter explores ideas like navigating hybridity, localism, and harmony in ways that disturb commonly-held notions about broad terms like "belonging" and "cultural struggle." A compilation of immigration stories, Chinese radio segments, Google translate entries, and dictionary remixes, Huang immerses herself in everything she is uncertain of.
From the author of How the Word is Passed: A Reckoning with the History of Slavery Across America * Winner, 2017 Black Caucus of the American Library Association Literary Award * Finalist, 2017 NAACP Image Awards * "One Book One New Orleans" 2017 Book Selection * Published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review, New Republic, Boston Review, The Guardian, The Rumpus, and The Academy of American Poets "So many of these poems just blow me away. Incredibly beautiful and powerful." -- Michelle Alexander, Author of The New Jim Crow "Counting Descent is a tightly-woven collection of poems whose pages act like an invitation. The invitation is intimate and generous and also a challenge; are you up to asking what is blackness? What is black joy? How is black life loved and lived? To whom do we look to for answers? This invitation is not to a narrow street, or a shallow lake, but to a vast exploration of life. And you’re invited. -- Elizabeth Acevedo, Author of Beastgirl & Other Origin Myths "These poems shimmer with revelatory intensity, approaching us from all sides to immerse us in the America that America so often forgets." -- Gregory Pardlo "Counting Descent is more than brilliant. More than lyrical. More than bluesy. More than courageous. It is terrifying in its ability to at once not hide and show readers why it wants to hide so badly. These poems mend, meld and imagine with weighted details, pauses, idiosyncrasies and word patterns I've never seen before." -- Kiese Laymon, Author of Long Division Clint Smith's debut poetry collection, Counting Descent, is a coming of age story that seeks to complicate our conception of lineage and tradition. "Do you know what it means for your existence to be defined by someone else’s intentions?" Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward.
This bookish history of Seattle includes essays, history and personal stories from such literary luminaries as Frances McCue, Tom Robbins, Garth Stein, Rebecca Brown, Jonathan Evison, Tree Swenson, Jim Lynch, and Sonora Jha among many others. Timed with Seattle’s bid to become the second US city to receive the UNESCO designation as a City of Literature, this deeply textured anthology pays homage to the literary riches of Seattle. Strongly grounded in place, funny, moving, and illuminating, it lends itself both to a close reading and to casual browsing, as it tells the story of books, reading, writing, and publishing in one of the nation's most literary cities.
We Will be Shelter, edited by poet and activist Andrea Gibson, is an anthology of contemporary poems that addresses issues of social justice. Unique to this anthology is its focus on creating positive social change through gorgeous, gusty poetry. Alongside and embedded in featured poems are concrete ways to address social and political issues raised. The goal of We Will be Shelter is to raise awareness, encourage critical self-reflection, and call readers to action.
This is an account of an ethnically and racially diverse classroom of funny, endearing, and often poignant six-year-olds in a Seattle inner-city elementary school. The author, their volunteer literary coach, describes the classroom, their heroic teacher, a number of clever teaching modules, and the evolution of this school toward excellence. The children’s confidences, essays, and poetry sparkle with humor, and the unexpected viewpoints of childhood. Eight captivating students are profiled and featured for us in line drawing illustrations. In the final chapters some startling school district data is introduced as well as three common-sense recommendations to give all kids a fair chance in school. Having learned so much about the realities of public elementary education in her five years in the classroom, the author wanted to share the good news of what is possible with others who might otherwise view this as a grim subject.
New York Times bestselling nonfiction writer and poet Cristin O’Keefe Aptowicz’s How to Love the Empty Air reaches new heights in her revelatory seventh collection of poetry. Continuing in her tradition of engaging autobiographical work, How to Love the Empty Air explores what happens when the impossible becomes real?for better and for worse. Aptowicz’s journey to find happiness and home in her ever-shifting world sees her struggling in cities throughout America. When her luck changes?in love and in life?she can’t help but “tell the sun / tell the fields / tell the huge Texas sky.... / tell myself again and again until I believe it.” However, the upward trajectory of this new life is rocked by the sudden death of the poet’s mother. In the year that follows, Aptowicz battles the silencing power of grief with intimate poems burnished by loss and a hard-won humor, capturing the dance that all newly grieving must do between everyday living and the desire “to elope with this grief, / who is not your enemy, / this grief who maybe now is your best friend. / This grief, who is your husband, / the thing you curl into every night, / falling asleep in its arms...” As in her award-winning The Year of No Mistakes, Aptowicz counts her losses and her blessings, knowing how despite it all, life “ripples boundless, like electricity, like joy / like... laughter, irresistible and bright, / an impossible thing to contain.”
Miles Walser unearths the concept of the binary in his long-awaited first poetry collection. While Walser's lionhearted deconstruction of gender tackles trans identity in a way no living poet has before, he also dismantles other alleged dichotomies such as loneliness and introversion, softness and rage, mathematics and art. He acknowledges the existence of all these 'opposites' and their place inside the author. Walser bares so much of his many-hued self that the reader can't help but turn inwards. The reader does not simply watch the author bloom in these poems but the open-minded reader is bound to bloom also.
Loosely based on the iconic computer game The Oregon Trail, THE OREGON TRAIL IS THE OREGON TRAIL, which was shortlisted for the 2012 Believer Poetry Award, chronicles the journey of a family on their way out West. Along the way, they fight dysentery, a more racist Mel Gibson, syphilis, and consumption while learning that letting go is sometimes easier than starting over. Read the book, play the book as a choose your own adventure game, and never welcome the small pox welcome wagon. We have done bad things, and we will pay for them. New version now with illustrations.
