Joseph Stroud was all but unknown when, in 1998, Below Cold Mountain appeared. As reviewers took note of this gorgeous book by a reclusive poet, Stroud's poems found a larger audience: Garrison Keillor read them on NPR and his poems were reprinted in The Los Angeles Times and Washington Post. The sentiment shared by readers and booksellers was one of discovery. In Joseph Stroud's new book, his poetic imagination infuses landscapes, hard travel, and commonplace objects. Whether trekking through Mexico or Vietnam, living in the High Sierras, or "painting paradise" in the voice of Renaissance painter Giotto, Stroud's lyrics, prose poems, elegies, and odes articulate a journey of uncommon attention and startling perception. Joseph Stroud lives near Santa Cruz, California.
Australia is drenched in a light that is different from anywhere else in the world. A light so distinctive, we know it can only be of one place.Imagined as a celebration of the particular beauty of Australian light, this generous publication roams the country, from rugged coastline to arid outback, to reveal how light shapes our wide, brown land. Wind-etched rocks, patterns in sand. Teal oceans. Surfers, slick in their wetsuits against the morning sun. A beach filled with people. A beach with no people. Rockpools. High-rise buildings against sand and sea. Golden sunsets over city skylines. Rays reaching through forest branches to frosted ground. Paddocks muted by mist, trees laden with luminous snow. The variation in the fall of light on our landscape seems limitless.With an introduction by a galactic astrophysicist, In an Australian Light reminds us of the myriad ways we experience light in this vast and diverse land.
A "chronicle of a white girl captive of the Indians returned against her will to her white home . . . Her reception here, her rejection and that of her Indian son by her Caucasian father and sister . . . the conflicts of her Indian upbringing with the white way are related."
Arihito and his party faced off against the Shining Simian Lord in District Five and successfully rescued Elitia, but the curse this horrible beast inflicted on Theresia is destroying her bit by bit. If nothing is done, she’ll soon become another one of the Simian Lord’s mindless underlings. In order to save his companion from this dreadful fate, Arihito must find a way to lift the curse on her and defeat the Simian Lord... But can Theresia hang on that long...?
A powerful work that examines how—even without country or settled identity—a legacy of love can endure. Eavan Boland is considered “one of the finest and boldest poets of the last half century” by Poetry Review. This stunning new collection, A Woman Without a Country, looks at how we construct one another and how nationhood and history can weave through, reflect, and define the life of an individual. Themes of mother, daughter, and generation echo throughout these extraordinary poems, as they examine how—even without country or settled identity—a legacy of love can endure. From “Talking to my Daughter Late at Night” We have a tray, a pot of tea, a scone. This is the hour When one thing pours itself into another: The gable of our house stored in shadow. A spring planet bending ice Into an absolute of light. Your childhood ended years ago. There is No path back to it.
The award-winning American environmental writer Barry Lopez has traveled extensively in remote and populated parts of the world. Lopez’s fiction and nonfiction focus on the relationship between the physical landscape and human culture, posing abiding questions about ethics, intimacy, and place. Other Country presents a full-scale treatment of Lopez’s work. James Perrin Warren examines the relationship between Lopez’s writing and the work of several contemporary artists, composers, and musicians, whose works range from landscape photography, painting, and graphic arts to earth art, ceramics, and avant-garde music. The author demonstrates Lopez’s role in creating this community of artists who have led cultural change, and shows that Lopez’s writing—and his engagement with the natural world—creates an “other country” by redefining boundaries, rediscovering a place, and renewing our perceptions of landscapes. Warren’s critique examines manuscripts and typescripts from the 1960s to the present, interviews with Lopez conducted from 2008 to 2013, and interviews with artists. Part 1 focuses on the relationship between Lopez’s storytelling, which he calls “a conversation with the land,” and Robert Adams’s landscape photography. For both Lopez and Adams, a worthy artistic expression serves the cultural memory of a community, reminding us how to behave properly toward other people and the land. Part 2 looks at the collaborative friendship of Lopez and visual artist Alan Magee, tracking the development of Lopez’s short stories through a consideration of Magee’s career. Part 3 moves farther afield, discussing Lopez’s relationship to Richard Long’s earth art, Richard Rowland’s ceramics, and John Luther Adams’s soundscapes. Other Country reveals the dynamic relationships between Lopez, considered by many the most important environmental writer working in America, and the artistic community, who seek to explore the spiritual and ethical dimensions of an honorable and attentive relationship to the land and thus offer profound implications for the future of the planet.
DigiCat Publishing presents to you this special edition of "Light in August" by William Faulkner. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
