Cornelia Parker

Cornelia Parker

Author: Iwona Blazwick

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9780500291092

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Cornelia Parker is one of the most original and inventive artists working in Britain today. Her wide-ranging practice, chiefly in sculpture and installation, touches on the fragility of human experience and is rich with visual and literary allusions. This book is the first full survey to trace the development of Parker's career from the late 1970s to the present day.


Cornelia Parker

Cornelia Parker

Author: Colm Tóibín

Publisher:

Published: 2017-05

Total Pages: 0

ISBN-13: 9788494282096

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"This diminutive artist's book was specially commissioned by Ivorypress as part of an ongoing series. 'Verso' is a previously unpublished work by British sculptor and installation artist Cornelia Parker. Taking button samplers as her starting point, Parker uncovers the patterns left by the buttons and holes on the reverse side of these mundane pieces, using string and thread to create drawings and paths while attempting to reveal the motivations they might hide, or even what they could say about those who made them. A short but evocative text by Colm Tóibín offers some perspective on the work."--Www.ideabooks.nl, accessed 25 May 2016.


The Roof Garden Commission: Cornelia Parker

The Roof Garden Commission: Cornelia Parker

Author: Beatrice Galilee

Publisher: Metropolitan Museum of Art

Published: 2016-04-18

Total Pages: 66

ISBN-13: 1588395936

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The British artist Cornelia Parker is known for her large, site-specific installations. Often composed of ordinary objects, her works makes the familiar extraordinary, whimsical, and even poignant. Her new project, Transitional Object (PsychoBarn), conceived and created for The Metropolitan Museum of Art, merges two iconic examples of American architecture, the red barn and the infamous mansion on a hill from Alfred Hitchcock's masterpiece Psycho (itself inspired by the paintings of Edward Hopper). The work meditates on the tension between these iconic structures and subtly suggests how architecture generates conflicting emotional states. This beautifully illustrated book is the forth in a series that documents and contextualizes The Met's annual rooftop commissions. The introductory essay by Beatrice Galilee follows the process of crafting this work, tracing the myriad psychological associations that are embedded in architectural spaces, The interview between the artist and Sheena Wagstaff provides an insightful discussion of Parker's wide-ranging career and explores the conceptual framework that informs her remarkable commission.


Silver and Glass

Silver and Glass

Author: Cornelia Parker

Publisher:

Published: 2018-08-31

Total Pages: 104

ISBN-13: 9781853323614

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Silver and Glass is the first publication to explore the influence of photography in the art of popular British artist Cornelia Parker.This book is illustrated with over 50 works from across Parker's career: from photo-micrographs exposing in minute detail the possessions of iconic figures such as Einstein and Freud, through witty polaroids and phone photographs, to large-scale sculptures that play with light and shadow, positive and negative space.Connections between these works are explored by Parker and celebrated historian of photography David Campany in an insightful interview.Also included are prints inspired by nineteenth-century photographic pioneer William Henry Fox Talbot, created when Parker combined two of his early techniques - solar prints and the photogravure - to create a new hybrid form by exposing translucent three-dimensional objects to ultraviolet light.Parker's affinity with Fox Talbot is explored in depth for the first time in Antonia Shaw's essay.Published alongside a touring exhibition that will be showing at East Gallery, Norwich (10 September - 13 October 2018); Gerald Moore Gallery, Eltham (12 January - 17 February 2019); South Hill Park Arts Centre, Bracknell (23 February - 12 May 2019); Oriel Wrecsam, Wrexham (29 June - 4 August 2019); Broadway Gallery, Letchworth (21 September - 8 December 2019); Leamington Spa Art Gallery and & Museum (14 December 2019 - 1 March 2020).


The Creative Feminine and her Discontents

The Creative Feminine and her Discontents

Author: Juliet Miller

Publisher: Routledge

Published: 2018-04-24

Total Pages: 164

ISBN-13: 0429920415

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The Creative Feminine and her Discontents, Psychotherapy, Art, and Destruction, is a look at creativity from a woman's perspective. By looking at artistic endeavour, mothering and psychotherapeutic relationships, Juliet Miller considers how a patriarchal world distorts the channels through which women discover their own creative voices. She argues that the dynamics of female creativity are more multi-layered and conflicted for women for a variety of historical, cultural and archetypal reasons and suggests that an attack on the creative feminine has been exacerbated by the history and teaching of psychoanalysis and psychotherapy. Miller looks to the artistic community to discover new ways for the creative feminine to grow and assesses how ideas of destruction and anarchy are crucial for the expression of a feminine self. The work of two contemporary sculptors, Cornelia Parker and Louise Bourgeois, is explored to show how there can be authentic relationships to creativity through the ideas of deconstruction and reconstruction in their work. This book will interest psychotherapists and analysts and both women and men interested in their own relationship to their creativity.


An American Idyll

An American Idyll

Author: Cornelia Stratton Parker

Publisher: Parker Press

Published: 2007-03

Total Pages: 212

ISBN-13: 1406751049

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PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...


Art as Jewellery

Art as Jewellery

Author: Louisa Guinness

Publisher: Antique Collector's Club

Published: 2018

Total Pages: 335

ISBN-13: 9781851498703

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"The women in Man Ray's life, as well as his reverence for the female form more broadly, were reflected in his jewellery. He kept the wearer in mind with each piece; never impractical or obtrusive, his jewels played with illusion, language and form as he employed the medium to further explore the artistic preoccupations of his career." Art as Jewellery is a visually stunning introduction to jewellery made by the titans of twentieth and twenty-first century art. From Salvador Dali, Man Ray, Alexander Calder and Pablo Picasso, through to Anish Kapoor, Damien Hirst and Grayson Perry, the great figures of modern art have all turned both thought and talent to jewellery. Often, they have eschewed the traditional jeweller's preoccupation with material value and provenance, more concerned with the conceptual or aesthetic significance of their work. As is fitting for a book that covers a range of artists, every image is as striking as it is unique. By using contemporary pictures, Art as Jewellery develops a chronological timeline of jewellery presentation. Its pages are home to a stunning variety of design sketches and photographs. Some were shot by renowned 20th century photographers, such as Ugo Mulas and Antonia Mulas, while others have been buried in archives for decades, unseen since the '60s. In contrast, modern works have been given model treatment by top photographer Alexander English, making this book a glamorous blend of new and classic jewellery art. AUTHOR: Author Louisa Guinness, collector and gallery owner, provides insightful commentary on each artist and their work. Her input can be felt on a personal level; having worked alongside many of these artists as they developed their jewellery, she is in the perfect position to reveal the personal stories behind these pieces creation. Full-page colour photographs and sketches, some showing the artist at work in the studio, or with their muse, accompany each profile. Louisa also explores each artist in the context of the genre's evolution, looking at the key exhibitions that have shaped the interest of artists and collectors. This book will be of interest to jewellery and art lovers alike. SELLING POINTS: * Includes an introduction by Vivienne Becker, an award-winning jewellery writer, and a contribution from Julia Peyton Jones, previous director of the Serpentine Gallery, London * A marvellous array of images, from archived photographs and sketches that have not been seen since the '60s, and the work of 20th-century photographers such as Ugo Mulas and Antonia Mulas, to modern shoots by Alexander English 200 colour images