Surface, Glaze & Form

Surface, Glaze & Form

Author: Anderson Turner

Publisher: The American Ceramic Society

Published: 2012

Total Pages: 146

ISBN-13: 1574983253

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Book Description: Surface, Glaze and Form: Pottery Techniques covers three of the most critical aspects of the ceramic process. The thirty artists represented here discuss the techniques they use to create unique forms and the methods they use to glaze and decorate their work. All types of forming methods, from handbuilding to slipcasting, are illustrated in detailed step-by-step photo sequences, along with surface techniques that cover a wide range of decorative possibilities. Many of the techniques in this book revolve around making complete projects from forming through decoration so you get a variety of techniques from a single artist. Surface, Glaze & Form: Pottery Techniques provides enough ideas and techniques to keep you excited for the rest of your life. Every new technique you learn can alter the way you currently work or even take you off on a whole different adventure. This book is indeed an atlas of possibilities. Where will you go?


Copper Red Glazes

Copper Red Glazes

Author: Robert Tichane

Publisher:

Published: 1998

Total Pages: 0

ISBN-13: 9780873416634

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Potters everywhere will welcome "Copper Red Glazes", the ultimate reference for this tricky but stunning glaze. Finally potters can master ancient secrets without expensive and frustrating experimentation. 50 color photos.


Clay and Glazes for the Potter

Clay and Glazes for the Potter

Author: Daniel Rhodes

Publisher: Ravenio Books

Published: 2015-10-22

Total Pages: 416

ISBN-13:

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My purpose in writing this book has been to present in as clear and understandable form as possible the important facts about ceramic materials and their use in pottery. The ceramic medium has a rich potential. It is so various and adaptable that each culture and each succeeding generation finds in it a new means of expression. As a medium, it is capable of great beauty of form, color, and texture, and its expressions are unique not only for variety but for permanence and utility as well. To make full use of the medium, the ceramist or potter not only needs skill, imagination, and artistic vision, but he also needs to have a sound knowledge of the technical side of the craft. This knowledge has not been easy to come by, and many of those seriously engaged in pottery have learned through endless experimentation and discouraging failures. It is hoped that the present work will enable the creative worker to go more directly to his goal in pottery, and that it will enable him to experiment intelligently and with a minimum of lost effort. While technical information must not be considered as an end in itself, it is a necessary prerequisite to a free and creative choice of means in ceramics. None of the subjects included are dealt with exhaustively, and I have tried not to overwhelm the reader with details. The information given is presented in as practical form as possible, and no more technical data or chemical theory is given than has been thought necessary to clarify the subject. This work is organized as follows: Part One—Clay Chapter I. Geologic Origins of Clay Chapter 2. The Chemical Composition of Clay Chapter 3. The Physical Nature of Clay Chapter 4. Drying and Firing Clay Chapter 5. Kinds of Clay Chapter 6. Clay Bodies Chapter 7. Mining and Preparing Clay Part Two—Glazes Chapter 8. The Nature of Glass and Glazes Chapter 9. Early Types of Glazes Chapter 10. The Oxides and Their Function in Glaze Forming Chapter 11. Glaze Materials Chapter 12. Glaze Calculations, Theory and Objectives Chapter 13. Glaze Calculation Using Materials Containing More Than One Oxide Chapter 14. Calculating Glaze Formulas from Batches or Recipes Chapter 15. Practical Problems in Glaze Calculation Chapter 16. The Composition of Glazes Chapter 17. Types of Glazes Chapter 18. Originating Glaze Formulas Chapter 19. Fritted Glazes Chapter 20. Glaze Textures Chapter 21. Sources of Color in Glazes Chapter 22. Methods of Compounding and Blending Colored Glazes Chapter 23. Glaze Mixing and Application Chapter 24. Firing Glazes Chapter 25. Glaze Flaws Chapter 26. Engobes Chapter 27. Underglaze Colors and Decoration Chapter 28. Overglaze Decoration Chapter 29. Reduction Firing and Reduction Glazes Chapter 30. Special Glazes and Glaze Effects


Creation Out of Clay

Creation Out of Clay

Author: Brother Thomas

Publisher: Wm. B. Eerdmans Publishing

Published: 1999-08-27

Total Pages: 232

ISBN-13: 0802838707

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This lovely book presents essays and recent works in porcelain by Brother Thomas Bezanson, praised as "one of the greatest artists in the Western pottery world" by well-known Japanese ceramicist Tatsuzo Shimaoka. Brother Thomas explores his faith and the process of creation side by side with illustrations of the celebrated porcelain vases, plates, and tea bowls that are his life's work. The book also contains a nineteen-page photo essay on Brother Thomas at work in his studio by Bill Aron of Los Angeles, an introduction by Joan Chittister, and an illustrated index of the works of Brother Thomas now held in more than fifty museum collections around the world.