The author has condensed hundreds of hours of her conversations with Spain's leading contemporary artist, and neatly assembled them in thematic chapters.
An extensive survey of Antoni Tàpies' work, revisiting the period the Catalan artist lived under Franco's dictatorship, between 1946 and 1977. In works that occupy a unique midground between painting and sculpture, Catalan artist Antoni Tàpies (1923-2012) fused the material vocabulary of Arte Povera and the gestural energy of Abstract Expressionism with the mystical sensibility of Iberian Catholicism. Tàpies showed a preference for an austere palate and unconventional materials reflecting the limited resources of his political environment. He spent three decades of his long productive career in Barcelona, where he lived and died, under the dictatorship of Francisco Franco. In that time, Tàpies confronted many of the paradoxes a creative artist faces under an authoritarian and anti-intellectual regime. In painting, sculpture, writing and other mediums, his work existed in conversation with the currents of contemporary art in the West while within the strictures of an oppressive state. Antoni Tàpies: Political Biography illuminates the artist's responses to the conditions of his native Catalonia, reproducing documents such as letters, manifestoes and samples of the media reception Tàpies generated over the years alongside reproductions of works from across his career. Texts by artists, curators and critics discussing Tàpies and the context of his oeuvre, plus a comparative chronology, are also included.
Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.
Performance art, video, ceramics, mail and stamp art, artist's books, and works on paper are part of the range of pioneering and influential work by Korean American artist Theresa Hak Kyung Cha that are showcased with scholarly essays in this exhibition catalog.
Giving Voices features four of Erkan Özgen's video works dealing with war, violence, and trauma--beyond the boundaries of the political, within the dimension of the private and the human. By deciding not to show images of violence and war, Özgen gives a voice to individuals and objects. Witnessing becomes a way of understanding and also resetting memory. How can we feel the realities of war, conflict, and violence? What are the cultural and social implications of war and violence, and how does society respond to war? These are some of the questions raised by Özgen's work and addressed here by social anthropologist Rik Adriaans, psychologist Jan Ilhan Kizilhan, curator Özge Ersoy, as well as writer Han Nefkens, and in conversations between the artist and Hans Ulrich Obrist, artistic director of the Serpentine galleries, and curator Hilde Teerlinck. Published with support from the Han Nefkens Foundation, Barcelona Contributors Rik Adriaans, Özge Ersoy, Jan Kizilhan, Han Nefkens, Hans Ulrich Obrist, Erkan Özgen, Hilde Teerlinck
The pioneering artists of the post-World War II era embraced artistic freedom and gesture-based styles, nontraditional materials and countercultural references. French art critic Michel Tapié even declared the existence of "un art autre" (art of another kind)--an art that entailed a radical break with all traditional notions of order and composition, in a movement toward something wholly "other." This catalogue accompanies the Solomon R. Guggenheim Museum exhibition Art of Another Kind: International Abstraction and the Guggenheim, 1949-1960, which especially highlights works that entered into the collection during the tenure of then-director James Johnson Sweeney. Featuring nearly 100 works by Carla Accardi, Pierre Alechinsky, Karel Appel, Martin Barré, Harry Bertoia, Louise Bourgeois, Alberto Burri, Sam Francis, Grace Hartigan, Asger Jorn, Yves Klein, Franz Kline, Willem de Kooning, Conrad Marca-Relli, Kenzo Okada, Jorge Oteiza, Jackson Pollock, Ad Reinhardt, Pierre Soulages, Clyfford Still, Antoni Tàpies, Jean Tinguely, Cy Twombly, Takeo Yamaguchi and Zao Wou-Ki, among others, this collection-based exhibition and publication explore the affinities and differences between artists working continents apart, in a period of great transition and rapid creative development. The fully illustrated exhibition catalogue includes essays by Tracey Bashkoff, Megan M. Fontanella and Joan Marter; an illustrated chronology; and short biographies of the artists.