Here Carolyn Chute, Stephen King, Bill Roorbach, Richard Russo, Monica Wood, and nine other stellar Maine writers prove that the state is a superb source of inspiration for fiction. They capture Maine's atmospheric landscape, sharply defined seasons — and an assortment of unforgettable characters. Originally published as Contemporary Maine Fiction, the paperback edition bears a new title. Selected by Maine's premier anthologist, this is truly the best fiction you'll find in Maine today.
This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.
This bio-bibliography of the golden age of the science fiction field includes 308 biographies compiled from questionnaires sent to the authors, and chronological lists of 483 writers' published works. This facsimile reprint of the 1975 edition includes a title index, introduction, and minor corrections. A now-classic guide to the major and minor SF writers active in the early 1970s.
What is it like to live and write in Maine? Wesley McNair, Maine's premier anthologist, asked authors who are new to Maine as well as natives to answer this question. They wax lyrical on everything from encounters with neighbors and wildlife to embracing Maine's rich natural landscape, and they take a philosophical look at the state of being in Maine. Among the authors included are Carolyn Chute, Richard Ford, Bill Roorbach, Richard Russo, and Monica Wood.
A compilation of 17 contemporary stories by some of Maine's best established writers. It includes stories that capture things - from daily life in Maine to tales of flying babies.
James Nagel offers the first systematic history and definition of the short-story cycle as exemplified in contemporary American fiction, bringing attention to the format's wide appeal among various ethnic groups. He examines in detail eight recent manifestations of the genre, all praised by critics while uniformly misidentified as novels. Nagel proposes that the short-story cycle, with its concentric as opposed to linear plot development possibilities, lends itself particularly well to exploring themes of ethnic assimilation, which mirror some of the major issues facing American society today.
In The Maine Poets, editor Wesley McNair has selected work by poets of the state from Longfellow to the present. Chosen for their appeal to the general reader, these poems honor the full vision and diversity of Maine's poets as they address life in Maine and in all human places.
Wesley McNair is a kind of Chekhov of American poetry." --Ted Kooser, Pulitzer Prize winner and Poet Laureate Wesley McNair offers a full vision of human life, both its hardships and its rich possibilities. Opening with poems about growing up with family conflict in a New England of broken farms and towns, McNair explores the limits of personal wishes and American dreams. Here too are haunting encounters with ghost selves, the dead, and the gangsters in old movies; the poignant hopefulness of comb-overs; and a transcendent series of lyrics that celebrate self-acceptance and the spiritual dimension of "life on the ground."
