Contemporary Issues in Canadian Drama

Contemporary Issues in Canadian Drama

Author: Per K. Brask

Publisher:

Published: 1995

Total Pages: 268

ISBN-13:

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In light of Canada's changing demographics and cultural fragmentation, fifteen essayists cover such issues as queer culture, feminist perspectives, Native and Asian theatre, regionalism and cultural immediacy in contemporary Canadian theatre.


Contemporary Canadian Theatre

Contemporary Canadian Theatre

Author: Anton Wagner

Publisher: Simon & Pierre

Published: 1985

Total Pages: 426

ISBN-13:

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Thirty-five critics provide a unique overview of the contemporary performing arts and their cultural and economic impact in French and English Canada, in a province-by-province assessment of playwrighting, theatre production, opera and dance, radio and TV drama. Over 70 production photographs and an extensive bibliography and index make this one of the most important books on Canadian theatre in the last decade.


World Encyclopedia of Contemporary Theatre

World Encyclopedia of Contemporary Theatre

Author: Irving Brown (Consulting Bibliographer)

Publisher: Routledge

Published: 2013-10-11

Total Pages: 546

ISBN-13: 1136119000

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An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.


New Canadian Realisms

New Canadian Realisms

Author: Roberta Barker

Publisher: New Essays in Canadian Theatre

Published: 2012

Total Pages: 0

ISBN-13: 9781770910720

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A collection of writing by celebrated scholars and artists that explores the state of political performance in contemporary Canada.


Modern Drama

Modern Drama

Author: Ric Knowles

Publisher: University of Toronto Press

Published: 2003-12-15

Total Pages: 236

ISBN-13: 1442658630

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Theatre, like other subjects in the humanities, has recently undergone quintessential changes in theory, approach, and research. Modern Drama – a collection of twelve essays from leading theatre and drama scholars – investigates the contemporary meanings and the cultural and political resonances of the terms inherent in the concepts of 'modern' and 'drama,' delving into a range of theoretical questions on the history of modernism, modernity, postmodernism, and postmodernity as they have intersected with the shifting histories of drama, theatre, and performance. Using incisive analyses of both modern and postmodern plays, the contributors examine varied topics such as the analysis of periodicity; the articulation of social, political, and cultural production in theatre; the re-evaluation of texts, performances, and canons; and demonstrations of how interdisciplinarity inflects theatre and its practice. Including work by Sue-Ellen Case, Elin Diamond, Harry J. Elam Jr, Alan Filewod, Erika Fischer-Lichte, Stanton B. Garner Jr, Shannon Jackson, Loren Kruger, Josephine Lee, David Savran, Michael Sidnell, and Ann Wilson, the collection highlights the importance of continuing to investigate not only critical texts but also the terms of the debate themselves. Incorporating both drama history and modern studies, this compilation will be an invaluable work to all scholars of theatre and drama, and as well as those students of the humanities and modernism.