Hyung Il Pai examines how archaeological finds from Northeast Asia have been used in Korea to construct a myth of state formation emphasizing the ancient development of a pure Korean race that created a civilization rivaling those of China and Japan. He shows that the Korean state was formed far later with influences from throughout Northern Asia.
In this wide-ranging study, Hyung Il Pai examines how archaeological finds from throughout Northeast Asia have been used in Korea to construct a myth of state formation. This myth emphasizes the ancient development of a pure Korean race that created a civilization rivaling those of China and Japan and a unified state controlling a wide area in Asia. Through a new analysis of the archaeological data, Pai shows that the Korean state was in fact formed much later and that it reflected diverse influences from throughout Northern Asia, particularly the material culture of Han China.
This book examines the contested re-readings of “Korea” in early Chinese historical records and their influence on the formation of Korean-ness in later periods. The earliest written records on “Koreans” are found in Chinese documents produced during the Han dynasty, from the third century BCE to the third century CE. Since then, these early Chinese records have been used as primary sources for writing early Korean history in Korea, China, and Japan. This study analyzes the various reinterpretations and utilizations of these early records that became more diverse by the late nineteenth century, when the reconstruction of ancient history became a crucial part of the formation of Korean national consciousness. Korea’s modern historiography was complicated by a thirty-five year colonial experience (1910–1945) under Japan. During this period, Japanese colonial scholars attempted to depict Korean history as stagnant, heteronymous, and replete with factional strife, while Korean nationalist historians strove to construct an indigenous Korean nation in order to mobilize Koreans’ national consciousness and recover political sovereignty. While focused on Korea and Northeast Asia, the links between historiography and political ideology investigated in this study are pertinent to historians in general.
This book offers new insight on how key historical texts and events in Korea's history have contributed to the formation of the nation's collective consciousness. The work is woven around the unifying premise that particular narrative texts/events that extend back to the premodern period have remained important, albeit transformed, over the modern period and into the contemporary period. The author explores the relationship between gender and nationalism by showing how key narrative topics, such as tales of virtuous womanhood, have been employed, transformed, and re-deployed to make sense of particular national events. Connecting these narratives and historic events to contemporary Korean society, Jager reveals how these "sites" - or reference points - were also successfully re-deployed in the context of the division of Korea and the construction of Korea's modern consciousness.
Almost forty years after the publication of Hobsbawm and Ranger’s The Invention of Tradition, the subject of invented traditions—cultural and historical practices that claim a continuity with a distant past but which are in fact of relatively recent origin—is still relevant, important, and highly contentious. Invented Traditions in North and South Korea examines the ways in which compressed modernity, Cold War conflict, and ideological opposition has impacted the revival of traditional forms in both Koreas. The volume is divided thematically into sections covering: (1) history, religions, (2) language, (3) music, food, crafts, and finally, (4) space. It includes chapters on pseudo-histories, new religions, linguistic politeness, literary Chinese, p’ansori, heritage, North Korean food, architecture, and the invention of children’s pilgrimages in the DPRK. As the first comparative study of invented traditions in North and South Korea, the book takes the reader on a journey through Korea’s epic twentieth century, examining the revival of culture in the context of colonialism, decolonization, national division, dictatorship, and modernization. The book investigates what it describes as “monumental” invented traditions formulated to maintain order, loyalty, and national identity during periods of political upheaval as well as cultural revivals less explicitly connected to political power. Invented Traditions in North and South Korea demonstrates that invented traditions can teach us a great deal about the twentieth-century political and cultural trajectories of the two Koreas. With contributions from historians, sociologists, folklorists, scholars of performance, and anthropologists, this volume will prove invaluable to Koreanists, as well as teachers and students of Korean and Asian studies undergraduate courses.
Turning from more traditional modes of historical inquiry, Korea Between Empires explores the formative influence of language and social discourse on conceptions of nationalism, national identity, and the nation-state.
Brazinsky explains why South Korea was one of the few postcolonial nations that achieved rapid economic development and democratization by the end of the twentieth century. He contends that a distinctive combination of American initiatives and Korean agency enabled South Korea's stunning transformation. Expanding the framework of traditional diplomatic history, Brazinsky examines not only state-to-state relations, but also the social and cultural interactions between Americans and South Koreans. He shows how Koreans adapted, resisted, and transformed American influence and promoted socioeconomic change that suited their own aspirations. Ultimately, Brazinsky argues, Koreans' capacity to tailor American institutions and ideas to their own purposes was the most important factor in the making of a democratic South Korea.
In the late nineteenth century, Japan's new Meiji government established museums to showcase a national aesthetic heritage. Inspired by Western museums and expositions, these institutions were introduced by government officials hoping to spur industrialization and self-disciplined public behavior, and to cultivate an "imperial public" loyal to the emperor. Japan's network of museums expanded along with its colonies. By the mid-1930s, the Japanese museum system had established or absorbed institutions in Taiwan, Korea, Sakhalin, and Manchuria. Not surprising, colonial subjects' views of Japanese imperialism differed from those promulgated by the Japanese state. Meanwhile, in Japan, philanthropic and commercial museums were expanding, revising, and even questioning the state-sanctioned aesthetic canon. Public Properties describes how museums in Japan and its empire contributed to the reimagining of state and society during the imperial era, despite vigorous disagreements about what was to be displayed, how, and by whom it was to be seen.
