Conrad’s Drama: Contemporary Reviews and Observations collects both book reviews and performance reviews of Conrad’s three plays: The Secret Agent, One Day More, and Laughing Anne. These reviews and observations show how Conrad’s plays were received by his contemporaries. More than this, however, Conrad’s Drama reveals the larger conversations surrounding his plays: the state of British drama in the early 20th century, the role the drama critic has in a play’s reception, and the difficulty most fiction writers experience in trying to write for the stage. No other reference work exists for those studying Conrad’s plays, and this volume should prove to be an indispensable reference work for those working on this topic. Conrad’s Drama received an Honorable Mention in the Joseph Conrad Society of America’s Adam Gillon Book Prize in Conrad Studies for books published 2018-2020.
Although the dramatic dimension to Joseph Conrad's fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad's plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.
Against Theatre shows that the most prominent writers of modern drama shared a radical rejection of the theatre as they knew it. Together with designers, composers and film makers, they plotted to destroy all existing theatres. But from their destruction emerged the most astonishing innovations of modernist theatre.
Joseph Conrad is one of the most intriguing and important modernist novelists. His writing continues to preoccupy twenty-first-century readers. This introduction by a leading scholar is aimed at students coming to Conrad's work for the first time. The rise of postcolonial studies has inspired interest in Conrad's themes of travel, exploration, and racial and ethnic conflict. John Peters explains how these themes are explored in his major works, Nostromo, Lord Jim and Heart of Darkness, as well as his short stories. He provides an essential overview of Conrad's fascinating life and career and his approach to writing and literature. A guide to further reading is included which points to some of the most useful secondary criticism on Conrad. This is a most comprehensive and concise introduction to studying Conrad, and will be essential reading for students of the twentieth-century novel and of modernism.
Joseph Conrad achieved worldwide literary renown in his third language. Despite not having learned English until his twenties, Conrad succeeded in breaking new ground with his portrayal of anti-heroes & distinctive narrative style, becoming a major influence on 20th century English language fiction.
This highly original study opens up a new dimension to Joseph Conrad by revealing his lifelong fascination with the popular culture of his day. Drawing on original archival materials and treating subjects as diverse as Bovril advertising, spirit photography, sea shanties, global tourism, and the new sport of speed-walking, it shows how Conrad's fiction makes a sustained response to early-twentieth-century popular culture and will be of interest to all students, scholars and enthusiasts of Conrad.
This intimate, shocking—and thoroughly unauthorized—portrait of the Hiltons chronicles the family’s amazing odyssey from poverty and obscurity to glory and glamour. From Conrad Hilton, the eccentric “innkeeper to the world” who built a global empire beginning with a fleabag in a dusty Texas backwater, to Paris Hilton, his great-granddaughter, whose fame took off with a sex video, House of Hilton is the unauthorized, eye-popping portrait of one of America’s most outrageous dynasties. If you want to know how Paris Hilton became who she is, you have to know where she came from. From scores of candid and exclusive interviews, from private documents and public records, New York Times bestselling author Jerry Oppenheimer has dug deeply into her paternal and maternal family roots to reveal the often shocking, tragic, and comic lives that helped shape the world’s most famous and fabulous “celebutante.” The cast of characters includes Paris’s maternal grandmother, a materialistic “stage mother from hell.” There is Paris’s maternal grandfather, who became an alcoholic housepainter. The life of Paris’s mother, Kathy Hilton, groomed by her mother to be a star and marry rich, is candidly revealed, too, as is that of Paris’s father, Rick, Conrad’s grandson. Paris’s tabloid antics are truly in the Hilton tradition. Set against a glittery Hollywood backdrop—with appearances by stars like Elizabeth Taylor, Zsa Zsa Gabor, Natalie Wood, and Joan Collins—House of Hilton brings to light a cornucopia of closely held Hilton family secrets and sexual peccadilloes, such as the many affairs and the nightclub-brawling, boozing, and pill-popping life of Paris’s great-uncle, Nick Hilton. The story of his hellish marriage to Liz Taylor alone rivals any of today’s Hollywood breakups. Behind it all was Conrad Hilton, who built his worldwide empire through the Great Depression while others were jumping out of windows. A devout Catholic publicly, his personal life was that of an unrepentant sinner. His first marriage was to Mary Barron Hilton, a sexy, hard-drinking, gambling Kentucky teenager half Conrad’s age. Wife number two was the gorgeous Zsa Zsa, who, like Paris, was famous for being famous. Their tumultuous marriage and headline-making divorce are revealed here in all their juicy glory. In all, House of Hilton is a gripping American saga, from the fire and passions that built a business empire to the debauchery and amorality passed on from one generation to the next.
