According to Didi-Huberman, visual representation has an "underside" in which intelligible forms lose clarity and defy rational understanding. Art historians, he contends, fail to engage this underside, and he suggests that art historians look to Freud's concept of the "dreamwork", a mobile process that often involves substitution and contradiction.
While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.
What does it mean to be German? Recent answers to this question have ranged from the general ("Germans are always the other") to the analytic ("They are a multiple identity with a constant wish for redefinition"). The catalogue for Confronting Identities in German Art—an exhibition to run at the David and Alfred Smart Museum of Art from October, 2002 to January, 2003—turns to art works, artists, and their audiences to explore how Germans of the past two centuries have confronted issues of identity, both individual and collective. Focusing on the Smart Museum's rich holdings of German art and a significant selection of important loans, it examines the complex interweaving of subjective identities from the period of Caspar David Friedrich to that of Anselm Kiefer. Thematic essays come together with a select number of object entries to place individual works of art within a larger historical context, and the whole is lavishly illustrated with one hundred images from the exhibition itself.
Inequality has drastically increased in many countries around the globe over the past three decades. The widening gap between the very rich and everyone else is often portrayed as an unexpected outcome or as the tradeoff we must accept to achieve economic growth. In this book, three International Monetary Fund economists show that this increase in inequality has in fact been a political choice—and explain what policies we should choose instead to achieve a more inclusive economy. Jonathan D. Ostry, Prakash Loungani, and Andrew Berg demonstrate that the extent of inequality depends on the policies governments choose—such as whether to let capital move unhindered across national boundaries, how much austerity to impose, and how much to deregulate markets. While these policies do often confer growth benefits, they have also been responsible for much of the increase in inequality. The book also shows that inequality leads to weaker economic performance and proposes alternative policies capable of delivering more inclusive growth. In addition to improving access to health care and quality education, they call for redistribution from the rich to the poor and present evidence showing that redistribution does not hurt growth. Accessible to scholars across disciplines as well as to students and policy makers, Confronting Inequality is a rigorous and empirically rich book that is crucial for a time when many fear a new Gilded Age.
Wexler argues that the arts are most effective when they are in service of social growth, critical to identity formation. This book balances theory with practical knowledge and offers critical research that challenges the biases regarding the nature of art and education.
"A remarkably clear-eyed descent into New York's surreal world of modern dance peopled by the obsessed, dispossessed, sexy, suicidal, brutal, broke, and absurd."—Lance Olsen, author of Nietzsche's Kisses The award-winning writer Renée E. D'Aoust draws from her experiences as a modern dancer in New York during the nineties. Her luminous prose spotlights this passionate, often brutal world. Trained at the prestigious Martha Graham Center, D'Aoust intertwines accounts of her own and other dancers' lives with essays on modern dance history. A dancer's body, scarred, strained, and tough, bears witness to the discipline demanded by the art form. Body of a Dancer provides a powerful, acidly comic record of what it is to love, and eventually leave, a life centered on dance. "With exquisite description, absolute honesty, and a clear compelling voice, Body of a Dancer offers an unforgettable account of one artist’s bittersweet journey."—Dinty W. Moore Renée E. D'Aoust's essays have been featured as notable essays in Best American Essays in 2006, 2007, and 2009. Her nonfiction work has been included in the anthology Reading Dance, edited by Robert Gottlieb and nominated for the Pushcart Prize. D'Aoust is the recipient of an NEA Dance Criticism fellowship and grants from The Puffin Foundation and the Idaho Commission on the Arts.
These essays examine art on the borders of the medieval world, from China to Spain. They engage three related issues: margins, frontiers, and cross-cultural encounters. Historiographic problems and pedagogical questions weave through the essays and the editors introduction.
"One goal of this memoir is to inspire people to fight for change. It takes what I call the Art of Tough and I've had to do it all my life." -- Senator Barbara Boxer Barbara Boxer has made her mark, combining compassionate advocacy with scrappiness in a political career spanning more than three decades. Now, retiring from the Senate, she continues the work to which she's dedicated 30 years in Congress. Her memoir, The Art of Tough, shares her provocative and touching recollections of service, and cements her commitment to the fight for women, families, quality, environmental protection, all in a peaceful world. Sometimes lauded, sometimes vilified, but always standing tough, Boxer has fought for what is right even when her personal convictions conflicted with her party or the majority rule.
Developing a Practical Theology of Risk In a world where danger and uncertainty loom large, it's easy to feel overwhelmed and unsure about how to tread wisely in ministry. Yet, imagine having a comprehensive guide to aid in discerning, reshaping, and skillfully handling the risks that come your way. Facing Danger: A Guide through Risk is that resource. Against the rich backdrop of her family’s own sojourn in perilous places, Anna Hampton presents a treasure trove of practical tools and profound insights to help you thrive in an increasingly hazardous world. With deep spiritual contemplation and meticulous research, she offers a unique viewpoint on cross-cultural service and the art of making sacrifices. Missionaries, pastors, and those yearning to embrace a life of unyielding faith will find Facing Danger to be an indispensable resource. It includes a trauma recovery recipe, sixteen risk myths, a hermeneutical methodology, and risk assessment and management training. Facing Danger equips you to create a systematic action plan to faithfully traverse dangerous landscapes. Hampton empowers readers serving Christ to decipher and adeptly handle risk with wisdom and hope.