Conflict and Control in the Cinema
Author: John Tulloch
Publisher: Melbourne : Macmillan
Published: 1977
Total Pages: 844
ISBN-13:
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John Mills and British Cinema
Author: Gill Plain
Publisher: Edinburgh University Press
Published: 2006-03-23
Total Pages: 264
ISBN-13: 0748626611
DOWNLOAD EBOOKAlthough his film career extended from the early days of sound to the British New Wave and beyond, Sir John Mills is nonetheless remembered as the archetypal hero of the Second World War. Regarded as an English 'everyman', his performances crossed the class divide and, in his easy transition from below decks to above, he came to represent a newly democratic masculine ideal.But what was this exemplary masculinity and what became of it in the aftermath of war? John Mills and British Cinema asks how was it possible for an actor to embody national identity and, by exploring the cultural contexts in which Mills and the nation became synonymous, the book offers a new perspective on 40 years of cinema and social change. Through detailed analysis of a wide range of classic British films, John Mills and British Cinema exposes the shifting constructions of 'national' masculinity, arguing that the screen persona of the actor is a fundamental, and often overlooked, dimension of British cinema.
Post-Conflict Performance, Film and Visual Arts
Author: Des O'Rawe
Publisher: Palgrave Macmillan
Published: 2016-08-10
Total Pages: 0
ISBN-13: 9781137439543
DOWNLOAD EBOOKDrawing on a range of cities and conflicts from Europe, Africa and the Middle East, the collection explores the post-conflict condition as it is lived and expressed in modern cities such as Berlin, Belfast, Bilbao, Beirut, Derry, Skopje, Sarajevo, Tunis, Johannesburg and Harare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory investigates how the memory of conflict can be inscribed in historical monuments, human bodies and hermeneutic acts of mapping, traversing, representing, and performing the city. Several essays explore the relations between memory, history and urban space; where memory is located and how it is narrated, as well as various aspects of embodied memory; testimonial memory; traumatic memory; counter-memory; false memory; post-memory. Other essays examine the representations of post-war cities and how cultural imaginations relate to the politics of reconstruction in places devastated by protracted urban warfare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory offers a comparative survey of the complex and often controversial encounters between public art, political memory and commemoration in divided societies, as well as offering insights into the political and ethical difficulties of balancing the dynamics of forgetting and remembering.
The Representation of Economics in Cinema
Author: Santiago Sanchez-Pages
Publisher: Springer Nature
Published: 2021-09-13
Total Pages: 224
ISBN-13: 3030801810
DOWNLOAD EBOOKCinema articulates the economic anxieties of each generation of filmmakers and audiences. It has an influence on people’s views on various economic issues and many orders of magnitude larger than that of economics as a discipline. This book offers a sweeping study of the representation of economics in cinema across a wide range of areas and genres, from the conflicts over resources in the lawless Old West to the post-scarcity societies of science fiction futures. This book studies how films have portrayed trade unions, scarcity, money, businesses, innovators, migrant workers, working women, globalization, the stock market, and the automation of work. It aims to be useful to those who are interested in cinema with economic themes and to those who want to learn about economics through cinema.
Journal of Film and Video
Author:
Publisher:
Published: 1986
Total Pages: 728
ISBN-13:
DOWNLOAD EBOOKControlling the Costs of Conflict
Author: Karl A. Slaikeu
Publisher: John Wiley & Sons
Published: 2012-07-16
Total Pages: 253
ISBN-13: 1118502779
DOWNLOAD EBOOKWritten for non-experts in jargon-free language, this work shows how to create systems within organizations that preempt the monetary, strategic, and emotional costs associated with on-the-job conflict. Its clear and simple approach translates advanced concepts into practical how-tos and provides readers with four guiding principles they can follow to create conflict control systems of their own. Amply illustrated with real-world examples, it details the policies, procedures, and practices that make for successful control systems and tells precisely how to implement them.
The First World War and Popular Cinema
Author: Michael Paris
Publisher: Rutgers University Press
Published: 2000
Total Pages: 288
ISBN-13: 9780813528250
DOWNLOAD EBOOKThe First World War and Popular Cinema provides fresh insight into the role of film as an historical and cultural tool. Through a comparative approach, essays by contributors from Europe, Australia, Canada, and the United States enrich our understanding of cinematic depictions of the Great War in particular and combat in general. New historical research on both the uses of propaganda and the development of national cinemas make this collection one of the first to show the ways in which film history can contribute to our study of national histories.
Hollywood's Film Wars with France
Author: Jens Ulff-Møller
Publisher: University Rochester Press
Published: 2001
Total Pages: 244
ISBN-13: 9781580460866
DOWNLOAD EBOOKIt is based on hitherto unstudied documents from these institutions. While European film production was at a standstill after World War I, Hollywood companies flooded the European market with hundreds of films at very low prices."--BOOK JACKET.
The Most Typical Avant-Garde
Author: David E. James
Publisher: Univ of California Press
Published: 2005-05-30
Total Pages: 564
ISBN-13: 0520242580
DOWNLOAD EBOOKLos Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films. This panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true centre of avant-garde cinema in the US.
Transcultural Cinema
Author: David MacDougall
Publisher: Princeton University Press
Published: 1998-12-27
Total Pages: 334
ISBN-13: 9780691012346
DOWNLOAD EBOOKDavid MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include The Wedding Camels, Lorang's Way, To Live with Herds, A Wife among Wives, Takeover, PhotoWallahs, and Tempus de Baristas. As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.
