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Author: Simon P. Keefe
Publisher: Cambridge University Press
Published: 2005-10-27
Total Pages: 344
ISBN-13: 9780521834834
DOWNLOAD EBOOKA rare volume dedicated entirely to scholarship on the genre of the concerto.
Author: Abraham Veinus
Publisher: Courier Corporation
Published: 1964-01-01
Total Pages: 337
ISBN-13: 0486211789
DOWNLOAD EBOOKThe first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.
Author: Malcolm Boyd
Publisher: Cambridge University Press
Published: 1993-09-24
Total Pages: 122
ISBN-13: 9780521387132
DOWNLOAD EBOOKThe Brandenburg Concertos represent a pinnacle in the history of the Baroque concerto. This analysis places the concertos in their historical context, investigates their sources, traces their origins and discusses the changing traditions of performance.
Author: Library of Congress
Publisher:
Published: 2013
Total Pages: 1708
ISBN-13:
DOWNLOAD EBOOKAuthor: Library of Congress. Cataloging Policy and Support Office
Publisher:
Published: 2007
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Stephan D. Lindeman
Publisher: Pendragon Press
Published: 1999
Total Pages: 368
ISBN-13: 9781576470008
DOWNLOAD EBOOKLindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
Published: 2005
Total Pages: 1620
ISBN-13: 9780879308650
DOWNLOAD EBOOKOffering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: John Rink
Publisher: Cambridge University Press
Published: 1997-11-27
Total Pages: 154
ISBN-13: 9780521446600
DOWNLOAD EBOOKChopin's E minor and F minor Piano Concertos played a vital role in his career as a composer-pianist. Praised for their originality and genius when he performed them, the concertos later attracted censure for ostensible weaknesses in form, development and orchestration. They also suffered at the hands of editors and performers, all the while remaining enormously popular. This handbook re-evaluates the concertos against the traditions that shaped them so that their many outstanding qualities can be fully appreciated. It describes their genesis, Chopin's own performances and his use of them as a teacher. A survey of their critical, editorial and performance histories follows, in preparation for an analytical 're-enactment' of the music - that is, a narrative account of the concertos as embodied in sound, rather than in the score. The final chapter investigates Chopin's enigmatic 'third concerto', the Allegro de concert. Chopin: The Piano Concertos has won the Wilk Book Prize for Research in Polish Music.
Author: Michael Steinberg
Publisher: Oxford University Press
Published: 2000-10-26
Total Pages: 523
ISBN-13: 019802634X
DOWNLOAD EBOOKMichael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.
Author: Ludwig van Beethoven
Publisher:
Published: 1901
Total Pages: 96
ISBN-13:
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