Scales for Advanced Violists

Scales for Advanced Violists

Author: Barbara Barber

Publisher: Alfred Music

Published: 2005-06-20

Total Pages: 40

ISBN-13: 9781457445323

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The practice of scales need never be monotonous! Scales for Advanced Violists is a user-friendly scale book with each of the twelve keys complete. Dozens of bowings and rhythmic variants are offered to develop and improve evenness, clarity, agility, speed, and intonation. An innovative introduction to double-stops takes the guess work out of this important technique. The Circle of 5ths explains key signatures. The book includes three octave major, melodic minor, harmonic minor, arpeggios, broken 3rds, and chromatic scales. Double-stops in octaves, thirds, sixths, and harmonics are presented in two octaves. This is the only scale book that most violists will ever need!


School of Violin Technics

School of Violin Technics

Author: Henry Schradieck

Publisher: Alfred Music

Published:

Total Pages: 52

ISBN-13: 9781457476501

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A collection of exercises, for Violin, composed by Henry Schradieck.


The Concerto

The Concerto

Author: Stephan D. Lindeman

Publisher: Taylor & Francis

Published: 2006

Total Pages: 666

ISBN-13: 0415976197

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Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.


Structural Novelty and Tradition in the Early Romantic Piano Concerto

Structural Novelty and Tradition in the Early Romantic Piano Concerto

Author: Stephan D. Lindeman

Publisher: Pendragon Press

Published: 1999

Total Pages: 368

ISBN-13: 9781576470008

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Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR


Glenn Gould

Glenn Gould

Author: Peter F. Ostwald

Publisher: W. W. Norton & Company

Published: 1998

Total Pages: 380

ISBN-13: 9780393318470

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In this acclaimed biography, the late Peter Ostwald--himself an accomplished violinist and longtime personal friend of Gould's--raises many questions about Gould and his music, and lays bare the energy and contradiction behind his brilliance. Photos. NPR feature.


The Finale in Western Instrumental Music

The Finale in Western Instrumental Music

Author: Michael Talbot

Publisher: Oxford Monographs on Music

Published: 2001

Total Pages: 272

ISBN-13: 9780198166955

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The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.


The Classical Music Lover's Companion to Orchestral Music

The Classical Music Lover's Companion to Orchestral Music

Author: Robert Philip

Publisher: Yale University Press

Published: 2018-12-04

Total Pages: 969

ISBN-13: 0300242727

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An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.