The Concerto

The Concerto

Author: Stephan D. Lindeman

Publisher: Taylor & Francis

Published: 2006

Total Pages: 666

ISBN-13: 0415976197

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Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.


The Concerto

The Concerto

Author: Abraham Veinus

Publisher: Courier Corporation

Published: 1964-01-01

Total Pages: 337

ISBN-13: 0486211789

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The first thorough English-language exploration of the concerto as a musical form, this is an oft-quoted, authoritative survey. Examining the social, economic, and personal factors that influenced the concerto's growth, the work also summarizes the contributions of theorists, composers, and musicians and defines the genre's terms and the changing nature.


Orchestral Music

Orchestral Music

Author: David Daniels

Publisher: Scarecrow Press

Published: 2005-10-13

Total Pages: 634

ISBN-13: 146166425X

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Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals


THE INDIAN LISTENER

THE INDIAN LISTENER

Author: All India Radio (AIR),New Delhi

Publisher: All India Radio (AIR),New Delhi

Published: 1938-10-07

Total Pages: 92

ISBN-13:

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The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artistS. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-10-1938 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 92 VOLUME NUMBER: Vol. III, No. 20 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 1444-1523 ARTICLE: 1. The Revival Of Indian Music 2. Music For The Indian Film (A Talk Broadcast Recently From Bombay) 3. AIR At Work V. Outside Broadcasts AUTHOR: 1. K. A. Desai 2. Sir Richard Temple 3. Unknown KEYWORDS: 1. Revival of Indian Music, Bal Sangit Mala, Western India, Maula Bux, Music Schools 2. Art Soiree, Indian Film Industry, Indian Musician 3. Delhi Programme Assistant, AIR Studio, Mushaira, Outside Broadcasts, Microphone Document ID: INL - 1938 ( J-D) Vol -I (20)


Interpreting Mozart

Interpreting Mozart

Author: Eva Badura-Skoda

Publisher: Routledge

Published: 2018-12-07

Total Pages: 579

ISBN-13: 1135868506

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Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.