Complete concerti grossi

Complete concerti grossi

Author: Arcangelo Corelli

Publisher: Courier Corporation

Published: 1988-01-01

Total Pages: 256

ISBN-13: 0486256065

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These masterful works by the baroque composer Arcangelo Corelli (1653 1713) are among the earliest created in the concerto grosso form. They radiate a vibrant lyricism and crisp dignity of style that set them clearly apart from works by most earlier composers, who strove primarily for virtuoso brilliance and whimsy. This finely produced yet inexpensive paperback edition meticulously reproduces the scores of all twelve of Corelli's concerti grossi from a famous edition prepared by violinist Joseph Joachim and musicologist Friedrich Chrysander at the end of the nineteenth century. Corelli's concerti grossi for strings and continuo, most of them written in the last three decades of his life, were not published until 1714, the year following his death. Together with his other works four sets of trio sonatas and one set of violin sonatas they won him celebrity in his lifetime, great influence on other composers in the decades after his death, and a fervent admiration from musicians, critics, and audiences that has never declined through the centuries."


Popular Classics for Violin and Piano

Popular Classics for Violin and Piano

Author: Bodewalt Lampe

Publisher: Courier Corporation

Published: 2013-05-22

Total Pages: 147

ISBN-13: 0486497534

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This rare collection features violin part and separate piano reduction of 25 works by Brahms, Dvorak, Händel, Herbert, Saint-Saëns, Schubert, Schumann, Mendelssohn, Massenet, Elgar, and others. Suitable for intermediate-level violinists, this is an ideal edition for students, teachers, hobbyists, and professionals to use for practice, instruction, and recitals. Contents include Dvorak's Humoresk, Anton Rubinstein's Melody in F, Mendelssohn's Spring Song, Schubert's Serenade, Hungarian Dance No. 5 by Brahms, Love's Greeting by Elgar, and Handel's Largo from Xerxes. Additional melodies include Massenet's Elegie, Intermezzo from Mascagni's Cavalleria Rusticana, Saint-Saëns' The Swan, and more than a dozen others.


Liber Amicorum John Steele

Liber Amicorum John Steele

Author:

Publisher: Pendragon Press

Published: 1997

Total Pages: 500

ISBN-13: 9780945193807

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John Steele was educated at Victoria University of Wellington, and at Cambridge University, where he was a student of Thurston Dart. Steele was the first New Zealander to become a professional musicologist, and the first to achieve international repute, largely for his work on Italian music of the late sixteenth and early seventeenth centuries. This volume has been undertaken by the New Zealand Musicological Society as a tribute to its most distinguished member on the occasion of his retirement from Otago University. The main focus of the collection is the music of the sixteenth to eighteenth centuries.


Caprices and etudes for solo violin

Caprices and etudes for solo violin

Author: Nicolò Paganini

Publisher: Courier Corporation

Published: 1993-01-01

Total Pages: 129

ISBN-13: 0486278832

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Paganini and Wieniawski were among the 19th century's most famous violin virtuosos and composed some of the solo violin repertoire's most treasured works. Here, in one large-format playing edition, are Paganini's innovative Caprices and Wieniawski's much-admired collections, L'Ecole Moderne and Etudes Caprices. The three scores offer hours of rigorous practice and rehearsal.


Fantasies from Opera for Violin and Piano

Fantasies from Opera for Violin and Piano

Author: Henryk Wieniawski

Publisher: Courier Corporation

Published: 2014-01-15

Total Pages: 130

ISBN-13: 0486782611

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Four fantasies, each with separate violin part: Carmen Fantasy, Fantasia on Themes from Gounod's Faust, Fantasie from Mozart's The Magic Flute, and Fantasie Brillante on the March and the Romance from Rossini's Otello.


A History of the Concerto

A History of the Concerto

Author: Michael Thomas Roeder

Publisher: Hal Leonard Corporation

Published: 1994

Total Pages: 487

ISBN-13: 0931340616

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A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.


The Scoring of Baroque Concertos

The Scoring of Baroque Concertos

Author: C. R. F. Maunder

Publisher: Boydell Press

Published: 2004

Total Pages: 304

ISBN-13: 9781843830719

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The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.


Piano concertos nos. 1 and 2

Piano concertos nos. 1 and 2

Author: Johannes Brahms

Publisher: Courier Corporation

Published: 1999-01-01

Total Pages: 212

ISBN-13: 0486406253

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Ambitious in scale, highly original in both content and design, these popular works exhibit Brahms's mastery of the concerto. Reproduced from an authoritative source; perfect for rehearsals and recitals.


Antonio Vivaldi

Antonio Vivaldi

Author: Karl Heller (Dr. phil.)

Publisher: Hal Leonard Corporation

Published: 1997

Total Pages: 367

ISBN-13: 1574670158

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Chronicles the life of the seventeenth-century composer and discusses his major works, including "The Four Seasons"