Concepts of Time in Post-War European Music
Concepts of Time in Post-War European Music

Author: Aaron Hayes

Publisher: Routledge

Published: 2020-10-29

Total Pages: 166

ISBN-13: 0429575165

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Concepts of Time in Post-War European Music gives a historical and philosophical account of the discussions of the nature of time and music during the mid-twentieth century. The nature of time was a persistent topic among composers in Paris and Darmstadt in the decades after World War II, one which influenced their musical practice and historical relevance. Based on the author’s specialized knowledge of the relevant philosophical discourses, this volume offers a balanced critique of these composers' attempts at philosophizing about time. Touching on familiar topics such as Adorno’s philosophy of music, the writings of Boulez and Stockhausen, and Messiaen’s theology, this volume uncovers specific relationships among varied intellectual traditions that have not previously been described. Each chapter provides a philosophical explanation of specific problems that are relevant for interpreting the composer’s own essays or lectures, followed by a musical analysis of a piece of music which illustrates central theoretical concepts. This is a valuable study for scholars and researchers of music theory, music history, and the philosophy of music.

Serial Music, Serial Aesthetics
Serial Music, Serial Aesthetics

Author: M. J. Grant

Publisher: Cambridge University Press

Published: 2005-06-08

Total Pages: 288

ISBN-13: 9780521619929

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Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, modern poetry and the information aesthetics and semiotics of Max Bense and Umberto Eco. M. J. Grant sketches an aesthetic theory of serialism as experimental music, arguing that serial theory's embrace of both rigorous intellectualism and aleatoric processes is not, as many have suggested, a paradox, but the key to serial thought and to its relevance for contemporary theory.

Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War
Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War

Author: Michael Baumgartner

Publisher: Routledge

Published: 2019-09-23

Total Pages: 353

ISBN-13: 1315298430

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In the wake of World War II, the arts and culture of Europe became a site where the devastating events of the 20th century were remembered and understood. Exploring one of the most integral elements of the cinematic experience—music—the essays in this volume consider the numerous ways in which post-war European cinema dealt with memory, trauma and nostalgia, showing how the music of these films shaped the representation of the past. The contributors consider films from the United Kingdom, Poland, the Soviet Union, France, Italy, Germany, Sweden, Austria, and the Netherlands, providing a diverse and well-rounded understanding of film music in the context of historical memory. Memory is often underrepresented within scholarly musical studies, with most of these applications found in the disciplines of ethnomusicology, popular music studies, music cognition, and psychology and music therapy. Likewise, trauma has mainly been studied in relation to music in only a few historical contexts, while nostalgia has attracted even less academic attention. In three parts, this volume addresses each area of study as it relates to the music of European cinema from 1945 to 1989, applying an interdisciplinary approach to investigate how films use music to negotiate the precarious relationships we maintain with the past. Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War offers compelling arguments as to what makes music such a powerful medium for memory, trauma and nostalgia.

Concepts of Time in Post-War European Music
Concepts of Time in Post-War European Music

Author: Aaron Hayes

Publisher: Routledge

Published: 2020-10-29

Total Pages: 154

ISBN-13: 0429577273

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Concepts of Time in Post-War European Music gives a historical and philosophical account of the discussions of the nature of time and music during the mid-twentieth century. The nature of time was a persistent topic among composers in Paris and Darmstadt in the decades after World War II, one which influenced their musical practice and historical relevance. Based on the author’s specialized knowledge of the relevant philosophical discourses, this volume offers a balanced critique of these composers' attempts at philosophizing about time. Touching on familiar topics such as Adorno’s philosophy of music, the writings of Boulez and Stockhausen, and Messiaen’s theology, this volume uncovers specific relationships among varied intellectual traditions that have not previously been described. Each chapter provides a philosophical explanation of specific problems that are relevant for interpreting the composer’s own essays or lectures, followed by a musical analysis of a piece of music which illustrates central theoretical concepts. This is a valuable study for scholars and researchers of music theory, music history, and the philosophy of music.

Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations
Space and Spatialization in Contemporary Music: History and Analysis, Ideas and Implementations

Author: Maria Anna Harley

Publisher: Lulu.com

Published: 2016-06-08

Total Pages: 483

ISBN-13: 0996398163

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This dissertation presents the history of space in the musical thought of the 20th­ century (from Kurth to Clifton, from Varese to Xenakis) and outlines the development of spatialization in the theory and practice of contemporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden's notion of the musical work; a typology of spatial designs embraces music for different acoustic environments, movements of performers and audiences, various positions of musicians in space, etc. The study of spatialization includes a survey of the composers's writings (lves, Boulez, Stockhausen, Cage, etc.) and an examination of their works. The final part presents three unique approaches to spatialization: Brant's simultaneity of sound layers, Xenakis's movement of sound, and Schafer's music of ritual and soundscape.

The Oxford Handbook of Critical Concepts in Music Theory
The Oxford Handbook of Critical Concepts in Music Theory

Author: Alexander Rehding

Publisher: Oxford University Press

Published: 2019-11-19

Total Pages: 600

ISBN-13: 019045475X

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Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory. In some cases authors explore concepts that have not yet been widely added to the theorist's toolkit but deserve to be included; in other cases concepts are expanded beyond their core repertory of application. This collection does not shy away from controversy. Taken in their entirety, the essays underline that music theory is on the move, exploring new questions, new repertories, and new approaches. This collection is an invitation to take stock of music theory in the early twenty-first century, to look back and to encourage discussion about its future directions. Its chapters open up a panoramic view of the contemporary music-theoretical landscape with its expanding repertories and changing guiding questions, and offers suggestions as to where music theory is headed in years to come.

Encounters with the Posthuman and the Environment
Encounters with the Posthuman and the Environment

Author: Inci Bilgin Tekin

Publisher: Rowman & Littlefield

Published: 2024-10-29

Total Pages: 203

ISBN-13: 166697188X

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With the advent of posthumanism, many scholars in the humanities have started to explore a transforming conception of the “human,” recognizing the limits of “anthropocentricism” both within and between disciplines. Posthumanism may be defined in various ways but the emphasis in this volume is on the idea of constitutive alterity, not simply in the relationship between human beings and other human beings, but in that between human beings and other species and life forms, and between human beings, nature and technology. As a result, Encounters with the Posthuman and the Environment is located at a crossover between posthumanism and environmental humanities. Between them they move not only between disciplines but also between levels of abstraction, from the most general reflection to the most everyday empirical detail. At the same time, all the chapters are case studies, whether they address particular aspects of philosophical or scientific posthumanism, analyze particular pieces of film, theatre, art, literature, or recall for us instructive episodes from social history. The aim at any rate is to give a feel for the range and depth of the posthumanist problematic within the wider context of environmental humanities.

Musical Composition in the Context of Globalization
Musical Composition in the Context of Globalization

Author: Christian Utz

Publisher: transcript Verlag

Published: 2021-03-31

Total Pages: 531

ISBN-13: 3839450950

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Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

Musicology: The Key Concepts
Musicology: The Key Concepts

Author: David Beard

Publisher: Routledge

Published: 2016-01-22

Total Pages: 377

ISBN-13: 1317298098

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Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines.

Music: Ideas in Profile
Music: Ideas in Profile

Author: Andrew Gant

Publisher: Profile Books

Published: 2017-03-02

Total Pages: 140

ISBN-13: 1782832513

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Ideas in Profile Series Is music a science or an art? It's both, as Andrew Gant reveals in this lively and accessible account of what music is and what it's for. Music has been central to life since the dawn of humankind and is intimately bound up with the origins of language. Andrew Gant introduces us to its long history and its many genres and manifestations. He explains how composers compose, players play and singers sing. He looks at how musical styles develop, the ways they fall in and out of fashion, and why certain kinds of music - dancing and love songs, for example - is a universal in human culture. He considers how music is composed, the nature of genius and the workings of inspiration. He shows how music can be composed and used to stir patriotism, instill courage, reinforce identity, sell a product, or make a political point. And he goes beyond humans to examine music in the natural world in the creativity of birdsong. This is, in short, the ideal introduction to a very big subject.