Forbidden Music

Forbidden Music

Author: Michael Haas

Publisher: Yale University Press

Published: 2013-04-15

Total Pages: 505

ISBN-13: 0300154313

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DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div


Genius & Anxiety

Genius & Anxiety

Author: Norman Lebrecht

Publisher: Simon and Schuster

Published: 2019-12-03

Total Pages: 464

ISBN-13: 1982134232

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This lively chronicle of the years 1847­–1947—the century when the Jewish people changed how we see the world—is “[a] thrilling and tragic history…especially good on the ironies and chain-reaction intimacies that make a people and a past” (The Wall Street Journal). In a hundred-year period, a handful of men and women changed the world. Many of them are well known—Marx, Freud, Proust, Einstein, Kafka. Others have vanished from collective memory despite their enduring importance in our daily lives. Without Karl Landsteiner, for instance, there would be no blood transfusions or major surgery. Without Paul Ehrlich, no chemotherapy. Without Siegfried Marcus, no motor car. Without Rosalind Franklin, genetic science would look very different. Without Fritz Haber, there would not be enough food to sustain life on earth. What do these visionaries have in common? They all had Jewish origins. They all had a gift for thinking in wholly original, even earth-shattering ways. In 1847, the Jewish people made up less than 0.25% of the world’s population, and yet they saw what others could not. How? Why? Norman Lebrecht has devoted half of his life to pondering and researching the mindset of the Jewish intellectuals, writers, scientists, and thinkers who turned the tides of history and shaped the world today as we know it. In Genius & Anxiety, Lebrecht begins with the Communist Manifesto in 1847 and ends in 1947, when Israel was founded. This robust, magnificent, beautifully designed volume is “an urgent and moving history” (The Spectator, UK) and a celebration of Jewish genius and contribution.


The Palgrave Dictionary of Anglo-Jewish History

The Palgrave Dictionary of Anglo-Jewish History

Author: W. Rubinstein

Publisher: Springer

Published: 2011-01-27

Total Pages: 1941

ISBN-13: 0230304664

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This authoritative and comprehensive guide to key people and events in Anglo-Jewish history stretches from Cromwell's re-admittance of the Jews in 1656 to the present day and contains nearly 3000 entries, the vast majority of which are not featured in any other sources.


The Cambridge Companion to Jewish Music

The Cambridge Companion to Jewish Music

Author: Joshua S. Walden

Publisher: Cambridge University Press

Published: 2015-11-19

Total Pages: 311

ISBN-13: 1107023459

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A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.


Music in Jewish Thought

Music in Jewish Thought

Author:

Publisher: McFarland

Published: 2014-09-17

Total Pages: 213

ISBN-13: 0786455098

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With the nineteenth century came new freedom for European Jews. Enjoying an integration that had been denied since the Middle Ages, they now wrestled with the form and degree of that integration in all areas of their lives, including in their creation, appreciation, and criticism of music. The writings focus on Jewish musicology, biography, historical surveys, secular music and songs performed in the synagogue.


Solo Vocal Works on Jewish Themes

Solo Vocal Works on Jewish Themes

Author: Kenneth Jaffe

Publisher: Scarecrow Press

Published: 2011

Total Pages: 460

ISBN-13: 0810861356

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Solo Vocal Works on Jewish Themes: A Bibliography of Jewish Composers is a comprehensive and annotated compendium of stage, concert, and liturgical compositions written by Jewish composers from every known time period and country. Kenneth Jaffe has amassed nearly 3,000 large-scale musical works for solo voice(s) on Jewish themes, written by Jewish composers. The works include over 400 cantatas, 150 oratorios, almost 300 operas, more than 100 sacred services, 20 symphonies, and more than 350 stage works, including Yiddish theatre, Purim and sacred plays, multi-media pieces, and musical theatre. In addition, original song cycles and liturgical services arranged for a modest to large complement of instruments are also included. The works are organized by composer and subdivided by genre, and each entry is fully annotated, detailing the title, opus, voicing and instrumentation, text source, commission, year completed, year and location of the premiere, the year of publication and the publisher (if any), the location of scores, and the duration of the work. The works are then broken down by theme, such as Biblical themes, works for children, works of the Holocaust or Jewish suffering and persecution, interfaith works, and wedding music. They are then cross-referenced by voice type, arrangement, and by title. A list of libraries and publishing houses of Jewish music rounds out this invaluable reference.


Jewry in Music

Jewry in Music

Author: David Conway

Publisher: Cambridge University Press

Published: 2011-12-15

Total Pages: 357

ISBN-13: 1139505351

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David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a radical contextualisation of Wagner's infamous 'Judaism in Music'.