Many musicians are finding a new market for their music scoring for films and television. This comprehensive resource guide provides all the practical tools and information needed about how to organize and run a film and television music business. Section I contains helpful marketing materials, such as sample letters, brochures, postcards, resumes, and product packaging. Section II provides forms, documents and examples for the management, production, recording and delivery of music for projects. Section III features frequently used sample contracts and agreements, and Section IV lists other composer resources, such as a glossary of terms and abbreviations, info on performing rights organizations, attorneys and agents, listings of different markets to tap, internet resources, and much more. Essential for any musician interested in a career in film and television music.
"You don't have to grind 24/7 to be a successful screen music composer, but you do have to be intentional with your time. I'm proud that Steven Melin has fought for this balance at an early age, and he'll show you how you can too. I'm excited for how Family-First Composer will equip you to live the most fulfilling life possible."-Adam Gubman (Composer of Star Wars Galaxy's Edge, Producer of This Is Me from The Greatest Showman, & Songwriter at Disney Parks Worldwide)This book is written for you, hard-working parent who works at a corporate American job to pay the bills. You long to support your family composing music for film, TV, & video games.You get no joy or fulfillment from your work...this is a safe, "real" job. You complain to your spouse every night about how you long for the day when you can support your family composing music for film, TV, & video games...You look forward to the weekends when you can spend time with your family, but you're usually so exhausted from the work week that this time frustratingly must be used to rest and prepare for the upcoming work week. You have little time for friendships or dates with your spouse due to stress at work and general unhappiness. To escape, you love watching TV shows and playing video games, but you rarely find time to enjoy these. You want to help around the house more and attend your kids' events, but you never have time or energy to spare. You love to read, but have a hard time believing that his situation will ever really change...You hate the trajectory of your life. Aside from your family, it's empty. Hollow. You were created to do more with your life. You want the chance to show your family - and the world - that you can support them doing what you love. You just need a guide: someone who has been in your shoes and knows the steps to take to be where you want to be...This book is written for you, a screen music composer seeking to escape the 9-5 grind of corporate America and build a sustainable and growing music business that fully supports your family. If you read and apply the teachings found in this step-by-step guide, you will: Enjoy freedom from your day job Immediately earn income from your music Free your time to focus more on your family Experience fulfillment supporting your family Do what you love Work from home Remove the stress of inconsistent paychecks Feel secure in your finances Live peacefully Open your options for a better lifestyle Embrace autonomy in your life to do what you want, when you want, where you want, with whom you want, at the price you want, at the terms you want! Buy Family-First Composer today and Support Your Family Composing Music for Film, TV, & Video Games!
An eminent conductor's theories on musical training--musicians should read full scores and be familiar with the musical conventions and cultural milieu of the composer's time--are punctuated by lively anecdotes and reminiscences of his international musical career
(Meredith Music Resource). A Composer's Insight, Volume 1 with a foreword by Michael Colgrass is the first in a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, "behind-the-notes" perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.
The Book aims to be a guide through the little universe which is the working place of the man who writes music. As such it talks predominantly to the layman, although the expert composer may also find some stimulation in it... From the center of basic theory our discussion will spread out into all the realms of experience which border the technical aspect on composing, such as aesthetics, sociology, philosphy and so on... We must be grateful that with our art we have been placed halfway between science and religion, enjoying equally the advantages of exactitude in thinking... and of the unlimeted world of faith. Paul Hindemith, from the preface
Esteemed California music professor David Whealy is drawn to the other side of the country to investigate the circumstances behind his unexpected inheritance. As David probes deeper into the secrets of his benefactor, James Burton West, he finds more than just a wealth of unpublished music on the order of the great composers. David’s benefactor knew precious little about his own estate that had been in continuous family hands since 1724. He knew nothing about his colonial ancestor, a Thomas of historic import, nor the origins of that ancient iron key which held a secret even West knew nothing about. A secret which may well have redrawn the map of the United States.
This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.
Of musical notation. Time and meter ; Notes ; Rests ; Measure notation ; Measure signature ; Pitch notation ; Staff and clefs ; Tones in key ; Signatures ; Tonic sol-fa ; Patent notes ; Grace notes and embellishments ; Trill ; Pedals of the pianoforte ; Phrasing and expression ; Abbreviations ; Special signs in instrumental music -- Classification of musical forms -- Rules of pronunciation.
