Amanda couldn’t believe her eyes when she witnessed her fianc? cheating. In despair, she decides to jump off a bridge, but gets saved by Malory, her fianc?’s half brother. The usually cold, stern man shows his kind and supportive side to Amanda during her struggle. Amanda cannot help but feel attracted to his kindness. Eventually, Amanda's cunning ex-fianc? spreads a fake rumor about the two, and Malory proposes an idea. He suggests that he and Amanda pretend to be engaged to stop the gossip!
Amanda couldn’t believe her eyes when she witnessed her fianc? cheating. In despair, she decides to jump off a bridge, but gets saved by Malory, her fianc?’s half brother. The usually cold, stern man shows his kind and supportive side to Amanda during her struggle. Amanda cannot help but feel attracted to his kindness. Eventually, Amanda's cunning ex-fianc? spreads a fake rumor about the two, and Malory proposes an idea. He suggests that he and Amanda pretend to be engaged to stop the gossip!
An up-to-date and comparative look at immigration in Europe, the United States, and Canada Strangers No More is the first book to compare immigrant integration across key Western countries. Focusing on low-status newcomers and their children, it examines how they are making their way in four critical European countries—France, Germany, Great Britain, and the Netherlands—and, across the Atlantic, in the United States and Canada. This systematic, data-rich comparison reveals their progress and the barriers they face in an array of institutions—from labor markets and neighborhoods to educational and political systems—and considers the controversial questions of religion, race, identity, and intermarriage. Richard Alba and Nancy Foner shed new light on questions at the heart of concerns about immigration. They analyze why immigrant religion is a more significant divide in Western Europe than in the United States, where race is a more severe obstacle. They look at why, despite fears in Europe about the rise of immigrant ghettoes, residential segregation is much less of a problem for immigrant minorities there than in the United States. They explore why everywhere, growing economic inequality and the proliferation of precarious, low-wage jobs pose dilemmas for the second generation. They also evaluate perspectives often proposed to explain the success of immigrant integration in certain countries, including nationally specific models, the political economy, and the histories of Canada and the United States as settler societies. Strangers No More delves into issues of pivotal importance for the present and future of Western societies, where immigrants and their children form ever-larger shares of the population.
"I know you've made me." Some of the most illustrious writers of the early twentieth century would recognize and endorse the sentiments contained in Joseph Conrad's letter to his literary mentor and friend Edward Garnett, the renowned publisher, critic, and editor. Over a career spanning half a century, from 1887 to 1937, Garnett wheedled, coaxed, and cajoled great books into being. Aside from having exquisite taste, he was also considered a mentor by many writers, including Joseph Conrad, D. H. Lawrence, Edward Thomas, John Galsworthy, Henry Green, and T. E. Lawrence.To be mentored by Garnett was to enter into a relationship as much personal as it was professional. In this fascinating biography, Helen Smith charts his relationships with legendary authors, from his early days with Joseph Conrad and his battles with D. H. Lawrence to his nurturing of a later generation of talent. He was instrumental in bringing Russian literature to a British readership and enthusiastically advocated the work of American and Australian authors, including Stephen Crane, Sarah Orne Jewett, Robert Frost, and Sherwood Anderson.The novelist Ford Madox Ford once declared that when in the States he never lectured or went to a university or a literary party without someone asking, "What about Garnett ! What sort of a fellow is he?"' Smith's biography of Edward Garnett provides a fascinating response to that question. Drawing on extensive archive material, some of which is previously unpublished, The Uncommon Reader presents an intimate portrait of the life and world of a man who did much to shape the literary landscape of early twentieth-century Britain and beyond.
The Seventh volume in the Coward Collection. On Quadrille: "Miss Fontanne plays the madcap Marchioness with the crackle and sheen of a five-pound note. Her eyes mock marvelously, her voice cuts like a knife into a wedding cake, and the scene in Act Three, on the eve of her elopement with Mr. Lung, is as delicious as crushed ice." Evening Standard, 1952. "The idea of Peace in Our Time", Coward wrote "was conceived in Paris shortly after the Liberation. . . I began to suspect that the physical effect of four years intermittent bombing is far less damaging to the intrinsic character of a nation than the spiritual effect of four years enemy occupation." The volume also contains four pieces from the Tonight at 8.30 sequence: We Were Dancing "provides a marvelously compact illustration of the way the English public school spirit prevails even in moments of strenuous passion." "Shadow Play is a musical fantasy. . . which gave Gertie and me a chance to sing as romantically as we could, dance in the moonlight and, we hoped, convince the audience that we were very fascinating indeed"; and "Family Album - a sly satire on Victorian hypocrisy, adorned with an unobtrusive but agreeable musical score. It was stylised both in its decor and its performance, was a joy to play and provided the whole talented company with good parts." Star Chamber, closely based on Coward's experiences trying to co-ordinate his Actors' Orphanage charity committee, is published here for the first time.
