North Carolina's poet laureate engages the contradictions inherent in the act of coming home, exploring the step-by-step leaving and returning--and finding "home" transformed because of the journey. Advertising.
For years, Vine’s Expository Dictionary has been the standard word study tool for pastors and laypeople, selling millions of copies. But sixty-plus years of scholarship have shed extensive new light on the use of biblical Greek and Hebrew, creating the need for a new, more accurate, more thorough dictionary of Bible words. William Mounce, whose Greek grammar has been used by more than 100,000 college and seminary students, is the editor of this new dictionary, which will become the layperson’s gold standard for biblical word studies. Mounce’s is ideal for the reader with limited or no knowledge of Greek or Hebrew who wants greater insight into the meanings of biblical words to enhance Bible study. It is also the perfect reference for busy pastors needing to quickly get at the heart of a word’s meaning without wading through more technical studies. What makes Mounce’s superior to Vine’s? The most accurate, in-depth definitions based on the best of modern evangelical scholarship Both Greek and Hebrew words are found under each English entry (Vine’s separates them) Employs both Strong’s and G/K numbering systems (Vine’s only uses Strong’s) Mounce’s accuracy is endorsed by leading scholars
Ibn Sina (980-1037), known as Avicenna in Latin, played a considerable role in the development of both Eastern and Western philosophy and science. His contributions to the fields of logic, natural science, psychology, metaphysics, theology, and even medicine were vast. His work was to have a significant impact on Thomas Aquinas, among others, who explicitly and frequently drew upon the ideas of his Muslim predecessor. Avicenna also affected the thinking of the great Islamic theologian al-Ghazali, who asserted that if one could show the incoherence of Avicenna's thought, then one would have demonstrated the incoherence of philosophy in general. But Avicenna's influence is not confined to the medieval period. His logic, natural philosophy, and metaphysics are still taught in the Islamic world as living philosophy, and many contemporary Catholic and evangelical Christian philosophers continue to encounter his ideas through Aquinas's work. Using a small handful of novel insights, Avicenna not only was able to address a host of issues that had troubled earlier philosophers in both the ancient Hellenistic and medieval Islamic worlds, but also fundamentally changed the direction of philosophy, in the Islamic East as well as in Jewish and Christian milieus. Despite Avicenna's important place in the history of ideas, there has been no single volume that both recognizes the complete range of his intellectual activity and provides a rigorous analysis of his philosophical thinking. This book fills that need. In Avicenna Jon McGinnis provides a general introduction to the thinker's intellectual system and offers a careful philosophical analysis of major aspects of his work in clear prose that will be accessible to students as well as to specialists in Islamic studies, philosophy, and the history of science.
This volume is the only collected edition of poems by Jean Toomer, the enigmatic American writer, Gurdjieffian guru, and Quaker convert who is perhaps best known for his 1923 lyrical narrative Cane. The fifty-five poems here -- most of them previously unpublished -- chart a fascinating evolution of artistic consciousness. The book is divided into sections reflecting four distinct periods of creativity in Toomer's career. The Aesthetic period includes Imagist, Symbolist, and other experimental pieces, such as "Five Vignettes," while "Georgia Dusk" and the newly discovered poem "Tell Me" come from Toomer' s Ancestral Consciousness period in the early 1920s. "The Blue Meridian" and other Objective Consciousness poems reveal the influence of idealist philosopher Georges Gurdjieff. Among the works of this period the editor presents a group of local color poems picturing the landscape of the American Southwest, including "Imprint for Rio Grande." "It Is Everywhere," another newly discovered poem, celebrates America and democratic idealism. The Quaker religious philosophy of Toomer's final years is demonstrated in such Christian Existential works as "They Are Not Missed" and "To Gurdjieff Dying." Robert Jones's clear and comprehensive introduction examines the major poems in this volume and serves as a guide through the stages of Toomer's evolution as an artist and thinker. The Collected Poems of Jean Toomer will prove essential to Toomer's admirers as well as to scholars and students of modern poetry, Afro-American literature, and American studies.
Set in Paris on the eve of World War II, the novel draws upon Simone de Beauvoir's relationship with Jean-Paul Sartre, and the affair that almost destroyed it.
A Textbook of Automobile Engineering is a comprehensive treatise which provides clear explanation of vehicle components and basic working principles of systems with simple, unique and easy-to-understand illustrations. The textbook also describes the latest and upcoming technologies and developments in automobiles. This edition has been completely updated covering the complete syllabi of most Indian Universities with the aim to be useful for both the students and faculty members. The textbook will also be a valuable source of information and reference for vocational courses, competitive exams, interviews and working professionals.
From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.