From the arrival of the ground staff and the pilot, through to the passengers checking-in, boarding and the flight itself, the rhyming text in COME FLY WITH CAPTAIN KANGAROO explores the excitement of air travel for young children. Mandy Foot's uniquely Australian cast of animal characters add fun and humour. For more information and fun activity downloads visit www.captainkangaroo.com.au
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
The only guide you'll need for choosing the best videos -- and CD-ROMS -- for your family. INCLUDES: More than 1000 entries of kid-tested and adult-approved videos currently available. Listings organized by age -- from infancy to adolescence -- as recommended by child development specialists. A wide range of categories with special attention to gender and ethnicity: Educatioinal/Instructional; Fairy Tales; Family Literature and Myth; Special Interest; Foreign Language; Holiday; Music; How-To; and Nature. Review ratings in a clear, easy-to-read format. Evaluations by panels of adults and children. Outstanding programs from independents and major studios. Ordering information, running times, and suggested retail prices. Evaluations of more than 100 CD-ROMs 500 recommended feature films for the family...and more!
Rudolph, Frosty, and Captain Kangaroo is a memoir by Judy Gail Krasnow about her father, Hecky Krasnow, the producer of such classic children’s records and holiday tunes as “Rudolph, the Red-Nosed Reindeer,” “Frosty the Snowman,” “I’m Gettin’ Nuttin’ for Christmas,” “Peter Cottontail,” “Suzy Snowflake,” “I Saw Mommy Kissing Santa Claus,” “The Captain Kangaroo March,” “Smokey the Bear,” “Davy Crockett,” “Little Red Monkey,” and “The Little Engine That Could.” The book includes remembrances of Hecky Krasnow’s working relationships with such legendary artists as Gene Autry, Rosemary Clooney, Dinah Shore, Nina Simone, Art Carney, José Ferrer, Burl Ives, Arthur Godfrey, and Captain Kangaroo. In addition to his profound influence on the children’s record industry—an enormous business during the mid-twentieth century—Hecky also produced, wrote, or engineered such adult fare as Rosemary Clooney’s “Come On-a My House” and “Me and My Teddy Bear”; Nina Simone’s classic album The Amazing Nina Simone; and the landmark Chad Mitchell Trio debut, The Chad Mitchell Trio Arrives! Set against the dramatic backdrop of McCarthyism, the Cold War, the Civil Rights Movement, and the birth of television and rock and roll, Rudolph, Frosty, and Captain Kangaroo is rich in anecdotes about the politics and history of the era, the stars Hecky produced, and an array of talented composers and conductors with whom Hecky collaborated, including Mitch Miller, Johnny Marks, Percy Faith, J. Fred Coots, Tommy Johnson, Sir Thomas Beecham, Rudolph Goehr, André Kostelanetz, and Arthur Fiedler.
An environmentally conscious journalist meets a not-so-green flight instructor and somehow finds herself on cloud nine in this fresh and funny debut. Original.
The first-ever book to tell the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls "an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked." Library Journal praises the book, saying, "Tepper has fashioned a winning book on the unsung heroines of Broadway musicals that will be appreciated by readers of women’s studies and theater lore." Kirkus Reviews says it's an "encyclopedic reference" and a "long-overdue tribute to female lyricists and composers." From the composers who pounded the pavement selling their music in Tin Pan Alley at the turn of the twentieth century; to the lyricists who broke new ground writing shows during the Great Depression; to the book writers who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American theatre today, Women Writing Musicals tells the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals. Jennifer Ashley Tepper's definitive book covers prolific and celebrated Broadway writers like Betty Comden and Jeanine Tesori, women who have written musicals but gained fame elsewhere like Dolly Parton and Sara Bareilles, and dramatists you’ve never heard of—but definitely should have. Among the gems shared here are the stories of Clara Driscoll, who saved the Alamo and also wrote a Broadway musical; Micki Grant, whose mega-hit musical about the Black experience made her the first woman to write book, music, and lyrics for a Broadway show; María Grever, who made her Broadway debut at age 56 and who was the first Mexican female composer to achieve international success; and the first all-female writing team for a Broadway musical, in 1922: Annelu Burns, Anna Wynne O’Ryan, Madelyn Sheppard, and Helen S. Woodruff. This book is a treasure trove for theatre-loving readers that Tony and Emmy Award-winning actor and singer Kristin Chenoweth praises as "a wonderful resource for actors, and an important read for anyone interested in theatre."
Twenty years after the Vietnam war, Jake, USAF, and Crow, Navy SEAL, escape from POW camps. Meeting by chance, they head west evading the Vietnam army. In Laos Ed, USMC, and Michelle join them. A drug gang wants them dead. The U.S. Embassy believes them dead. They continue west, overcoming many obstacles, hoping to reunite with their families.
To today's radio listener, it is difficult to imagine the influence radio once held over the American people. Unlike movies or newspapers, radio both informed and entertained its audience without requiring them to participate. Part of its success depended upon the people who created the sound effects--a squeaking door, the approach of a horse, or a typewriter. The author did live sound effects during the "Golden Age" of radio. He provides many insights into the early days of the medium as it grappled with entertaining an audience based on a single sense (hearing). How the sounds were produced is fully covered as are the artists responsible for their production. Stories of successful effects production are balanced by embarrassing or funny failures. A list of artists and their shows is included.
U-Shaped Behavioral Growth discusses a phenomenon called "U-shaped behavioral growth, in which some behaviors appear, disappear, and then reappear over time. This book covers structuralist approaches, production system models of information processing, rule systems approach, nativism, and a model of how maturation factors may influence U-shaped behavioral growth. A broad range of content domains that compare where there is and there is no overlap in the understanding of the developmental processes occurring in U-shaped behavioral growth is also included. The domains considered include the development of physical and musical concepts, metaphor production, artistic production, face perception, social cognition, and language acquisition. This publication is a good reference for psychologists, psychiatrists, and medical practitioners conducting work on the U-shaped behavioral growth.
