Colour Etching
Colour Etching

Author: Nigel Oxley

Publisher: A&C Black

Published: 2007-05-30

Total Pages: 128

ISBN-13: 9780713668209

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In this book, Nigel Oxley describes fully the techniques of etching and aquatint employed by the artists who worked with him at Kelpra Studio where he established a reputation for using intaglio processes to create full colour images. Dame Elisabeth Frink, John Piper, John Hoyland, Jim Dine and Patrick Heron are illustrated within and the use of multi-plates is written with great detail. The author introduced the use of carborundum and polymer plates to the studio and the book includes step-by-step descriptions of these techniques. Having editioned for many years the author relates his experience of complex colour and plate combinations clearly enabling the reader to hav comprehensive insight to the work of the many artists illustrated within this book. This book is a valuable practical guide for the beginner and for those wishing to develop their printing and etching skills. For those interested in printmaking it provides a unique insight into the demands of a professional print.

Colour
Colour

Author:

Publisher:

Published: 1916

Total Pages: 248

ISBN-13:

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The periodical's purpose was to report on contemporary developments in painting from the British Isles and elsewhere ; more importantly, each issue contained high quality colour reproductions of examples of various artists' work.

Etching and Engraving
Etching and Engraving

Author: John Buckland Wright

Publisher: Courier Corporation

Published: 1973-01-01

Total Pages: 258

ISBN-13: 0486228886

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This practical course covers line engraving, drypoint, and the tonal variations of mezzotint and stipple; etching and the tonal variations of soft ground, aquatint, and sugar aquatint; relief prints and deep etch; and woodcut, linocut, and wood engraving. Constantly referencing the 156 illustrations reproduced throughout, the author achieves a fine balance between technique and theory.

Etching
Etching

Author: Alan Smith

Publisher: The Crowood Press

Published: 2020-09-21

Total Pages: 446

ISBN-13: 178500770X

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This practical new paperback edition explains the full process of etching, covering traditional techniques in depth and introducing modern ideas when they add to mark-making capabilities. Illustrated with lavishly finished examples and clear step-by-step sequences, this beautiful book covers the basics of etching - the materials required, how to prepare a plate, and ways of making marks using hard ground, soft ground and aquatint. Other etching techniques are covered including spit-bite and sugar lift, and how to transfer images onto the plate using photo etching. Engraving techniques are shown with various ways of making the plate without acid: drypoint, line engraving, stipple engraving and mezzotint. Advice on printing is given including papers and inks, the printing process and more advanced techniques such as colour printing and editioning.

A History of Engraving and Etching
A History of Engraving and Etching

Author: Arthur M. Hind

Publisher: Courier Corporation

Published: 2011-10-30

Total Pages: 513

ISBN-13: 0486148874

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British Museum Keeper of Prints offers complete history, 15th-century to 1914; accomplishments, influences, artistic merit. 111 illustrations. Chapters include: The Earliest Engravers, The Great Masters of Engraving, The Decline of Original Engraving, and more.

Etching
Etching

Author: Ann Norfield

Publisher: The Crowood Press

Published: 2019-08-26

Total Pages: 627

ISBN-13: 1785006169

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Etching can seem mysterious and inaccessible, but this practical book guides you through the process to reveal the potential of this distinctive means of creating artists' prints. With clear instructions and visual guides, it explains the many ways that marks are first made on a metal plate before ink is applied and the image transferred onto a sheet of paper. The book goes on to introduce a broad menu of techniques, allowing the visual artist to develop a uniquely personal approach. Explanations are given for photo-etching, aquatint, as well as related intaglio processes such as drypoint and photopolymer. This new book encourages artists to experiment and try combining techniques to explore their potential, and includes interviews with leading artists explaining their approaches.