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Author: Richard Cronin
Publisher: Springer
Published: 1988-06-18
Total Pages: 233
ISBN-13: 1349095567
DOWNLOAD EBOOKIn this book colour words as used in the poetry of Keats, Browning and Hopkins become crucial indicators of a way of looking at the nineteenth-century world. The author traces the forging of language that mediates between a system of values and the flux of experience.
Author: Harold Bloom
Publisher: Infobase Publishing
Published: 2009
Total Pages: 281
ISBN-13: 143811320X
DOWNLOAD EBOOKPresents a collection of critical essays on the works of John Keats.
Author: Phyllis Weliver
Publisher: Routledge
Published: 2017-07-05
Total Pages: 281
ISBN-13: 1351544543
DOWNLOAD EBOOKHow was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.
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Published: 2000
Total Pages: 858
ISBN-13:
DOWNLOAD EBOOKAuthor: Alethea Hayter
Publisher: Faber & Faber
Published: 2015-07-30
Total Pages: 279
ISBN-13: 0571306012
DOWNLOAD EBOOKDoes the habit of taking drugs make authors write better, or worse, or differently? Does it alter the quality of their consciousness, shape their imagery, influence their technique? For the Romantic writers of the nineteenth century, many of whom experimented with opium and some of whom were addicted to it, this was an important question, but it has never been fully answered. In this study Alethea Hayter examines the work of five writers - Crabbe, Coleridge, De Quincey, Wilkie Collins and Francis Thompson - who were opium addicts for many years, and of several other writers - notably Keats, Edgar Allan Poe and Baudelaire, but also Walter Scott, Dickens, Mrs Browning, James Thomson and others - who are known to have taken opium at times. The work of these writers is discussed in the context of nineteenth-century opinion about the uses and dangers of opium, and of Romantic ideas on the creative imagination, on dreams and hypnagogic visions, and on imagery, so that the idiosyncrasies of opium-influenced writing can be isolated from their general literary background. The examination reveals a strange and miserable region of the mind in which some of the greatest poetic imaginations of the nineteenth century were imprisoned.
Author: Nicholas Gaskill
Publisher:
Published: 2018
Total Pages: 0
ISBN-13: 9781517903480
DOWNLOAD EBOOKIntroduction: how color became modern -- The place of perception: local color's colors -- Charlotte Perkins Gilman and the progressive arts of pure color -- The production and consumption of a child's view of color -- Lurid realism: Stephen Crane, Gertrude Stein, and the synthesis of modernism -- On feeling colorful and colored in the Harlem Renaissance -- Epilogue: Albers after the color sense.
Author: Margaret Linley
Publisher: Routledge
Published: 2016-04-29
Total Pages: 317
ISBN-13: 131709865X
DOWNLOAD EBOOKOperating at the intersection where new technology meets literature, this collection discovers the relationship among image, sound, and touch in the long nineteenth century. The chapters speak to the special mixed-media properties of literature, while exploring the important interconnections of science, technology, and art at the historical moment when media was being theorized, debated, and scrutinized. Each chapter focuses on a specific visual, acoustic, or haptic dimension of media, while also calling attention to the relationships among the three. Famous works such as Wordsworth's "I wandered lonely as a cloud" and Shelley's Frankenstein are discussed alongside a range of lesser-known literary, scientific, and pornographic writings. Topics include the development of a print culture for the visually impaired; the relationship between photography and narrative; the kaleidoscope and modern urban experience; Christmas gift books; poetry, painting and music as remediated forms; the interface among the piano, telegraph, and typewriter; Ernst Heinrich Weber's model of rationalized tactility; and how the shift from visual to auditory telegraphic instruments amplified anxieties about the place of women in nineteenth-century information networks. Full of surprising insights and connections, the collection offers new impetus for stimulating historical conversations and debates about nineteenth-century media, while also contributing fresh perspectives on new media and (re)mediation today.
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Published: 1970
Total Pages: 916
ISBN-13:
DOWNLOAD EBOOKAuthor: Sibylle Baumbach
Publisher: Springer Nature
Published: 2021-11-20
Total Pages: 226
ISBN-13: 3030753972
DOWNLOAD EBOOKThis volume explores the politics and poetics of Victorian surfaces in their manifold manifestations. In so doing, it examines various cultural products ‘as they are’ and highlights the art of surface composition in the Victorian era as well as the socio-cultural ramifications of the preoccupation with the exterior. By closely reading the various surfaces materialising in Victorian literature and culture, the individual contributions explore the dialectics of surface and depth in Victorian (and Neo-Victorian) cultures as well as the legibility of surfaces. They look into the surfaces of literary narratives, paintings, and film but also into natural surfaces such as skin or bark. Each chapter foregrounds what is present rather than absent in a text, while also paying attention to the surfaces that become manifest on the diegetic level of the text, be they cloth, landscapes, or human bodies or faces. This is an open access book.
Author: B. Ifor Evans
Publisher: Routledge
Published: 2017-11-30
Total Pages: 371
ISBN-13: 1351386158
DOWNLOAD EBOOKFirst published in 1933, this study, which underwent revision in the 1960s, is a comprehensive survey of the verse of English nineteenth-century poets whose work appeared after 1860. A special feature is the full and critical treatment of minor writers. In no other book is their work so carefully evaluated. There is a full account of the minor Pre-Raphaelites, of James Thomson, the poet of The City of Dreadful Night, of Henley, Stevenson and George MacDonald. John Davidson is the subject of a long and revealing study. Evans suggests that poetry from the late nineteenth century is neglected in scholarly study, and that Victorian Romanticism deserves more attention than it has recently received.
