Art lovers of every age will delight in these exquisitely reproduced masterpieces by the finest artists of the Italian Renaissance. Thirty full-page illustrations include Leonardo's Mona Lisa, Botticelli's The Birth of Venus, Raphael's The Sistine Madonna, Michelangelo's The Delphic Sibyl, Fra Angelico's The Annunciation, and other gems from a golden age of creativity. Colorists can be traditional and stick to the original hues or choose shades from their personal palettes.
Thirty full-page illustrations include Leonardo's "Mona Lisa, " Botticelli's "The Birth of Venus, " Raphael's "The Sistine Madonna, " Michelangelo's "The Delphic Sibyl, " and other gems from a golden age of creativity. Illustrations are printed on one side of perforated pages.
Immerse yourself in the magic of world-renowned painter Vincent van Gogh’s art—experience the great master’s sense of color and creativity and unleash the artist inside you with this enchanting coloring book for adults. A major Post-Impressionist painter, known for his rich use of bright colors and distinctive and recognizable style, Vincent Van Gogh has continued to inspire artists and art-lovers for more than a century. Since his death in 1890, his vivid paintings—including The Irises, The Bedroom, and Sunflowers, as well as his pensive self-portraits—have been the source of countless studies among art critics and students, and have inspired artists and art-lovers around the globe. Now, Color Your Own Van Gogh lets you experience the artist as never before. Printed on a heavy paper stock suitable for display, this one-of-a-kind coloring book allows you to “paint” thirty of the artist’s most captivating works from the exclusive collection at the Van Gogh Museum in Amsterdam, using paints, pencils, or even crayons. The book employs a unique drop binding that allows the front cover to “drop away” from the binding, allowing for a completely flat surface to color, and ease of removing images from the book. In addition to the black-and-white line illustrations, Color Your Own Van Gogh includes full-color reproductions of the artist’s original paintings to help you color true to life, or stimulate your own imaginative palates and color design. Relax, create, and enjoy some of the most beautiful art the world has ever known with this inspiring and unique Van Gogh collection.
Zuffi reveals the world of the Renaissance masters in a new and rich light. Each spread uses an important painting as a way to explain a key concept. Includes brief biographies of the major artists, provided an accessible introduction to the art and culture of the Italian Renaissance.
Beginning with Florence in the first half of the fifteenth century, Painting in Renaissance Italy travels through the regions of Italy and the different periods of the Renaissance, explaining the different physical and intellectual milieus in which the artists worked. By placing the artists and their work in context, this volume offers a more complete understanding and appreciation of the paintings of the Renaissance."--BOOK JACKET.
Forty-five finely detailed, ready-to color illustrations depict an Italian peasant couple in wedding dress, children of a German royal family garbed in velvet, an English lord and lady in riding outfits, and more.
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
The art of Claude Monet reveals a delicately colored world of harbors and beaches, roads and gardens. With this book, serious colorists can create their own versions of this famous Impressionist's lovely landscapes, seascapes, and graceful figures. Thirty works include Water Lilies I, The Regatta at Argenteuil, and others. From great works of the Italian Renaissance to masterpieces from the Impressionist movement, the Dover Masterworks series offers more experienced colorists the opportunity to re-create some of the world's most famous paintings. The illustrations are printed on only one side of perforated pages, making it easy for artists to remove and display their finished pieces. The original paintings are included in full color on the inside covers for reference.
This monumental new book is the first to celebrate the greatest and most iconic paintings from the encyclopedic collections of The Metropolitan Museum of Art, New York, one of the largest, most important, and most beloved museums in the world. This impressive volume's broad sweep of material, all from a single museum, makes it at once a universal history of painting and the ideal introduction to the iconic masterworks of this world-renowned institution. More than 1,000 lavish color illustrations and details of 500 masterpiece paintings, created over 5,000 years in cultures across the globe, are presented chronologically from the dawn of civilization to the present. These works represent a grand tour of painting from ancient Egypt and classical antiquity and prized Byzantine and medieval altarpieces, to paintings from Asia, India, Africa and the Americas, and and the greatest European and North American masters. The Metropolitan Museum of Art includes and introduction and illuminating texts about each artwork written specially for this volume by Kathryn Calley Galitz, whose experience as both curator and educator at the Met makes her uniquely qualified. European and American artists include Duccio, El Greco, Raphael, Titian, Botticelli, Bronzino, Caravaggio, Turner, Velázquez, Goya, Rubens, Rembrandt, Brueghel, Vermeer, David, Renior, Monet, Van Gogh, Gauguin, Cézanne, Degas, Sargent, Homer, Matisse, Picasso, Pollock, Jasper Johns, and Warhol. The artworks are arranged in rough chronological order, without regard to geography or culture, offering a visual timeline of the history of painting, from the earliest examples on pottery jars made over five thousand years ago to canvases on which the paint has barely dried. Freed from the constraints imposed by the physical layout of the Museum, the paintings resonate anew; and this chronological framework reveals unexpected visual affinities among the works. For those wishing to experience the unparalleled breadth and depth of the Met's collection, or study masterpieces of painting from throughout history, this important volume is sure to become a classic cherished by art lovers around the world.
This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.
