Botany in a Day

Botany in a Day

Author: Thomas J. Elpel

Publisher: Hops Press

Published: 2013

Total Pages: 235

ISBN-13: 9781892784353

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Explains the patterns method of plant identification, describing eight key patterns for recognizing more than 45,000 species of plants, and includes an illustrated reference guide to plant families.


A Textbook of Botany Volume - I, 12th Edition

A Textbook of Botany Volume - I, 12th Edition

Author: Pandey S.N. & Trivedi P.S.

Publisher: Vikas Publishing House

Published:

Total Pages:

ISBN-13: 9325992337

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This is a multi-volume work that has been serving the undergraduate and postgraduate students of botany for more than four decades. It has equally been used for several competitive examinations. The book covers the fundamentals of bacteria, mycoplasmas, cyanobacteria, archaebacteria, viruses, fungi, lichens, plant pathology and algae. Over the years, it has earned acclaim as being students’ favourite, as it explains the topics in a very comprehensible language. It has been thoroughly revised to include the newfound knowledge acquired by recent research in botany. The revised edition also comes in a more attractive format for better understanding of the subject. New in this Edition • Improved categorization of bacteria, cyanobacteria, archaebacteria, fungi, viruses and algae in the major groups of organisms. • Modern classification of fungi and algae. • Study of fungal diversity based on the development of molecular methods. • Life cycle of Neurospora, and genetics of Neurospora. • Topics on fungal biotechnology and algal biotechnology explore the molecular methods in which they are exploited by man.


A Textbook of Botany for Colleges

A Textbook of Botany for Colleges

Author: William Francis Ganong

Publisher: Forgotten Books

Published: 2015-06-02

Total Pages: 620

ISBN-13: 9781330261828

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Excerpt from A Textbook of Botany for Colleges This book is written in recognition of the fact that to nearly all college students an introductory course in Botany is part of a general education, and not a preparation for a professional botanical career. The distinction is important because our existent courses are largely adapted, even though unconsciously on our part, to the latter end. The needs in the two cases are not the same, though the difference is less in matter and method than in proportion and emphasis. All students alike need that personal contact with specific realities, and that exercise in verifiable reasoning, which laboratory courses render possible. Knowledge, however, is valuable to the specialist in the proportion to its objective importance, but to the general student in the accordance with its bearing on the actions and thoughts of mankind. In the one case the demands of the science are paramount and in the other the interests of the student. This aim to provide for the general rather than the special student will explain certain characteristics of the book, - notably its emphasis upon the larger and more evident phenomena, its attention to the interpretation or " principle" of things, and its full consideration of man's relation to plants. Indeed, the book may be described as an attempt to present and interpret the humanly important aspects of plant nature in the light of our modern scientific knowledge. For the same reason the book is deliberately conservative, and adopts only such statements and views as have passed the test of wide criticism, and attained to the impersonal, and non-institutional, validity of science. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.