19th Century Card Photos KwikGuide

19th Century Card Photos KwikGuide

Author: Gary W. Clark

Publisher: Ultraletters

Published: 2013-03-04

Total Pages: 92

ISBN-13: 9780983578550

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This book was born out of the need to easily find information that would help establish a date for old pictures during genealogical research.


Encyclopedia of Nineteenth-Century Photography

Encyclopedia of Nineteenth-Century Photography

Author: John Hannavy

Publisher: Routledge

Published: 2013-12-16

Total Pages: 1630

ISBN-13: 1135873267

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The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.


Singapore Through 19th Century Photographs

Singapore Through 19th Century Photographs

Author: Jason Toh

Publisher: Didier Millet,Csi

Published: 2009

Total Pages: 0

ISBN-13: 9789814260060

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Singapore Through 19th-Century Photographs is a comprehensive photographic record of Singapore from the early 1840s to the 1900s. Paired with lively commentary, the more than 120 rare photographs from leading institutional and private collections recreate a compelling portrait of 19th-century Singapore. Emphasising the topographical and architectural landscape of the city and its surrounding environs, this visually irresistible city tour transports the reader back to the Singapore of an earlier age, a city that has now changed beyond recognition. The vibrant old metropolis is brought back to life through insightful captions and mostly albumen prints, the dominant photographic medium of the second half of the 19th century. Moreover, also documenting the growth of photography in Southeast Asia, this book reveals a watershed moment. The rise of international trade and the push for immigration led many Western studio photographers to seek their fortunes in the East, during a period that coincided with a rise in tourist travel, sparked by improvements to transportation networks. These propitious conditions set the stage for the intense production of commercial photographs of Singapore, and the book captures this unique moment of rapid development, both with the photographs shown and the perceptive analysis offered in the text. Illustrating the city at its most striking, Singapore Through 19th-Century Photographs records a dynamic moment of development for both photography and of Singapore, the pre-eminent colonial port-city of Southeast Asia.


Photography’s Last Century

Photography’s Last Century

Author: Jeff L. Rosenheim

Publisher: Metropolitan Museum of Art

Published: 2020-03-09

Total Pages: 183

ISBN-13: 1588397084

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Beginning with Paul Strand’s landmark From the Viaduct in 1916 and continuing through the present day, Photography’s Last Century examines defining moments in the history of the medium. Featuring nearly 100 masterworks from one of the most important private holdings of photography, the book includes works by Diane Arbus, Richard Avedon, Walker Evans, László Moholy-Nagy, Man Ray, and Cindy Sherman, as well as a diverse group of important lesser-known practitioners. A fascinating interview with Ann Tenenbaum provides a personal account of the works, while the main text offers an essential history of photography that addresses the implications of calling this period the medium’s “last” century.


Photography in Japan 1853-1912

Photography in Japan 1853-1912

Author: Terry Bennett

Publisher: Tuttle Publishing

Published: 2012-07-03

Total Pages: 332

ISBN-13: 1462907083

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Photography in Japan 1853-1912 is a fascinating visual record of Japanese culture during its metamorphosis from a feudal society to a modern, industrial nation at a time when the art of photography was still in its infancy. The 350 rare and antique photos in this book, most of them published here for the first time, chronicle the introduction of photography in Japan and early Japanese photography. The images are more than just a history of photography in Japan; they are vital in helping to understand the dramatic changes that occurred in Japan during the mid-nineteenth century. These rare Japanese photographs--whether sensational or everyday, intimate or panoramic--document a nation about to abandon its traditional ways and enter the modern era. Taken between 1853 and 1912 by the most important Japanese and foreign photographers working in Japan, this is the first book to document the history of early photography in Japan a comprehensive and systematic way.


Architecture in Nineteenth-Century Photographs

Architecture in Nineteenth-Century Photographs

Author: Micheline Nilsen

Publisher: Routledge

Published: 2017-07-05

Total Pages: 330

ISBN-13: 135157597X

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Revealing that nineteenth-century photography goes beyond the functional to reflect the aesthetic, intellectual, and cultural concerns of the time, this study proposes that each photographic image of architecture be studied both as a primary visual document and an object of aesthetic inquiry. This multi-faceted approach drives Architecture in Nineteenth-Century Photographs: Essays on Reading a Collection. Despite three decades of post-colonial, post-structuralist and gender-conscious criticism, the study of architectural photography continues to privilege technical virtuosity. This volume offers a thematic exploration of the material, and a socio-historical examination that allows consideration of questions that have not been addressed comprehensively before in a single publication. Themes include exoticism and "armchair tourism"; the absence of women from architectural photography; the role of photographs as commodities; vernacular architecture and the picturesque; and historic preservation, urban renewal, and nationalism. Micheline Nilsen analyzes photographs from France and England?the two countries where photography was invented?and from around the world, representing a corpus of over 10,000 photographs from the Janos Scholz Collection of Nineteenth-Century Photographs of the Snite Museum of Art at the University of Notre Dame.