Colin's Shorts Volume 4 is a collection of 30 short stories, a very varied mix with something for everyone: Romance, Drama, Sci-fi, Comedy. Spoofs of the X files and Flash Gordon. Romantic Fantasy in, Portrait of a Princess. Who done it in, The Case of the Beckley Diamonds. Spiders, i-Borg, for Star Trek fans. Adventure in, The Lake...And many more.
Colin's Shorts volume 2, is my second collection of 30 short stories with something for everyone. This again, is a very varied mix from ghost stories to mysteries to sci-fi to horror! But there is some comedy too. These stories are all new and were written over a period of about four months. Once again, I enjoyed the challenge of writing, what seems to me, to be a fair number of short stories to make up a decent sized collection. Finally, as always, I hope you enjoy reading them as much as I enjoyed writing them.
In this book, we are responding to numerous requests for a more recent and rather more detailed treatment of the subject. The first edition was accorded an excellent reception, but the Books 1 to 5 were written twelve years ago and inevitably there have been advances on many fronts since then.
Volume IV of VI Best edition of the standard work (with analytical index in Vol. VI) Contemporary review from the Athenaeum: "It only be remarked that Colonel Malleson wields his pen with so much skill that while giving a realistic account of all important operations, passing over no really noteworthy act of talent or heroism, and acutely criticising everything which demands criticism, he abstains from overlaying his narrative with details which would have increased the bulk of his book beyond all reason. Another characteristic of Colonel Malleson is that he never hesitates to condemn conduct of which he disapproves or to draw attention to errors which he conceives were committed, whatever the rank or position of those who are the objects of his criticism. The result is that many of the actors in the drama will find their laurels somewhat injured, while others, who from official prejudice have not yet received full credit for their exploits, obtain from the author due praise for their services. The rewards given for the Mutiny were liberal, but it is distressing to find that some of them were undeserved, while on the other hand, many able and gallant men have received no recognition at all ... There are many highly-placed officials whose fame is sadly tarnished by the frank, truthful criticisms of the fearless, uncompromising author of the book before us."
In this 4th and fi nal volume of a series that includes more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The foundation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.
George Moore (1852-1933) was one of the most influential and versatile writers and journalists of the turn of the century. This five-volume, reset critical edition addresses scholarly interest in Moore, making available his generally neglected short story collections.
Collecting Two-Fisted Tales issues #36-#41, this volume features--in fully remastered digital color--the work of comic book greats Jack Davis, Colin Dawkins, John Putnam, Jerry DeFuccio, George Evans, Reed Crandall, and John Severin! Foreword by Colleen Coover! Before Two-Fisted Tales burst onto the scene in 1950, war comics were largely unsophisticated, focusing only on action and adventure--wartime propaganda, essentially. But under the editorial direction of Harvey Kurtzman--who also penned the majority of the stories therein--Two-Fisted Tales dared to examine all the horror and madness to be found on the battlefield.
From the Yenisey’s headwaters in the wild heart of central Asia to its mouth on the Arctic Ocean, Colin Angus and his fellow adventurers travel 5,500 kilometres of one of the world’s most dangerous rivers through remotest Mongolia and Siberia, and live to tell about it. Exploration is Colin Angus’ calling. It is not only the tug of excitement and challenge that keeps sending him on death-defying journeys down some of the world’s most powerful waterways, it is a desire to know a place more intimately than you could from the window of a train, to feel the soul of a place. Angus emphasizes that rivers have always been key to the development of complex societies and the rise of civilizations, offering as they do irrigation, transportation, hydroelectric power, and food. But, as Lost in Mongolia captures with breathtaking detail, while they giveth plenty, the great rivers also taketh away in an instant. In Lost in Mongolia, Colin Angus takes readers through never-before-seen territory and his wonderful sense of adventure and humour come through on every page.
Spanning the early 1900s up to modern times, this collection of stories traces the intersecting lives of travelers, expatriates and local folks on a fictional Caribbean Island.