Coleridge as Poet and Religious Thinker

Coleridge as Poet and Religious Thinker

Author: David Jasper

Publisher: Wipf and Stock Publishers

Published: 1985-01-01

Total Pages: 209

ISBN-13: 0915138700

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In the nineteenth century there was a definite divide between those who read Coleridge as a religious thinker and those who read him as a poet. Even now, readers and critics find it hard not to consider one aspect of his work to the exclusion of the other. Here David Jasper considers Coleridge as a poet, literary critic, theologian and philosopher, seeing him as occupying a representative place in European and English Romantic thought on poetry, religion and the role of the artist. His earliest writings are closely linked to his mature religious and critical thought, and his greatest poems, ‘Kubla Khan’, ‘The Rime of the Ancient Mariner’ and the ‘Dejection’ Ode, are a necessary prelude to the prose writings of the middle period of Coleridge’s life. Self-reflection upon the processes of creating poetry and art, particularly in the Biographia Literaria, is an important development in Coleridge’s sense of the relation of the finite to the infinite through the inspiration of the poet. Attention to the nature of inspiration, imagination and irony in creative writing leads directly to his later discussions of man’s need of a divine redeemer and the nature of divine revelation. In the later poetry, attention is given to the theme of self-reflection in which spiritual growth is part and parcel of poetic development, each balancing the other. The final part of the book considers Coleridge’s later prose, linking his reflections upon poetry with an epistemology, which he learnt principally from Kant and Fichtee in a discussion of revelation and radical evil. In conclusion, Coleridge’s religious position is summed up through the late, and still unpublished notebooks, and the fragmentary remains of the long-projected Opus Maximum. The last chapter links Coleridge with a more recent debate on the nature of inspiration, poetic and divine, which arises out of Austin Farrer’s Bampton Lectures The Glass of Vision.


The Eucharistic Theology of Edward Bouverie Pusey

The Eucharistic Theology of Edward Bouverie Pusey

Author: Brian Douglas

Publisher: BRILL

Published: 2015-08-25

Total Pages: 267

ISBN-13: 9004304592

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In The Eucharistic Theology of Edward Bouverie Pusey (1800-1882 and Regius Professor of Hebrew at Oxford University from 1828 to 1882), Brian Douglas offers a critical account of Pusey’s eucharistic theology set in the context of his life and work at Oxford and as the leader of the nineteenth century Oxford Movement. Pusey has often been characterised as conservative and obscurantist but in this book Douglas critically assesses Pusey’s eucharistic theology as a consistent expression of moderate realism which is both wise and creative. The book analyses Pusey’s extensive written output on eucharistic theology and ends with a reassessment of Pusey as a theologian, portraying him as a thinker owing much to Scripture, the early church Fathers, Anglican divines and philosophical reflection. Pusey is also seen to anticipate modern eucharistic theology. Reassessments of Pusey in the modern era are rare and this book contributes to a significant gap in the literature.


Heaven in Ordinary

Heaven in Ordinary

Author: David Jasper

Publisher: Lutterworth Press

Published: 2018-11-29

Total Pages: 162

ISBN-13: 071884775X

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Heaven in Ordinary is like a love affair with poetry that engages with religious questions, for good or ill, concerned with five poets who are haunted by God. Poets, in times of great faith and times of doubt, have expressed for us their sense of both the presence and the absence of God in language that is sometimes almost sacramental in its weight of beauty, love, fear, anger or despair. The poets considered here all relate, in some way, to the traditions of Anglicanism through the centuries, reflecting both a common humanity and a wide breadth of human experience as it struggles with God. Heaven in Ordinary is deliberately autobiographical in approach, as it is grounded in David Jasper's own lifetime experience of reading poetry since his school years, and over four decades as a priest. The poets he so beautifully discusses have related both positively and negatively to the Christian faith and the Anglican tradition. Some are deeply religious, others are haunted by God and the divine mystery.


The Oxford Handbook of English Literature and Theology

The Oxford Handbook of English Literature and Theology

Author: Andrew Hass

Publisher: Oxford Handbooks Online

Published: 2007-03-15

Total Pages: 909

ISBN-13: 0199271976

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A defining volume of essays in which leading international scholars apply an interdisciplinary approach to the long and evolving relationship between English Literature and Theology.


Platonic Coleridge

Platonic Coleridge

Author: James Vigus

Publisher: MHRA

Published: 2009

Total Pages: 203

ISBN-13: 1906540063

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The ambivalent curiosity of the young poet Samuel Taylor Coleridge (1772-1834) towards Plato - 'but I love Plato - his dear gorgeous nonsense!' - soon developed into a philosophical project, and the mature Coleridge proclaimed himself a reviver of Plato's unwritten or esoteric 'systems'. James Vigus's study traces Coleridge's discovery of a Plato marginalised in the universities, and examines his use of German sources on the 'divine philosopher', and his Platonic interpretation of Kant's epistemology. It compares Coleridge's figurations of poetic inspiration with models in the Platonic dialogues, and investigates whether Coleridge's esoteric 'system' of philosophy ultimately fulfilled the Republics notorious banishment of poetry.


The Evangelical Party and Samuel Taylor Coleridge’s Return to the Church of England

The Evangelical Party and Samuel Taylor Coleridge’s Return to the Church of England

Author: Christopher Corbin

Publisher: Routledge

Published: 2018-12-18

Total Pages: 384

ISBN-13: 0429638337

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It has long been accepted that when Samuel Taylor Coleridge rejected the Unitarianism of his youth and returned to the Church of England, he did so while accepting a general Christian orthodoxy. Christopher Corbin clarifies Coleridge’s religious identity and argues that while Coleridge’s Christian orthodoxy may have been sui generis, it was closely aligned with moderate Anglican Evangelicalism. Approaching religious identity as a kind of culture that includes distinct forms of language and networks of affiliation in addition to beliefs and practices, this book looks for the distinguishable movements present in Coleridge’s Britain to more precisely locate his religious identity than can be done by appeals to traditional denominational divisions. Coleridge’s search for unity led him to desire and synthesize the "warmth" of heart religion (symbolized as Methodism) with the "light" of rationalism (symbolized as Socinianism), and the evangelicalism in the Church of England, being the most chastened of the movement, offered a fitting place from which this union of warmth and light could emerge. His religious identity not only included many of the defining Anglican Evangelical beliefs, such as an emphasis on original sin and the New Birth, but he also shared common polemical opponents, appropriated evangelical literary genres, developed a spirituality centered on the common evangelical emphases of prayer and introspection, and joined Evangelicals in rejecting baptismal regeneration. When placed in a chronological context, Coleridge’s form of Christian orthodoxy developed in conversation with Anglican Evangelicals; moreover, this relationship with Anglican Evangelicalism likely helped facilitate his return to the Church of England. Corbin not only demonstrates the similarities between Coleridge’s relationship to a form of evangelicalism with which most people have little familiarity, but also offers greater insight into the complexities and tensions of religious identity in late eighteenth and early nineteenth century Britain as a whole.