A study of the cultural implications of portraits of Stalin and his era since his death in 1953. This work explores the cultural implications of prominent images in Russian thought and literature devoted to the Stalin era since the dictator's death in 1953. Author of the works discussed include some of the most important Russian writers of the past four decades: Solzhenitsyn, Vasilii Grossman, Vladimir Voinovich, Anatolii Rybackov among others.
Contributions by Robert J. Butler, Ginevra Geraci, Yoshinobu Hakutani, Floyd W. Hayes III, Joseph Keith, Toru Kiuchi, John Lowe, Sachi Nakachi, Virginia Whatley Smith, and John Zheng Critics in this volume reassess the prescient nature of Richard Wright's mind as well as his life and body of writings, especially those directly concerned with America and its racial dynamics. This edited collection offers new readings and understandings of the particular America that became Wright's focus at the beginning of his career and was still prominent in his mind at the end. Virginia Whatley Smith's edited collection examines Wright's fixation with America at home and from abroad: his oppression by, rejection of, conflict with, revolts against, and flight from America. Other people have written on Wright's revolutionary heroes, his difficulties with the FBI, and his works as a postcolonial provocateur; but none have focused singly on his treatment of America. Wherever Wright traveled, he always positioned himself as an African American as he compared his experiences to those at hand. However, as his domestic settlements changed to international residences, Wright's craftsmanship changed as well. To convey his cultural message, Wright created characters, themes, and plots that would expose arbitrary and whimsical American policies, oppressive rules which would invariably ensnare Wright's protagonists and sink them more deeply into the quagmire of racial subjugation as they grasped for a fleeting moment of freedom. Smith's collection brings to the fore new ways of looking at Wright, particularly his post-Native Son international writings. Indeed, no critical interrogations have considered the full significance of Wright's masterful crime fictions. In addition, the author's haiku poetry complements the fictional pieces addressed here, reflecting Wright's attitude toward America as he, near the end of his life, searched for nirvana—his antidote to American racism.
Space could be a lonely and hostile place especially if you were 21 yearons old and a lone female. Tayce Traun was that female. A young privileged daughter of a commodore cast out in the dead of night when her home world is destroyed by a powerful evil countess and her warrior army. For the first three yearons Tayce fights to keep her exploration cruiser, Amalthea One, from falling into the wrong hands with help from the on board guidance and operation's computer, who is her only friend and companion. Tayce vowed that she would avenge the death of her parents and the destruction of her home planet. She has an idea to create a crime fighting team and call it the Amalthean Quests Team. The new journey starts and slowly one by one new members join the team.
Nonfiction. 408 pages (includes notes and index). This is the book our two major political parties hope you won't read. Should you ignore their wishes, you'll discover how the path they have charted is leading the US into the same abyss Germany found in the 1930s. As we've traveled down this path, the signs we were headed in the wrong direction have been as recognizable as in that country as it languished under authoritarian rule. Free speech has been suppressed, democracy has been dismantled and politically correct views inimical to popular preferences have been imposed through judicial and bureaucratic decree. Read the book and find out more...... Learn the identity of our nation's first authoritarian leader, discover who were the forerunners of American fascism and who are the new despised minorities in the US and modern analogues to the German Jews of the Nazi Era. SUBJECT KEYWORDS: the secret history, national review online, jonah goldberg, facists, what is fascism, liberal fascism, about the bible, american fascism, nazis, the nazi party, german nazi, fascism in the United States, neonazi, nazi concentration camps, nazi camps, the nazi, what is nazi, nazism, hitler nazi, nazi and jews, nazi holocaust, wwii, worldwar2, second world war, the nazis, reich, america story of us, facist, hitler, hitler death, bible, about the bible, world war 2, world war ii, world war two, ww2, world war 1, world war 2, adolph hitler, nazism, holocaust, the holocaust, the third reich, national socialist, eva braun, auschwitz, concentration camps, where is auschwitz, what is auschwitz.
In Hell to Pay, Olson--a former federal prosecutor--separates fact from fiction and shows us Hillary's often disturbing complicity in her husband's affairs, lust for power, and exposes Clinton's paranoia.
A sequel to The Two Marxisms, this book applies resources Gouldner developed over the last decade and also draws on his earlier accomplishments in an effort to understand the sources of both Marxist rationality and irrationality.
THE BATTLE IS WON Eryk, Kari, Fay, and Lin are tasked with a quest by the Eieran Family—to head to Whiterun Hot Spring Resort, locate a peeping Tom, and bring them to justice. They head to the resort, only to discover the culprit is none other than Kari’s grandfather. After returning home, Eryk continues building the Nevarian Braves into a force that can protect the nation. Everything seems calm under the surface. But tensions rise when the Drage Family makes a move none of them expected.
This book examines the reciprocal relationships between geography and the policies of states. The text begins with a theoretical analysis which sets the study in the context of geography and related fields, and an analysis of certain global strategies advocated by geographers and others. The remainder of the book deals with policies of defence, development and administration.
This book analyses Malraux's writing from his journalism in Indochina to his novels, art studies and (anti)memorialist essays. Cutting through the established dual biographical image of Malraux as a committed leftwinger and revolutionary novelist turned unconditional Gaullist and diehard anti-Communist at the Liberation, it makes a balanced assessment of Malraux as a non-ideological if elitist artist who shaped his public role as much as he shaped the existence of his heroes both novelistic and real.
