National bestselling author Jeannie Lin’s Gunpowder Chronicles continue as a woman left adrift by the fall of a Dynasty attempts to reclaim her family’s honor... As a physician, Jin Soling can see that the Emperor is cracking, relying on Opium to drown his troubles. The Ch’ing Empire is failing, and war with the British is imminent, but the man to whom Soling was once engaged has a bold idea to save it. A leader within the Ministry of Engineering, Chang-wei suggests an alliance with Japan, whose scientists claim to have technical advancements that could turn the tide of the war. But Japan has kept itself in isolation for the last two hundred years, cutting all diplomatic ties with the Ch'ing Empire. Chang-wei must enter the island nation in disguise to seek an alliance—an alliance forbidden by the Japanese shogunate. Seeking to escape the politics of the imperial court, Soling arranges her own passage on the airship to Japan. But once they land, Chang-wei and Soling become targets of the shogunate's armored assassins. Caught between two empires, in a land distrustful of foreigners, the deadly war machines are the least of their worries... Includes an exclusive excerpt of Gunpowder Alchemy. Praise for Jeannie Lin and her novels “Tantalizing.”—Publishers Weekly “Compelling, memorable.”—Library Journal “[Lin] is an exceptional storyteller.”—RT Book Reviews
From the Creators of the award-winning steampunk Ministry of Peculiar Occurrences series comes a collection of new adventures from around the world. The Ministry of Peculiar Occurrences investigates the bizarre and unusual, and protects the citizens of the Empire from forces of darkness. Every agent knows that thrusting themselves into danger is part of the job, and may demand of them the ultimate sacrifice. They call on their own inner strength, wits, intellect, and innovations of science and technology. But is it enough to face the unknown and the unexplainable? Travel to the farthest corners of Queen Victoria’s mighty empire and back again to the shores of Old Blighty, unlocking the mysteries of legend, lore, and shadowy societies. Welcome to a world of steam, secrets, machinations and madness.
From the Creators of the award-winning steampunk Ministry of Peculiar Occurrences series ( Phoenix Rising and the Janus Affair) comes a collection of new adventures from around the world. The Ministry of Peculiar Occurrences investigates the bizarre and unusual, and protects the citizens of the Empire from forces of darkness. Every agent knows that thrusting themselves into danger is part of the job, and may demand of them the ultimate sacrifice. They call on their own inner strength, wits, intellect, and innovations of science and technology. But is it enough to face the unknown and the unexplainable? This is Ministry Protocol: Thrilling Tales of the Ministry of Peculiar Occurrences, a collection of short stories featuring the derring-do of secret agents cut from a different cloth. These original short stories feature the imagination and voices of... Leanna Rennee Hieber The League of S.T.E.A.M.’s Glenn Freund Delilah S. Dawson Jared Axelrod Tiffany Trent Karina Cooper ...and many more! Travel to the farthest corners of Queen Victoria’s mighty empire and back again to the shores of Old Blighty, unlocking the mysteries of legend, lore, and shadowy societies. Welcome to a world of steam, secrets, machinations and madness.
In 1842, the gunpowder might of China’s Qing Dynasty fell to Britain’s steam engines. Furious, the Emperor ordered the death of his engineers—and killed China’s best chance of fighting back… Since her father’s execution eight years ago, Jin Soling kept her family from falling into poverty. But her meager savings are running out, leaving her with no choice but to sell the last of her father’s possessions—her last memento of him. Only, while attempting to find a buyer, Soling is caught and brought before the Crown Prince. Unlike his father, the Emperor, the Prince knows that the only chance of expelling the English invaders is to once again unite China’s cleverest minds to create fantastic weapons. He also realizes that Soling is the one person who could convince her father’s former allies—many who have turned rebel—to once again work for the Empire. He promises to restore her family name if she’ll help him in his cause. But after the betrayal of her family all those years ago, Soling is unsure if she can trust anyone in the Forbidden City—even if her heart is longing to believe in the engineer with a hidden past who was once meant to be her husband… Includes a preview of the second book in the Gunpowder Chronicles. Praise for Jeannie Lin and her novels “Tantalizing.”—Publishers Weekly “Compelling, memorable.”—Library Journal “[Lin] is an exceptional storyteller.”—RT Book Reviews USA Today bestselling author Jeannie Lin grew up fascinated with stories of Western epic fantasy, Eastern martial arts adventures, and romance novels. Formerly a high school teacher, Jeannie is now known for writing groundbreaking, award-winning historical romances set in Tang Dynasty China, including her Golden Heart award-winning debut, Butterfly Swords, as well as The Dragon and the Pearl, My Fair Concubine, and The Lotus Palace.
Pauline Kael's books are indexed in this work. Entries are made for movie titles; names of actors, directors and screenwriters; and names of entities, such as the American Broadcasting Company. This volume includes a bibliography citing work written about Kael since she became a film critic.
The mechano-samurai Toshiro travels a Victorian clockwork world, battling horrors too dark for mankind. With his mysterious partner, the world-famous adventurer Quicksilver Bob, Toshiro must face the greatest foe Earth has ever seen: the soul-stealing, zombie-creating jellyfish from beyond. Experience steampunk horror as you've never seen it before from Jai Nitz (Dream Thief) and inksmith Janusz Pawlak.
Within these pages, I Kya pen to paper a perfect recounting of our adventures that changed the very fate of our world. These words were taken from my journal which I kept during these adventures. I know that many will believe this is just some fantasy novel written by some random person, but I assure you it is not. Believe me the tale I have to tell did happen in a realm somewhere near or distant but no less real. These are the first chapters of the Legacy we fought to protect against an overwhelming dark army and their masters.
A net of shadows tightens around the Shadowhunters of the London Institute. Mortmain plans to use his Infernal Devices, an army of pitiless automatons, to destroy them. He needs only one last item to complete his plan: he needs Tessa Gray. When Mortmain abducts Tessa, the boys who lay equal claim to her heart, Jem and Will, will do anything to save her. For though Tessa and Jem are now engaged, Will is as much in love with her as ever. Danger and betrayal, secrets and enchantment, and the tangled threads of love and loss intertwine as the Shadowhunters are pushed to the very brink of destruction in this breathtaking conclusion to the Infernal Devices trilogy.
Film is the world's most popular artistic medium. What began as a novelty at country fairs rapidly became the consummate art form of the twentieth century, spanning both popular culture and high art. The Film Book enables you to identify different cinematic genres, appreciate the style of celebrated directors, see how a film is made, and understand why the greatest movies deserve their reputation. The book is unique in encompassing each of these key aspects and, as such, outspans the many other guides and film companions on the market. The guide is split into seven distinct sections, each of which deals with a particular aspect of film. The first of these chapters is a detailed history of the art form over the last 120 years, charting its evolution from a musical event accompanied by pictures, through its numerous developments and innovations-talking pictures; color film; video and DVD; online films; computer-generated special effects; and the modern 3D experience. The second shows how these techniques are applied in practice, taking the reader behind the camera to explore the film-making process and find out who's who on set, offering a useful insight into how movies are brought to life. Sections 3 to 6 look at the films themselves. Providing an overview of cinematic styles and genres, the third section covers everything from westerns, musicals, and sci-fi to arthouse cinema, the avant-garde, and the cult movie, whilst the fourth compares and contrasts the major styles of international cinema, with key schools, movements, directors, and films. The fifth section profiles 100 of the film industry's greatest and most influential directors, listing their key works and assessing their cinematic legacy, whilst the sixth section discusses 100 key cinematic works which invented, extended, or reinvented the art form. The closing section of the book is an interesting, and often provocative, range of lists compiled by a variety of film associations, publications, and institutions. Comprehensive, authoritative, and written with passion and verve, The Film Book is a unique treasure-trove of a guide that will appeal to anyone who loves movies. Table of Contents Prelims (5pp) Introduction (4pp) The story of film (56pp) 1896-1919: The Birth of Cinema 1920-1929: Silence is Golden 1930-1939: The Cinema Comes of Age 1940-1949: The Cinema Goes to War 1950-1959: The Cinema Fights Back 1970-1979: Independence Days 1980-1989: The International Years 1990-: Celluloid to Digital How movies are made (20pp) Pre-production Production Post-production World cinema (52pp) Africa The Middle East Iran Eastern Europe (including Poland, Hungary, and the Czech Republic) The Balkans (including Yugoslavia, Bugaria, Romania, Greece, and Turkey) Russian The Nordic countries (including Finland, Sweden, Norway, and Denmark) Germany France Italy United Kingdom Spain Portugal Canada Central America South America (including Argentina, Brazil, Mexico, and Chile) Australian and New Zealand China, Hong Kong, and Taiwan Japan Korea India Movie genres (52pp) Action-adventure Animation Avant-garde Biopic Comedy Costume drama Cult Disaster Documentary Epic Film Noir Gangster Horror Martial Arts Melodrama Musicals Propaganda Science Fiction and Fantasy Serials Series Teen Thrillers War Westerns 100 Key directors (92pp) Woody Allen Pedro Almodo ́var Robert Altman Michelangelo Antonioni Ingmar Bergman Bernado Bertolucci Tod Browning Luis Bun~uel Tim Burton Jane Campion Frank Capra Marcel Carne ́ Charlie Chaplin Chen Kaige Joel and Ethan Coen Francis Ford Coppola David Cronenburg George Cukor Michael Curtiz Cecil B. DeMille Jonathan Demme Brian De Palma Vittorio De Sica Stanley Donen Carl Drayer Clint Eastwood Blake Edwards Sergei Eisenstein Rainer Werner Fassbinder Federico Fellini Victor Fleming John Ford Milos Forman Abel Gance Jean-Luc Godard D.W. Griffith Howard Hawks Werner Herzog Alfred Hitchcock Hou Hsiao-Hsien John Huston Peter Jackson Elia Kazan Buster Keaton Krzysztof Kieslowski Fritz Lang David Lean Ang Lee Spike Lee Sergio Leone Ernst Lubitsch George Lucas Sidney Lumet David Lynch Alexander Mackendrick Joseph L. Mankiewicz Sam Mendes Lewis Milestone Vincente Minnelli F.W. Murnau Max Ophu ̈ls Yasujiro Ozu Georg Wilhelm Pabst Pier Paolo Pasolini Sam Peckinpah Roman Polanski Michael Powell/Emeric Pressburger Nicholas Ray Satyajit Ray Carol Reed Jean Renoir Eric Rohmer Roberto Rossellini John Schlesinger Martin Scorsese Ridley Scott Stephen Spielberg Josef von Sternberg Oliver Stone Erich von Stroheim Quentin Tarantino Andrei Tarkovsky Jacques Tati Franc ̧ois Truffaut Dziga Vertov Luchino Visconti Andrzej Wajda Raoul Walsh Peter Weir Orson Welles William Wellman Wim Wenders Billy Wilder Robert Wise John Woo William Wyler Franco Zeffirelli Zhang Yimou 100 Key Movies (52pp) Birth of a Nation (D.W. Griffith, 1915) The Cabinet of Dr. Caligari (Robert Wiene, 1919) Nosferatu: A Symphony of Terror (F.W. Murnau, 1921) Nanook of the North (Robert Flaherty, 1922) The Battleship Potemkin (Sergei Eisenstein, 1925) Metropolis (Fritz Lang, 1926) Napole ́on (Abel Gance, 1927) An Andalucian Dog (Un Chien Andalou) (Luis Bun~uel, 1928) The Passion of Joan of Arc (Carl Dreyer, 1928) All Quiet on the Western Front (Lewis Milestone, 1930) The Blue Angel (Joseph von Sternberg, 1930) City Lights (Charlie Chaplin, 1931) 42nd Street (Lloyd Bacon, 1933) Duck Soup (Leo McCarey, 1933) King Kong (Merian Cooper/Ernest Schoedsack, 1933) L'Atalante (Jean Vigo, 1934) Snow White and the Seven Dwarfs (Walt Disney, 1937) Olympia (Leni Riefenstahl, 1938) The Rules of the Game (La Re`gle du Jeu) (Jean Renoir, 1939) Gone with the Wind (Victor Fleming, 1939) The Philadelphia Story (George Cukor, 1940) His Girl Friday (Howard Hawks, 1940) The Grapes of Wrath (John Ford, 1940) Citizen Kane (Orson Welles, 1941) The Maltese Falcon (John Huston, 1941) The Little Foxes (William Wyler, 1941) To Be or Not To Be (Ernst Lubitsch, 1942) In Which We Serve (Noe ̈l Coward, 1942) Casablanca (Michael Curtiz, 1942) Ossessione (Luchino Visconti, 1942) Children of Paradise (Les Enfants du Paradis) (Marcel Carne ́, 1945) A Matter of Life and Death (Michael Powell/Emeric Pressburger, 1946) It's a Wonderful Life (Frank Capra, 1946) Bicycle Thieves (Ladri Di Biciclette) (Vittorio de Sica, 1948) Letter from an Unknown Woman (Max Ophu ̈ls, 1948) Passport to Pimlico (Henry Cornelius, 1949) The Third Man (Carol Reed, 1949) Orpheus (Orphe ́e) (Jean Cocteau, 1950) Rashomon (Akira Kurosawa, 1950) Singin' in the Rain (Gene Kelly/Stanley Donen, 1952) Tokyo Story (Yasujiro Ozu, 1953) On the Waterfront (Elia Kazan, 1954) All That Heaven Allows (Douglas Sirk, 1955) Rebel Without a Cause (Nicholas Ray, 1955) Pather Panchali (Satyajit Ray, 1955) The Night of the Hunter (Charles Laughton, 1955) The Seventh Seal (Ingmar Bergman, 1957) Vertigo (Alfred Hitchcock, 1958) Ashes and Diamonds (Andrzej Wajda, 1958) The 400 Blows (Franc ̧ois Truffaut, 1959) Some Like it Hot (Billy Wilder, 1959) Breathless (A Bout de Souffle) (Jean-Luc Godard, 1960) La Dolce Vita (Federico Fellini, 1960) Saturday Night and Sunday Morning (Karel Reisz, 1960) L'Avventura (Michelangelo Antonioni, 1960) Last Year in Marienbad (Alain Resnais, 1961) Lawrence of Arabia (David Lean, 1962) Dr. Strangelove (Stanley Kubrick, 1964) The Battle of Algiers (Gillo Pontecorvo, 1965) The Sound of Music (Robert Wise, 1965) Andrei Rublev (Andrei Tarkovsky, 1966) The Chelsea Girls (Andy Warhol, 1966) Bonnie and Clyde (Arthur Penn, 1967) The Wild Bunch (Sam Peckinpah, 1969) Easy Rider (Dennis Hopper, 1969) The Conformist (Bernardo Bertolucci, 1969) The Godfather (Francis Ford Coppola, 1972) Aguirre, Wrath of God (Werner Herzog, 1972) Nashville (Robert Altman, 1975) In the Realm of the Senses (Ai No Corrida) (Nagisa Oshima, 1976) Taxi Driver (Martin Scorsese, 1976) Annie Hall (Woody Allen, 1977)
