This book explores influential designers’ sketchbooks as a truer reflection of a designer’s thought processes, preoccupations, and problem-solving strategies than can be had by simply viewing finished projects. Highly personal and idiosyncratic, sketchbooks offer an arena for unstructured exploration, a space free from all budgetary and client constraints. Visually arresting objects in their own right, this book aims to elevate sketches from mere ephemera to important documents where the reader can glean valuable insight into the creative process, and apply it to their own practices. Featured designers include Ralph Caplan, Nigel Holmes, Chris Bigg, Eva Jiricna, Jason Munn, Gary Baseman, Marian Bantjes, and many others.
Offers a brief history of the city before the author's birth in 1939, then focuses on the author's life in the city and the ups and downs it faced during those seventy years.
Macau in the 1820s and 1830s was the centre of life for foreigners trading with China through the only permitted gateway of Canton. To this European enclave on the China coast in 1829 came Harriett Low, a young American accompanying her aunt and uncle, atrader from Salem, Massachusetts.
Old master drawings kept in storage, their access limited to a few, will now be made widely accessible in this new series which will eventually include all drawings in some 70 midwestern collections. The first volume introduces a corpus of the rarest of European drawings through the year 1500, a time when artists had just begun to value drawings as works of art. It presents 30 entries written by 12 scholars, each a specialist in the art of the period, and each with immediate access to the artwork itself. Annotation copyright by Book News, Inc., Portland, OR
One of the most innovative composers of his generation, Mikel Rouse is known for a trilogy of operas that includes Dennis Cleveland and a gift for superimposing pop vernaculars onto avant-garde music. This memoir channels Rouse’s high energy personality into an exuberant account of the precarity and pleasures of artistic creation. Raconteur and starving artist, witty observer and acclaimed musician, Rouse emerged from the legendary art world of 1980s New York to build a forty-year career defined by stage and musical successes, inexhaustible creativity, and a support network of famous faces, loyal allies, and high art hustlers. Rouse guides readers through a working artists’ hardscrabble life while illuminating the unromantic truth that a project’s reception may depend on a talented cast and crew but can depend on reliable air conditioning. Candid and hilarious, The World Got Away is a one-of-a-kind account of a creative life fueled by talent, work, and luck.
"The volume has been produced to accompany an exhibition of these rarely seen works, which will be presented in Cleveland and then travel to the Morgan Library in New York. It will be a treasured addition to the library of every lover of the art of drawing."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
NEW YORK TIMES BESTSELLER • The superbly researched, spellbindingly told story of athlete, showman, philosopher, and boundary breaker Leroy “Satchel” Paige “Among the rare biographies of an athlete that transcend sports . . . gives us the man as well as the myth.”—The Boston Globe Few reliable records or news reports survive about players in the Negro Leagues. Through dogged detective work, award-winning author and journalist Larry Tye has tracked down the truth about this majestic and enigmatic pitcher, interviewing more than two hundred Negro Leaguers and Major Leaguers, talking to family and friends who had never told their stories before, and retracing Paige’s steps across the continent. Here is the stirring account of the child born to an Alabama washerwoman with twelve young mouths to feed, the boy who earned the nickname “Satchel” from his enterprising work as a railroad porter, the young man who took up baseball on the streets and in reform school, inventing his trademark hesitation pitch while throwing bricks at rival gang members. Tye shows Paige barnstorming across America and growing into the superstar hurler of the Negro Leagues, a marvel who set records so eye-popping they seemed like misprints, spent as much money as he made, and left tickets for “Mrs. Paige” that were picked up by a different woman at each game. In unprecedented detail, Tye reveals how Paige, hurt and angry when Jackie Robinson beat him to the Majors, emerged at the age of forty-two to help propel the Cleveland Indians to the World Series. He threw his last pitch from a big-league mound at an improbable fifty-nine. (“Age is a case of mind over matter,” he said. “If you don’t mind, it don’t matter.”) More than a fascinating account of a baseball odyssey, Satchel rewrites our history of the integration of the sport, with Satchel Paige in a starring role. This is a powerful portrait of an American hero who employed a shuffling stereotype to disarm critics and racists, floated comical legends about himself–including about his own age–to deflect inquiry and remain elusive, and in the process methodically built his own myth. “Don’t look back,” he famously said. “Something might be gaining on you.” Separating the truth from the legend, Satchel is a remarkable accomplishment, as large as this larger-than-life man.
In graphic novel format, retells the Hawaiian story of Nanaue, born of human mother and shark father, who struggles to find his place in a village of humans.