While working at the Frick Art & Historical Center in 1999 and 2000, Vik Muniz chose Clayton as a site for exploring the many traces that remain of the pleople who moved through its rooms more than a century ago. His suite of images is an open narrative compelling viewers to test the veracity of what they see and to imagine their own stories within his constructed history.
Using rich and detailed data, this groundbreaking book explains why homelessness has become a crisis in America and reveals the structural conditions that underlie it. In Homelessness Is a Housing Problem, Gregg Colburn and Clayton Page Aldern seek to explain the substantial regional variation in rates of homelessness in cities across the United States. In a departure from many analytical approaches, Colburn and Aldern shift their focus from the individual experiencing homelessness to the metropolitan area. Using accessible statistical analysis, they test a range of conventional beliefs about what drives the prevalence of homelessness in a given city—including mental illness, drug use, poverty, weather, generosity of public assistance, and low-income mobility—and find that none explain the regional variation observed across the country. Instead, housing market conditions, such as the cost and availability of rental housing, offer a far more convincing account. With rigor and clarity, Homelessness Is a Housing Problem explores U.S. cities' diverse experiences with housing precarity and offers policy solutions for unique regional contexts.
This project was made during Lenka Clayton's artist's residency at The Fabric Workshop and Museum, Philadelphia, under the title Unanswered Letter. It was originally shown at the museum as part of the 2017 exhibition Lenka Clayton : Object Temporarily Removed. The exhibition was supported in part by an award from the National Endowment for the Arts. Additional funding was provided by the Andy Warhol Foundation for the Visual Arts and the Arcadia Foundation. Major support of FWM is provided by the Marion Boulton Kippy Stroud Foundation. FWM receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. Additional support is provided by the Philadelphia Cultural Fund, Agnes Gund, and the Board of Directors and Members of The Fabric Workshop and Museum. --Provided by Publisher.
The present book 'Dangerous Days' was written by Mary Roberts Rinehart. It was first published in the year 1919. Set on the eve of America's entry into World War I, this complex, multi-generational family drama focuses on an ambitious businessman, Clayton Spencer, who is increasingly estranged from his wife and rebellious son, Graham.
A thirtieth-anniversary edition of the classic baking guide provides updated advice on baking, storing, and freezing a wide assortment of breads, and includes chapters on croissants, flatbreads, brioches, and crackers.
'A fabulous story, superbly told' Max Hastings The bloodbath at Waterloo ended a war that had engulfed the world for over twenty years. It also finished the career of the charismatic Napoleon Bonaparte. It ensured the final liberation of Germany and the restoration of the old European monarchies, and it represented one of very few defeats for the glorious French army, most of whose soldiers remained devoted to their Emperor until the very end. Extraordinary though it may seem much about the Battle of Waterloo has remained uncertain, with many major features of the campaign hotly debated. Most histories have depended heavily on the evidence of British officers that were gathered about twenty years after the battle. But the recent publication of an abundance of fresh first-hand accounts from soldiers of all the participating armies has illuminated important episodes and enabled radical reappraisal of the course of the campaign. What emerges is a darker, muddier story, no longer biased by notions of regimental honour, but a tapestry of irony, accident, courage, horror and human frailty. An epic page turner, rich in dramatic human detail and grounded in first-class scholarly research, Waterloo is the real inside story of the greatest land battle in British history, the defining showdown of the age of muskets, bayonets, cavalry and cannon.