"The five books in this series present the 100 masterworks the editors believe developing pianists should study and perform. Each book contains 20 pieces selected from the for main periods [Baroque, Classical, Romantic, Contemporary] as well as additional suggestions for repertoire from the 20th century."--P. [4] of cover.
The five books in this series present 100 masterworks ranging from early-intermediate through advanced level that the editors believe developing pianists should study and perform. Each book contains 20 pieces selected from the four main style periods as well as additional suggestions for repertoire from the 20th century. Book 1 contains selections for early-intermediate pianists. Titles: *Allegro in B-flat Major, K. 3 (W. A. Mozart) *Arabesque, Op. 100, No. 2 (Burgmüller) *The Bear (Rebikov) *Burleske (L. Mozart) *Chinese Figurine (Rebikov) *Écossaise in C Major, D. 299, No. 8 (Schubert) *Écossaise in G Major, D. 529, No. 3 (Schubert) *Écossaise in G Major, WoO 23 (Beethoven) *German Dance in G Major (Haydn) *Le petit rien (The Little Trifle) (Couperin) *Melody, Op. 68, No. 1 (Schumann) *Menuet en rondeau (Rameau) *Menuet in G Major, BWV Anh. 114 (J. S. Bach) *Minuet in A Minor (Purcell) *Minuet in G Major (Telemann) *Musette in D Major, BWV Anh. 126 (J. S. Bach) *Play Song, Sz. 42, No. 5 (Bartók) *Sonatina in G Major, Anh. 5, No. 1 (Beethoven) *Song ("Come Home, Lidi"), Sz. 42, No. 3 (Bartók) *The Wild Rider, Op. 68, No. 8 (Schumann) "This book provides great editing for familiar pieces that most of us teach." - Jean Ritter, Progressions
(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.
The five books in this series present 100 masterworks ranging from early-intermediate through advanced level that the editors believe developing pianists should study and perform. Each book contains 20 pieces selected from the four main style periods as well as additional suggestions for repertoire from the 20th century. Book 3 contains selections for late-intermediate pianists. Titles: *About Foreign Lands and People, Op. 15, No. 1 (Schumann) *Bagatelle in G Minor, Op. 119, No. 1 (Beethoven) *Bagatelle, Op. 5, No. 1 (Tcherepnin) *Bagatelle, Op. 5, No. 10 (Tcherepnin) *Für Elise, WoO 59 (Beethoven) *Gavotte (from French Suite No. 5 in G Major, BWV 816) (J. S. Bach) *Invention No. 13 in A Minor, BWV 784 (J. S. Bach) *Invention No. 8 in F Major, BWV 779 (J. S. Bach) *Knecht Ruprecht, Op. 68, No. 12 (Schumann) *Le petit nègre (Debussy) *Mazurka in G Minor, Op. 67, No. 2, Posth. (Chopin) *Prelude in C Major, BWV 846 (J. S. Bach) *Sonata in C Major, K. 159; L. 104 (D. Scarlatti) *Sonata in C Major, K. 545 (I) (W. A. Mozart) *Sonata in G Major, Hob. XVI/27 (III) (Haydn) *Sonatina in F Major, Op. 151, No. 3 (I) (Diabelli) *Song without Words ("Consolation"), Op. 30, No. 3 (Mendelssohn) *Valse poético no. 3 (Granados) *Valse poético no. 4 (Granados) *Waltz in A Minor, Op. Posth. (Chopin) "This book provides great editing for familiar pieces that most of us teach." - Jean Ritter, Progressions
Bringing together the unique perspectives of some of the top pianists and pedagogues, along with physicians specializing in the treatment and rehabilitation of performance-related injuries, this text is truly unparalleled. The collection covers such topics as developing an advanced technique, myofasical pain and its treatment, benefits of fitness, performance anxiety, a child's first lessons, mechanics of the piano, and musicality. The best of the twentieth-century thinking on the subject, including references to the works of Matthay, Schultz, Ortmann, Whiteside, and others, is also organized and presented in accessible manner. These broad based subjects are included in one of five sections: Mechanical Technical, Musical, Healthful; Mind and Body, and Pedagogical, and include goals and exercises clearly articulated in a concise manner. Although written by and intended for pianists, the universal concepts of wellness and musicality are equally insightful for all musicians.
"Passionat Practice" provides the necessary steps in learning how to relax, focus and concentrate. It includes concrete ways to free yourself from modes of thought and behavior that restrict the passionate exchange between you and your art. Artists in all fields who use the techniques in "Passionate Practice" unlock new levels of mastery, confidence and success.
Piano Pedagogy: A Research and Information Guide provides a detailed outline of resources available for research and/or training in piano pedagogy. Like its companion volumes in the Routledge Music Bibliographies series, it serves beginning and advanced students and scholars as a basic guide to current research in the field. The book will includes bibliographies, research guides, encyclopedias, works from other disciplines that are related to piano pedagogy, current sources spanning all formats, including books, journals, audio and video recordings, and electronic sources.
So many of the great pianists and teachers have come out of Poland and Russia (Rubinstein, Anton as well as Arthur, Leschetizky, Paderewski, the Lhevinnes, Gilels, Richter, and others), yet we know little about their methods of learning and teaching. George Kochevitsky in The Art of Piano Playing supplies some important sources of information previously unavailable in the United States. From these sources, tempered by this own thinking, Kochevitsky formulated a scientific approach that can solve most problems of piano playing and teaching. George Kochevitsky graduated in 1930 from Leningrad Conservatory and did post-graduate work at Moscow Conservatory. After coming to the U.S., he taught privately in New York City, gave a number of lectures, and wrote for various music periodicals.
