This book spotlights the 25 most important sitcoms to ever air on American television—shows that made generations laugh, challenged our ideas regarding gender, family, race, marital roles, and sexual identity, and now serve as time capsules of U.S. history. What was the role of The Jeffersons in changing views regarding race and equality in America in the 1970s? How did The Golden Girls affect how society views older people? Was The Office an accurate (if exaggerated) depiction of the idiosyncrasies of being employees in a modern workplace? How did the writers of The Simpsons make it acceptable to air political satire through the vehicle of an animated cartoon ostensibly for kids? Readers of this book will see how television situation comedies have consistently held up a mirror for American audiences to see themselves—and the reflections have not always been positive or purely comedic. The introduction discusses the history of sitcoms in America, identifying their origins in radio shows and explaining how sitcom programming evolved to influence the social and cultural norms of our society. The shows are addressed chronologically, in sections delineated by decade. Each entry presents background information on the show, including the dates it aired, key cast members, and the network; explains why the show represents a notable turning point in American television; and provides an analysis of each sitcom that considers how the content was received by the American public and the lasting effects on the family unit, gender roles, culture for young adults, and minority and LGBT rights. The book also draws connections between important sitcoms and other shows that were influenced by or strikingly similar to these trendsetting programs. Lastly, a section of selections for further reading points readers to additional resources.
This oral history of television sitcom writing offers the perspectives of 22 of the best and most prolific early comedy writers. How they broke into the business; how they wrote scripts (and where they got their ideas); what it was like to work on hits--and on flops; what the sitcom actors were like; how they collaborated with other writers and producers; and why they retired are just some of the topics they speak to. The book documents insider knowledge and gives the reader a better understanding of what makes great television comedy. The writers' observations about the changes that took place during their long careers help explain why television comedy has evolved so greatly in recent years.
Author and artist Mark Bennett compiles his entertaining collection of blueprints extrapolated from the storylines and sets of the 1950s to 1980s television sitcom homes millions of Americans grew up with. An extraordinary work of imagination, these blueprints of TV homes that are as familiar to us as our neighbor's den and backyard give us a fascinating "real life" view that the camera angles never offered. From Ward and June Cleaver's house to Rob and Laura Petrie's apartment to Mary Richards's Minneapolis bachelorette apartment to the Jetson's "house" in the clouds, each home is lovingly recreated with painstaking precision in the fine blue lines of architectural blueprints.
Happy Daysis here again... and so areMork & Mindy, Cheers,and the other Paramount greats Ah, the golden age of television sitcoms. Remember the first time we saw Robin Williams...onMork & Mindy? Remember how funnyLaverne & Shirleywas? Remember settling down to watchCheersevery Thursday night for years? Here’s the inside scoop on all of those shows and more--the behind-the-scenes stories, the intricate interactions between cast and crew, the stories of how these shows were the springboard for dozens of great careers, for such stars as Tom Hanks (dressed as a woman! onBosom Buddies!), Penny Marshall, Andy Kaufman, Kelsey Grammar, Ted Danson, Henry Winkler, Judd Hirsch, Bebe Neuwirth, and so many more. Each chapter focuses on a specific hit series and is packed with intriguing details and interviews. Anyone who’s ever stayed up late to watch reruns ofTaxi(or any of the other great Paramount sitcoms) will want a copy ofHappier Daysto read during the commercials. • Baby boomers everywhere will love this book • Exclusive interviews with big stars who started in sitcoms • Appeal for film buffs, celebrity followers, TV historians, and nostalgia fans
Originally broadcast on American television between 1952 and 1969, the 30 situation comedies in this work are seldom seen today and receive only brief and often incomplete and inaccurate mentions in most reference sources. Yet these sitcoms (including Angel, The Governor and J.J., It's a Great Life, I'm Dickens ... He's Fenster and Wendy and Me), and the stories of the talented people who made them, are an integral part of television history. With a complete list of production credits and rare publicity stills, this volume, based on multiple screenings of episodes, corrects other sources and expand our knowledge of television history.
During the "Must See TV" 1990s, Americans enjoyed such immensely popular sitcoms as Friends, Seinfeld, Home Improvement and The Drew Carey Show. Shows that did not make the ratings cut numbered in the hundreds--the emergence of new networks and cable channels airing original programming resulted in a vast increase in short-lived sitcoms over the previous decade. Some of these "flops" were actually quite good and deserved a better fate. The author revisits them--along with the "dramedies" of the day--with detailed entries providing production and broadcast information, along with critical analyses, and recollections by cast and crew members. A subsection highlights sitcoms that returned for an abbreviated second season. Dozens of cast and crew photographs are included.
Britain is famous for its sitcoms. Many have been been made and numerous sitcoms are regarded as all time classic British television shows. In the past sitcoms were ubiquitous on television - particularly in the 1970s - making up a key part of programme schedules. In later years sitcoms have become rarer, but are still shown. It is common for comedies today to have a modern take on the sitcom and have no laughter track and be almost like a comedy drama. What are the greatest British sitcoms? This is a subjective opinion as people have different senses of humour; this book is the author's opinion, taking into account some other factors such as impact on popular culture, production values and so forth. There is a consensus on the best British sitcoms. These appear on greatest sitcom lists, or a critically acclaimed today. Another way to determine to the British sitcom can be to note which old sitcoms are repeated on British television channels. Hopefully this book will be of interest to those interested in British sitcoms and comedy and hopefully the reader will be introduced to some new comedy classics.
"Lights, Laughter, Action: A Comprehensive Guide to Writing a TV Sitcom" is your ultimate companion on the journey to crafting comedic gold for the small screen. Whether you're a seasoned writer or a budding humorist, this book offers invaluable insights, practical advice, and insider tips from industry professionals. From developing unforgettable characters to pitching your sitcom to networks, each chapter is packed with actionable strategies and creative exercises to help you bring your sitcom vision to life. Get ready to tickle funny bones and leave audiences roaring with laughter as you embark on your sitcom-writing adventure.