More than 125 vivid color photos display groups of Indian-made wrought silver, turquoise, shell, and coral jewelry brought together from the American Southwest. The authors explore the diversity of this handcrafted jewelry from historic collections as well as those available today on reservations. Includes products of Navajo, Zuni, Hopi, and Rio Grande Pueblo artisans.
Mischievous, roguish, or kind spirits of nature represented by handmade children's dolls, known as kachinas, are explored in this colorful volume in the context of the Hopi and Zuñi Native American cultures of New Mexico and Arizona. The study covers their origins, the religious practices surrounding them, their creator's carving styles, restoration, ornamentation, and a chapter on the world's oldest known kachina. Illustrating the Western culture's fascination with the strong suggestive power of these figurines, this investigation also delves into their form within the context of ritual celebrations, during which they are embodied by masked and costumed dancers. This edition is written in both English and French.
In 1975 The Heard Museum published a catalogue of the Barry Goldwater collection of Hopi kachina dolls. The catalog is no longer in print, but the Museum's collection is hereby made accessible in print once again. Beautiful color photographs of 200 kachina dolls are combined with sensitive commentary by a Hopi author. Annotation copyright by Book News, Inc., Portland, OR
Two boys suddenly disappear, and Lt. Joe Leaphorn sets out to locate them. Three things complicate the search: an archaeological dig, a steel hypodermic needle, and the strange laws of the Zuni Indians. A riveting mystery from the bestselling author of Talking God and Skinwalkers.
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
This volume chronicles the commodification of the Hopi Katsina over the last fifteen years. Once known only to the pueblo peoples of the southwest, these carvings have been transformed into international symbols and are found decorating t-shirts, scarves, coasters, and a host of other products. In Katsina the authors confront the consequences of inter- and intracultural perception, definitions of sacred and secular, colonialism and post-colonial retort.Also included are short statements by thirteen contemporary artists actively carving Katsinam or representing them in their work.