On the night of October 6, 1894, Frank Westwood was shot to death by an unknown assailant as he stood in the doorway of his home. Six weeks later, Clara Ford – a Black tailor and single mother known for wearing men’s attire – was arrested and confessed to the murder. But as the details of her arrest and her history with Westwood emerged, Clara recanted, testifying that she was coerced by police into a false confession. Carolyn Whitzman tells the story of a courageous Black woman in nineteenth-century Toronto and paints a portrait of a city and a society that have not changed enough in 125 years.
The complete trilogy collected together for the first time! Journey into the Labyrinth . . . Includes: The Relic Guild, The Cathedral of Known Things, The Watcher of Dead Time and two EXCLUSIVE short stories 'A terrific debut novel, with plenty of scope for expansion and some really good world-building. Most importantly, lots of fun' Joanne M Harris, author of Gospel of Loki Magic caused the war. Magic is forbidden. Magic will save us. It was said the Labyrinth had once been the great meeting place, a sprawling city at the heart of an endless maze where a million humans hosted the Houses of the Aelfir. The Aelfir who had brought trade and riches, and a future full of promise. But when the Thaumaturgists, overlords of human and Aelfir alike, went to war, everything was ruined and the Labyrinth became an abandoned forbidden zone, where humans were trapped behind boundary walls 100 feet high. Now the Aelfir are a distant memory and the Thaumaturgists have faded into myth. Young Clara struggles to survive in a dangerous and dysfunctional city, where eyes are keen, nights are long, and the use of magic is punishable by death. She hides in the shadows, fearful that someone will discover she is touched by magic. She knows her days are numbered. But when a strange man named Fabian Moor returns to the Labyrinth, Clara learns that magic serves a higher purpose and that some myths are much more deadly in the flesh. The only people Clara can trust are the Relic Guild, a secret band of magickers sworn to protect the Labyrinth. But the Relic Guild are now too few. To truly defeat their old nemesis Moor, mightier help will be required. To save the Labyrinth - and the lives of one million humans - Clara and the Relic Guild must find a way to contact the worlds beyond their walls. 'Ed Cox has created a lush, detailed world while also hinting at a larger backstory that will be revealed in volumes to come' SFX 'an exiting blend of steampunk, fantasy, horror and pulp adventure . . . an intriguing, original and enjoying book' Starburst
Magic caused the war. Magic is forbidden. Magic will save us. It was said the Labyrinth had once been the great meeting place, a sprawling city at the heart of an endless maze where a million humans hosted the Houses of the Aelfir. The Aelfir who had brought trade and riches, and a future full of promise. But when the Thaumaturgists, overlords of human and Aelfir alike, went to war, everything was ruined and the Labyrinth became an abandoned forbidden zone, where humans were trapped behind boundary walls 100 feet high. Now the Aelfir are a distant memory and the Thaumaturgists have faded into myth. Young Clara struggles to survive in a dangerous and dysfunctional city, where eyes are keen, nights are long, and the use of magic is punishable by death. She hides in the shadows, fearful that someone will discover she is touched by magic. She knows her days are numbered. But when a strange man named Fabian Moor returns to the Labyrinth, Clara learns that magic serves a higher purpose and that some myths are much more deadly in the flesh. The only people Clara can trust are the Relic Guild, a secret band of magickers sworn to protect the Labyrinth. But the Relic Guild are now too few. To truly defeat their old nemesis Moor, mightier help will be required. To save the Labyrinth - and the lives of one million humans - Clara and the Relic Guild must find a way to contact the worlds beyond their walls.
Suburb, Slum, Urban Village examines the relationship between image and reality for one city neighbourhood – Toronto’s Parkdale. Carolyn Whitzman tracks Parkdale’s story across three eras: its early decades as a politically independent suburb of the industrial city; its half-century of ostensible decline toward becoming a slum; and a post-industrial period of transformation into a revitalized urban village. This book also shows how Parkdale’s image influenced planning policy for the neighbourhood, even when the prevailing image of Parkdale had little to do with the actual social conditions there. Whitzman demonstrates that this misunderstanding of social conditions had discriminatory effects. For example, even while Parkdale’s reputation as a gentrified area grew in the post-sixties era, the overall health and income of the neighbourhood’s residents was in fact decreasing, and the area attracted media coverage as a “dumping ground” for psychiatric outpatients. Parkdale’s changing image thus stood in stark contrast to its real social conditions. Nevertheless, this image became a self-fulfilling prophecy, as it contributed to increasingly skewed planning practices for Parkdale in the late twentieth century. This rich and detailed history of a neighbourhood’s actual conditions, imaginary connotations, and planning policies will appeal to scholars and students in urban studies, planning, and geography, as well as to general readers interested in Toronto and Parkdale’s urban history.
'This time her intrepid heroine is on the trail of a mystery wrapped in an enigma wrapped in a mummy... a beautifully rendered period of Egypt... a ripping adventure in the company of a no nonsense heroine' Vaseem Khan A night at the museum, a dead body and a trail to Cairo. Sounds like a case for Miss Clara Vale! 1930: Miss Clara Vale, chemistry major turned detective, is taking a night off from sleuthing to attend the launch party of a new exhibition at the Hancock Museum in Newcastle. But when the piece de resistance, a rare ornate sarcophagus, is finally opened and it turns out the mummy inside it is a fake, it looks like there is no rest for Clara after all... Later that night, she is summoned back to the museum and asked to investigate a series of stolen Egyptian artefacts. Using her scientific and forensic prowess, Clara, with her trusted assistant Bella in tow, embarks on a trail that will lead from Newcastle to London and along the river Nile to Cairo. But she is not the only person hunting for stolen antiquities and when she uncovers an international smuggling ring with a penchant for murder, it becomes clear that Clara's own life is in danger too. Can Clara catch the smugglers before they get away with another murder among the pyramids? Perfect for fans of Verity Bright, Helena Dixon and TE Kinsey! Readers are LOVING The Pyramid Murders: 'A delightful cozy mystery that will appeal to readers who enjoy smart and sassy protagonists, interesting and not too complicated plots, and a whole lot of FUN! One of the most entertaining cozies I've read in a long time' NetGalley reviewer 'The third in this delightful series. A great cast of characters set in 1930, a cameo from Agatha Christie... what's not to like!' NetGalley reviewer 'Well written and filled with detail... The characters are vivid, and the mystery is very well plotted... there isn't a dull moment' NetGalley reviewer
In 1894, the death by gunshot of 18-year-old Frank Westwood baffled Toronto police until their arrest of a strong-willed woman of colour named Clara Ford.
Can anyone ever truly outrun his past? Back in the 1980s, Wes Raney was an ambitious New York City Narcotics Detective with a growing drug habit of his own. While working undercover on a high-risk case, he made decisions that ultimately cost him not only his career, but also his family. Disgraced, Raney fled-but history is finally catching up with him. Now in his early forties, Raney has been living in exile, the sole homicide investigator covering a two-hundred-mile stretch of desert in New Mexico. His solitude is his salvation-but it ends when a brutal drug deal gone wrong results in a triple murder. Staged in a locked underground bunker, the crime reawakens Raney's haunted and violent past. From the vast, unforgiving landscape of the American west to the mean streets of New York, The Exiled is at once a riveting murder mystery and a brilliant portrait of a man on the run from himself, an unforgettable thriller that is "impossible to put down" (Frank Bill).
