The Accidental Possibilities of the City
The Accidental Possibilities of the City

Author: Katherine Smith

Publisher: University of California Press

Published: 2021-03-02

Total Pages: 347

ISBN-13: 0520305485

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Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowed another crucial aspect of his work. In this revealing reassessment, Katherine Smith traces Oldenburg’s profound responses to shifting urban conditions, framing his enduring relationship with the city as a critical perspective and conceiving his art as urban theory. Smith argues that Oldenburg adapted lessons of context, gleaned from New York’s changing cityscape in the late 1950s, to large-scale objects and architectural plans. By examining disparate projects from New York to Los Angeles, she situates Oldenburg’s innovations in local geographies and national debates. In doing so, Smith illuminates patterns of urbanization through the important contributions of one of the leading artists in the United States.

Allan Kaprow and Claes Oldenburg
Allan Kaprow and Claes Oldenburg

Author: Robert E. Haywood

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9780300222609

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This new interpretation of the structure and meaning of the Happenings produced by Allan Kaprow (1927-2006) and Claes Oldenburg (b. 1929) in the late 1950s and 1960s sheds light on the context, theoretical framework, and working practice unique to this groundbreaking artistic form. Drawing on extensive archival research and including never-before-published drawings by Oldenburg, Robert E. Haywood describes the dialogue - at times contentious - between these two artists about the direction of the Happenings and modern art in general. Through a comprehensive analysis of these often overlooked works, it becomes clear that the Happenings--born in the midst of Cold War tensions and an increased uneasiness with the direction society was taking--challenged the traditional definitions of art in innovative new ways and were a critical component in the development of the art of the 20th century.

Printed Stuff
Printed Stuff

Author: Richard H. Axsom

Publisher: Hudson Hills

Published: 1997

Total Pages: 468

ISBN-13: 9781555951238

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This magnificent volume documents the printmaking career of leading pop artist, influential creator of public monuments, and bravura draftsman Claes Oldenburg. Includes an important essay on Oldenburg's career and a catalogue of his entire printed oeuvre, from limited editions to ephemera. A must for scholars and collectors. 55 b&w illustrations, 52 duotones, 381 colorplates (including 2 gatefolds.

Raw Notes
Raw Notes

Author: Claes Oldenburg

Publisher: Halifax, N.S. : Press of the Nova Scotia College of Art and Design

Published: 2005

Total Pages: 552

ISBN-13:

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Claes Oldenburg, the artist who set new terms for sculpture in the 1960s, is best known for his soft sculptures and his giant monuments of ordinary objects. Because they have been less well documented, Oldenburg's performances have not been fully integrated into the critical discourse surrounding his work. In Raw Notes, Oldenburg has scrupulously collected all of the material relating to his performances. According to his specifications, the text in the book is typed rather then set and appears on only one side of the page. Examples of the original manuscript are reproduced in sixty-three script plates, including stage plans, scores, sketches for programs, and posters. More than two hundred annotations by the author expand the text. Raw Notes will be indispensable as a document of these important aspects of Oldenburg's work.

Claes Oldenburg's Theater of Vision
Claes Oldenburg's Theater of Vision

Author: Nadja Rottner

Publisher: Taylor & Francis

Published: 2023-11-10

Total Pages: 317

ISBN-13: 1000998894

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In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.