Drawing on a body of research covering primarily Europe and the Americas, but stretching also to Asia and Africa, from the mid-eighteenth century to the present, this book explores the methodological and heuristic implications of studying cities in relation to one another. Moving fluidly between comparative and transnational methods, as well as across regional and national lines, the contributors to this volume demonstrate the necessity of this broader view in assessing not just the fundamentals of urban life, the way cities are occupied and organised on a daily basis, but also the urban mindscape, the way cities are imagined and represented. In doing so the volume provides valuable insights into the advantages and limitations of using multiple cities to form historical inquiries.
Drawing on a body of research covering primarily Europe and the Americas, but stretching also to Asia and Africa, from the mid-eighteenth century to the present, this book explores the methodological and heuristic implications of studying cities in relation to one another. Moving fluidly between comparative and transnational methods, as well as across regional and national lines, the contributors to this volume demonstrate the necessity of this broader view in assessing not just the fundamentals of urban life, the way cities are occupied and organised on a daily basis, but also the urban mindscape, the way cities are imagined and represented. In doing so the volume provides valuable insights into the advantages and limitations of using multiple cities to form historical inquiries.
Despite the recent growth in university courses on European Studies and Cultural Studies, and notwithstanding increasing public concern about questions of national identity within Europe, there is currently little material available which explores the diversity of European identities specifically within the context of European literary and filmic culture. In tackling ten novels, six plays, four films, three short stories, three books of travel writing and one diary, covering fifteen nationalities in all, the authors of this volume are seeking to fill this gap. The twelve essays contain detailed textual analysis embedded within a framework of cultural theory whose most celebrated reference points include Freud, Edward Said, Benedict Anderson and Homi Bhabha. This volume is aimed not only at specialists in identity studies and those concerned with the artistic landscape of a wider Europe - including Russia, the Balkans, Finland and Turkey. It will also interest those preoccupied with building an imaginative and imagined identity for Europe, an identity which might help to sustain it as a political entity and lend it greater popular legitimacy than it enjoys at present.
Despite the recent growth in university courses on European Studies and Cultural Studies, and notwithstanding increasing public concern about questions of national identity within Europe, there is currently little material available which explores the diversity of European identities specifically within the context of European literary and filmic culture. In tackling ten novels, six plays, four films, three short stories, three books of travel writing and one diary, covering fifteen nationalities in all, the authors of this volume are seeking to fill this gap. The twelve essays contain detailed textual analysis embedded within a framework of cultural theory whose most celebrated reference points include Freud, Edward Said, Benedict Anderson and Homi Bhabha. This volume is aimed not only at specialists in identity studies and those concerned with the artistic landscape of a wider Europe - including Russia, the Balkans, Finland and Turkey. It will also interest those preoccupied with building an imaginative and imagined identity for Europe, an identity which might help to sustain it as a political entity and lend it greater popular legitimacy than it enjoys at present.
This book addresses James Joyce’s borderlessness and the ways his work crosses or unsettles boundaries of all kinds. The essays in this volume position borderlessness as a major key to understanding Joycean poiesis, opening new doors and new engagements with his work. Contributors begin by exploring the circulation of Joyce’s writing in Latin America via a transcontinental network of writers and translators, including José Lezama Lima, José Salas Subirat, Leopoldo Marechal, Edmundo Desnoës, Guillermo Cabrera Infante, and Augusto Monterroso. Essays then consider Joyce through the lens of the sciences, presenting theoretical interventions on posthumanist parasitology in Ulysses; on Giordano Bruno’s coincidence of opposites in Finnegans Wake; and on algorithmic agency in the Wake. Cutting-edge cognitive narratology is applied to the “Penelope” episode. Next, the volume features innovative essays on Joyce in relation to early animated film and comics, engaging with animated film in the “Circe” episode, Joyce’s points of contact with George Herriman’s cartoon strip Krazy Kat, and structural affinities between open-world gaming and Finnegans Wake. The final essays focus on abiding human concerns, offering new research on Joyce’s creative use of “spicy books”; a Lacanian consideration of “The Dead” alongside Katherine Mansfield’s “The Stranger” and Haruki Murakami’s “Kino”; and a meditation on Joyce’s uncertainties about the boundary between life and death. For Joyce, borders are problems—but ones that provided precious fodder for his art. And as this volume demonstrates, they encourage brilliant reflections on his work, from new scholars to leading luminaries in the field. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
Like any great university, the University of Illinois owes its prominence to the excellence of its faculty. In Lillian Hoddeson's No Boundaries, twenty-three scholars provide easily accessible vignettes about University of Illinois faculty who have made major contributions to their fields, to knowledge, and to the world. Here are many of the most inspiring--and often most amusing--people whose work elevated the University of Illinois into a world leader in a variety of areas. Their lives demonstrate again and again that the work of the University takes place as much away from campus as on it: Oscar Lewis's pioneering studies of poverty in Mexico, for example, Ralph Grim's geological work in Africa, and Nathan Newmark's architectural work in Mexico City. Here also are insights into the remarkable careers of classicist William Oldfather, chemist Roger Adams, the amazing double Nobel Prize-winning physicist John Bardeen, and accounts of Katharine Sharp's work that made the University of Illinois Library into a national treasure. Also included are the legendary contributions of the University of Illinois to computer science, biochemistry, history, literary study, and electronic music.
International in scope and heterogeneous in aesthetics, modern dance reaches across all boundaries, defying or redefining the conventions and time periods of countries where it has flourished. Out of his long experience as dance critic for the New York Times and the Dancing Times of London, Jack Anderson gives us this important, comprehensive history of one of the liveliest and most unpredictable of the arts, illustrated with thirty-six images of dancers, dances, and choreographers. Treating modern dance as a self-renewing art, Anderson follows its changes over the decades and discusses the visionary choreographers (some of whose lives are as colourful and tumultuous as their creations) who have devised new modes of movement. 'Art without Boundaries' begins with an analysis of the rich mixture of American and European influences at the end of the nineteenth century that prompted dancers to react against established norms. Anderson shows how reformist social and educational ideas as well as the impact of the arts of Asia and ancient Greece led such pioneers as Loie Fuller, Maud Allan, Isadora Duncan, and Ruth St. Denis to forge deeply personal views. Anderson discusses the increasingly bold approaches of choreographers and dancers after World War I, how the politically troubled thirties gave rise to social protest dance in America, and how the menace of facism was reflected in the work of European practitioners. Following World War II many European nations turned to ballet, whereas American modern dance prospered under inventive new choreographers like lose Limon, Merce Cunningham, Paul Taylor, and Alwin Nikolais. The book concludes with an authoritative view of how modern dance thrives once again on a worldwide basis. Renowned for his dance criticism, Jack Anderson is also an accomplished and widely published poet. For many years his colourful and precise writing on dance has appeared in such leading dance publications as the New York Times, Dancing Times, and Dance Magazine. He has taught and served on critical panels at dance seminars and festivals throughout the world. He is also the author of Choreography Observed, Ballet and Modern Dance: A Concise History, and The American Dance Festival, among others.
More than a century after the Hmong fled atrocities in southern China, they became trapped in a long civil war in Laos and were involved in more than a decade-long alliance with the United States, fighting against the Communists' expansion in Indochina during the Vietnam War. The Hmong who sided with the United States in the war had faced two major impacts. First, the war had caused unimaginable suffering, a great loss of lives, and a dramatic effect on their natural way of life. Second, after the war, those who managed to escape to Thailand had felt their future was in limbo, while those left behind faced starvation, mass massacres, and persecution. In A World Without Boundaries, Xiong weaves descriptive details of haunting and vivid accounts of suffering of a people in a social and political culture that not only perpetuated nepotism, corruption, and wars, but also fostered an inequality among ethnicities, genders, and social economic castes. It is a story of acts of violence, bloodshed, and heartbreak, of love and sacrifice, and above all, of a people who continue to endure many difficulties, yet strive to achieve a better life in an increasingly complex world after they have lost everything. Book jacket.
Bringing together classic and new writings of the trailblazing feminist theorist Chandra Talpade Mohanty, Feminism without Borders addresses some of the most pressing and complex issues facing contemporary feminism. Forging vital links between daily life and collective action and between theory and pedagogy, Mohanty has been at the vanguard of Third World and international feminist thought and activism for nearly two decades. This collection highlights the concerns running throughout her pioneering work: the politics of difference and solidarity, decolonizing and democratizing feminist practice, the crossing of borders, and the relation of feminist knowledge and scholarship to organizing and social movements. Mohanty offers here a sustained critique of globalization and urges a reorientation of transnational feminist practice toward anticapitalist struggles. Feminism without Borders opens with Mohanty's influential critique of western feminism ("Under Western Eyes") and closes with a reconsideration of that piece based on her latest thinking regarding the ways that gender matters in the racial, class, and national formations of globalization. In between these essays, Mohanty meditates on the lives of women workers at different ends of the global assembly line (in India, the United Kingdom, and the United States); feminist writing on experience, identity, and community; dominant conceptions of multiculturalism and citizenship; and the corporatization of the North American academy. She considers the evolution of interdisciplinary programs like Women's Studies and Race and Ethnic Studies; pedagogies of accommodation and dissent; and transnational women's movements for grassroots ecological solutions and consumer, health, and reproductive rights. Mohanty's probing and provocative analyses of key concepts in feminist thought—"home," "sisterhood," "experience," "community"—lead the way toward a feminism without borders, a feminism fully engaged with the realities of a transnational world.
At the time of his death in 1984, political scientist Pool (late of MIT) had almost completed this vision of a new world resulting from the social and political consequences of communications technology. It was edited into its final form by Eli Noam of Columbia University. Annotation copyrighted by Book News, Inc., Portland, OR
